Return-Path: Received: from mail-wg0-f51.google.com ([74.125.82.51] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5254034 for AE-List@media-motion.tv; Wed, 16 Oct 2013 10:40:50 +0200 Received: by mail-wg0-f51.google.com with SMTP id l18so357278wgh.30 for ; Wed, 16 Oct 2013 01:41:43 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=message-id:date:from:user-agent:mime-version:to:subject :content-type:content-transfer-encoding; bh=DmWOxqIZ5mhf2o5HaGp5Vr4/3I4vh/vMS0BRWqquXPs=; b=HpwnYYP+8Jt1oM3lSlmbl3y6CTc8qAPZ8HCoLTZRJX4/Jv7hBX/7/s8rR6ww7dl7tL RSQ3UfPEuwM7ir1TtxXALd78+qsd5A/7q+Rb4uxLeZqupDkR8SwA5tIKDeiEMDNEVHi6 UOKpLYS6zGZhUVysJHq9zasn+v90aW8zUVGKsG6Q/LaSV8lWM+kA6lb2e6Mntf6veEmt h5El9tNXA5QMpK2UfybvpSsMK12ywfr3g+P/OYPh+EsFzaAbpZ+MWZ5d0Y8rMx+Vws2G FLuXGJEi9y5+PyiMDVAI/WUAXLugCxpFGmjbMhNXiJJLahXz+GAToFua9aikPswDkgF9 gEqg== X-Received: by 10.180.109.33 with SMTP id hp1mr1210176wib.45.1381912902969; Wed, 16 Oct 2013 01:41:42 -0700 (PDT) Return-Path: Received: from [192.168.1.197] ([87.112.231.3]) by mx.google.com with ESMTPSA id bs15sm3627966wib.10.2013.10.16.01.41.41 for (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Wed, 16 Oct 2013 01:41:42 -0700 (PDT) Message-ID: <525E5144.907@gmail.com> Date: Wed, 16 Oct 2013 09:41:40 +0100 From: Perry Mitchell User-Agent: Mozilla/5.0 (Windows NT 6.1; rv:17.0) Gecko/20130801 Thunderbird/17.0.8 MIME-Version: 1.0 To: After Effects Mail List Subject: Camera flicker Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit High speed video shooting has now become pretty mundane. Sony has just released an update to its F5/55 camera that offers 240fps. As a result of seeing some quick & dirty tests I am triggered to ask what is the best flicker reduction AE plug that members have encountered? As a minimum it has to offer the ability to track both moving scenes and differing flicker areas within the shot. -- Perry Mitchell Engineer Farnham, Surrey