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| The audio in Pr is pretty good. Because it has submix tracks, that puts it ahead of Avid and FCP. I don't think the native plugs are horrible, but I mostly use a third-party compressor / limiter. Adobe needs to offer more options for buffer size. It tops out at 1024, and that's too low when you have a stack of CPU intensive plug-ins running. It makes the audio sound choppy as you play in real time. A buffer max of 4096 would help things. I found a couple of very useful plugs for fixing poorly recorded audio, the bane of low-budget video production, and documentary work. One does de-reverberation (You often get unwanted room reverb when the mic is too far from the subject.), and the other reduces comb-filtering (a side effect of recording in rooms with parallel walls). Both are CPU hogs, and with the low buffer, Pr can't handle more than one instance of each plug without choking. I'd like to stay in Pr to do my audio work, and I do for 99% of my projects, because I mostly deal with pros who give me good audio that doesn't need a lot of first aid. But not everybody is so lucky. On Nov 19, 2013, at 9:31 AM, Stephen van Vuuren <stephen@sv2studios.com> wrote: >> Audio in Premiere is quite different from Audio in Avid, FCP or Vegas. Once you understand how it works, however, its audio capabilities are very powerful and deep. > > I too would be interested in this. I'm a longtime Vegas user - which started as a multi-track audio program - and find the audio in FCP, Premiere, Avid sorely lacking. Working some projects in Premiere would be nice but immediately run into things that don't seem easy or possible in Premiere. Plus, the audio interface especially plugins seem of low quality. Vegas has a seemingly simple approach that is actually very powerful (and does this for video) now of event, track and media FX, nested/grouped tracks with nice submix routing that makes managing complex audio a breeze. > > It looks from material online and via Adobe this is not possible in Premiere - which does not have track FX for video either, really unfortunate. But I keep hoping I'm missing something on the audio side as it's the reason I only occasionally use Premiere. > > stephen van vuuren > 336.202.4777 > > http://www.insaturnsrings.com/ > http://www.sv2dcp.com/ > http://www.sv2studios.com/ > > A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later. > -Stanley Kubrick > > -----Original Message----- > From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Jarle Leirpoll > Sent: Monday, November 18, 2013 7:18 PM > To: After Effects Mail List > Subject: Re: [AE] Sound in Premiere > > Audio in Premiere is quite different from Audio in Avid, FCP or Vegas. Once you understand how it works, however, its audio capabilities are very powerful and deep. > > Stay tuned to http://premierepro.net. I'm finishing a 70-page chapter on Audio in Premiere Pro right now - I just need to add more image captions. It should be available in a couple of days. :-) > > > > +---End of message---+ > To unsubscribe send any message to <ae-list-off@media-motion.tv> > > +---End of message---+ > To unsubscribe send any message to <ae-list-off@media-motion.tv> |
