Return-Path: Received: from mail-yh0-f51.google.com ([209.85.213.51] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5298622 for AE-List@media-motion.tv; Wed, 27 Nov 2013 06:49:40 +0100 Received: by mail-yh0-f51.google.com with SMTP id c41so3216817yho.38 for ; Tue, 26 Nov 2013 21:51:53 -0800 (PST) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=1e100.net; s=20130820; h=x-gm-message-state:from:mime-version:content-type:subject:date :in-reply-to:to:references:message-id; bh=SFR0YeWybba+mJ0YEYaJ+00OQGYO5FNmyaDjOyjuehE=; b=W2mo7cGFts7YWLdC68oP1IuU1k26+p0hGZ99upqDfxjUWqynLnP9smPAtZsxKeoYsV InoSOSELCKnq1ENDU5LEaN0FUCuJrwXsMSI+ecF5ySUotCEzuEwOAvOuBqlGFap88m8J KP2oLbiDJmaoaj7bKROYorgcqDhT6d7XZTnmHmlARJO0yJFGod4WZ6vZ3Ko7/kGFtsLx GVViBmmJsRakjEcMb69nykuxD0zn85QEp/Q8i+thE6uHcIDT760rfAFHC7YY4ruPncNJ /r+ReSktU28sgMTN5959F2jOzy8xSbC34akIt5Hd/o36wEBFklNQPwo8UHaMqUHpZz8X lR+A== X-Gm-Message-State: ALoCoQng6touGyuo5tUSCvkNqbJ2cMje0XkuBb3U/94Rzpj8SyixoRp1yDahrzJifTZDojIwNGbU X-Received: by 10.236.62.169 with SMTP id y29mr690648yhc.81.1385531513223; Tue, 26 Nov 2013 21:51:53 -0800 (PST) Return-Path: Received: from ?IPv6:2601:9:7b80:2e2:c0a5:81cd:a1e0:e86? ([2601:9:7b80:2e2:c0a5:81cd:a1e0:e86]) by mx.google.com with ESMTPSA id o27sm87694819yhb.19.2013.11.26.21.51.52 for (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Tue, 26 Nov 2013 21:51:52 -0800 (PST) From: Phil Spitler Mime-Version: 1.0 (Apple Message framework v1283) Content-Type: multipart/alternative; boundary="Apple-Mail=_07143414-D662-48FE-B1FE-1B9DA1E6842C" Subject: Re: [AE] Working with cine footage Date: Tue, 26 Nov 2013 21:51:51 -0800 In-Reply-To: To: "After Effects Mail List" References: Message-Id: X-Mailer: Apple Mail (2.1283) --Apple-Mail=_07143414-D662-48FE-B1FE-1B9DA1E6842C Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii I did a Phantom shoot today. I usually get the DIT to transcode the = clips to ProRes 444 and give me the cine files as backup. Phantom provided free software to convert them although it was Windows = only last time I looked. Phil Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 Website | Facebook | LinkedIn On Nov 26, 2013, at 10:09 AM, George Loch wrote: > I have a Phantom shoot coming up and I am wondering about workflow. = How do you work with Phantom footage inside AE? I know I can bring cine = raw into Premiere natively but, I can't send that sequence into AE. Any = tips? >=20 > -gl >=20 --Apple-Mail=_07143414-D662-48FE-B1FE-1B9DA1E6842C Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii I did = a Phantom shoot today. I usually get the DIT to transcode the clips to = ProRes 444 and give me the cine files as = backup.

Phantom provided free software to convert = them although it was Windows only last time I = looked.

Phil