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To me if you have control from production to delivery (who really does? :-), I shoot all fast action at higher frame rates (50/60, 100, 200) with propper shutter speed, and the "static shot" at 24p. Then I choose to deliver my master at 24p. And yes I was part of the people who did not enjoy watching the Hobbit at 48fps: it looked like to real for my brain, like being on a stage and watching the story developped in front of me! So yes I believe you don't get the same response from viewer watching 24p over 30p.
Well, 24p does look more filmic and less "video", so can't really blame people for favoring it. (and on the flip side,. seems like a lot of people dissed Pete Jackson for going 48p on The Hobbit!)
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