Return-Path: Received: from mail-la0-f43.google.com ([209.85.215.43] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5297025 for AE-List@media-motion.tv; Mon, 25 Nov 2013 19:11:59 +0100 Received: by mail-la0-f43.google.com with SMTP id n7so3423580lam.30 for ; Mon, 25 Nov 2013 10:14:11 -0800 (PST) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=1e100.net; s=20130820; h=x-gm-message-state:mime-version:in-reply-to:references:date :message-id:subject:from:to:content-type; bh=e+ge869RwIcELN6mQ4zmDE4zYC5fT7DxmQF14AsDzb8=; b=DmM+yR6MdxHMWeFmAxz5V/o16YEcYmA+hfLCQLyNDrS8u4jLnyOgR6CBaBg6WM281i AuluSs1okFKpMHHCapf4hJdLeUi5y5/2uxg8TnS/GQoKLGKtAsraOe3CF0Qy3EWs60Lb 1K4VW7cgFkV3F1JPOj20VsZ731SyqTyGJXfAJiWuvatjMfXhnyhFh4zH5faOL4y9M1pE CbHvAjeQFe+T5XLg9XFZQcW1cm6qMJlZ036CVBvBvCyYQxc4QKqt/JViys8k7vrYQDfb K+lC/y12WOE21fGrjswPq1sccY0RgRLvMX3FFRZYuIXkN6ORVMES3byIOoBaCpzM42FZ ljZg== X-Gm-Message-State: ALoCoQkmMmnZDxT6QhUr97dapel3kEw2zv4oFOwKj27GDfc+OYV8fZfSTHJ+MJFPsy3HpAvEK0Ow MIME-Version: 1.0 X-Received: by 10.112.185.67 with SMTP id fa3mr2727322lbc.28.1385403250832; Mon, 25 Nov 2013 10:14:10 -0800 (PST) Received: by 10.114.176.137 with HTTP; Mon, 25 Nov 2013 10:14:10 -0800 (PST) X-Originating-IP: [207.164.79.93] Received: by 10.114.176.137 with HTTP; Mon, 25 Nov 2013 10:14:10 -0800 (PST) In-Reply-To: References: Date: Mon, 25 Nov 2013 13:14:10 -0500 Message-ID: Subject: Re: [AE] AE CC -- Rotobrush and Equalize Adjustment Layer From: Zack Lovatt To: After List Content-Type: multipart/alternative; boundary=001a11c32da4a3080904ec0454a5 --001a11c32da4a3080904ec0454a5 Content-Type: text/plain; charset=ISO-8859-1 What you could do is apply the adjustments to the source directly, then precomp the adjusted footage and rotobrush that; even when you remove the effects later, the brush won't change any. Alternatively, after you have finished the job, you can freeze the rotobrush effect and I believe it will then hold regardless of anything else. On 25 Nov 2013 12:58, "Dave" wrote: > Hello All, > As a way of making foreground selection easier when using the Rotobrush > tool in AE CC is it possible to apply an adjustment layer where I would use > Equalize to correct color and then once I have obtained the desired > rotobrush selection (pink outline), delete the Equalize layer and yet still > retain the rotobrushed selection for the purposes of applying to the > original footage without the Equalize layer effect. Can this be done? > > Thank You, > Dave > > +---End of message---+ > To unsubscribe send any message to > --001a11c32da4a3080904ec0454a5 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable

What you could do is apply the adjustments to the source dir= ectly, then precomp the adjusted footage and rotobrush that; even when you = remove the effects later, the brush won't change any.

Alternatively, after you have finished the job, you can free= ze the rotobrush effect and I believe it will then hold regardless of anyth= ing else.

On 25 Nov 2013 12:58, "Dave" <aftereffects-list@gem3.com>= wrote:
Hello All,
As a way of making foreground selection easier when using the Rotobrush too= l in AE CC is it possible to apply an adjustment layer where I would use Eq= ualize to correct color and then once I have obtained the desired rotobrush= selection (pink outline), delete the Equalize layer and yet still retain t= he rotobrushed selection for the purposes of applying to the original foota= ge without the Equalize layer effect. Can this be done?

Thank You,
Dave

+---End of message---+
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