Return-Path: Received: from mail-yh0-f41.google.com ([209.85.213.41] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5298690 for AE-List@media-motion.tv; Wed, 27 Nov 2013 07:35:12 +0100 Received: by mail-yh0-f41.google.com with SMTP id f11so4769712yha.14 for ; Tue, 26 Nov 2013 22:37:25 -0800 (PST) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=1e100.net; s=20130820; h=x-gm-message-state:from:content-type:content-transfer-encoding :mime-version:subject:message-id:date:references:in-reply-to:to; bh=oZmwiqlUDw9Xk0D4qHoU6tPgW4f8cZP6PC3UGbEQtec=; b=ElprPyOmDT4rh82bzqsBqMMGZb9508JTYR/ALWfkNhvNU64FnQm38S9eX6iwJjcZpW bOm4PoSQvNAyHC0ndWzS25Ok891FL3Sq6635+XPDbnIihjmDZc0Y378NZ1X8siKrMj9d by9zYmpSRIcmWyugpLWbRbZqHIstSMrCANG05rH3tPasFoOrgXJmTFh7he9okIEm25mt x+HBiwFx18wwb25uUPIZXaiseqCB8KaUFt1snml47cExNHdc3KL3uYwr9um9PyZnFQXA NO679YsMcZyWcvPQijAlK1cEE6BBR1ZooX8Kf0LMX/k+xRM7rJhMjMximfQCy8KngMMx GOGQ== X-Gm-Message-State: ALoCoQl3LWCpiqnFUkhr+kpBe7N7zlSh2wccmA2qH/f+/aDmcQ4QviiPj/GeJN7gRWdxzdOMEjTE X-Received: by 10.236.122.239 with SMTP id t75mr13201456yhh.57.1385534245310; Tue, 26 Nov 2013 22:37:25 -0800 (PST) Return-Path: Received: from ?IPv6:2601:d:1800:3b6:dd3d:ddd9:82fc:1eb9? ([2601:d:1800:3b6:dd3d:ddd9:82fc:1eb9]) by mx.google.com with ESMTPSA id w8sm87894893yhg.8.2013.11.26.22.37.24 for (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Tue, 26 Nov 2013 22:37:24 -0800 (PST) From: Brian Higgins Content-Type: multipart/alternative; boundary=Apple-Mail-340FE398-0853-4079-8944-7B89A9D14CC4 Content-Transfer-Encoding: 7bit Mime-Version: 1.0 (1.0) Subject: Re: [AE] Working with cine footage Message-Id: Date: Wed, 27 Nov 2013 00:37:24 -0600 References: In-Reply-To: To: After Effects Mail List X-Mailer: iPhone Mail (11B554a) --Apple-Mail-340FE398-0853-4079-8944-7B89A9D14CC4 Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: quoted-printable Yeah, the Phantoms I've worked with needed to be black balanced after every t= ake. The Windows app for de-whatevering the files used to be...quirky. Ho= pefully it's better now! Sent from my iPhone > On Nov 27, 2013, at 12:25 AM, David Torno wrote: >=20 > Way back when, we use to get ProRes4444 as well. >=20 > Also as a heads up when dealing with Phantom footage, if you see horizonta= l striping or weird lines through any clips. Strong chance the camera wasn't= black balanced before shooting. We actually had to hire a paint artist to r= emove that stuff by hand on green screen footage. Production paid for that m= istake big time. :) >=20 >=20 > David Torno > Visual Effects Professional > http://www.ghosttownmedia.com > O: 213.739.2290 > C: 818.391.6060 > -------------------- > http://www.sydefxink.com > http://aeioweyou.blogspot.com > http://mactex.blogspot.com >=20 > "The most useless day is that in which we do not laugh" > -Charles Field >=20 >> On Nov 26, 2013, at 9:51 PM, Phil Spitler wrote: >>=20 >> I did a Phantom shoot today. I usually get the DIT to transcode the clips= to ProRes 444 and give me the cine files as backup. >>=20 >> Phantom provided free software to convert them although it was Windows on= ly last time I looked. >>=20 >> Phil >>=20 >> Phil Spitler | Creative Technologist | Bonfire Labs | t : 415.394.= 8200 m : 415.571.3139 >>=20 >> Website | Facebook | LinkedIn >>=20 >>=20 >>=20 >>=20 >>=20 >>=20 >>=20 >>=20 >>=20 >>=20 >>> On Nov 26, 2013, at 10:09 AM, George Loch wrote: >>>=20 >>> I have a Phantom shoot coming up and I am wondering about workflow. How d= o you work with Phantom footage inside AE? I know I can bring cine raw into P= remiere natively but, I can't send that sequence into AE. Any tips? >>>=20 >>> -gl >>=20 --Apple-Mail-340FE398-0853-4079-8944-7B89A9D14CC4 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable
Yeah, the Phantoms I've worked with ne= eded to be black balanced after every take.   The Windows app for de-wh= atevering the files used to be...quirky.  Hopefully it's better now!
Sent from my iPhone

On Nov 27, 2013, at 12:25 AM, David T= orno <torno@sydefxink.com> w= rote:

Way back when, we use to= get ProRes4444 as well.

Also as a heads up when de= aling with Phantom footage, if you see horizontal striping or weird lines th= rough any clips. Strong chance the camera wasn't black balanced before shoot= ing. We actually had to hire a paint artist to remove that stuff by hand on g= reen screen footage. Production paid for that mistake big time. :)


David Torno
Visual Effects Professional
O: 2= 13.739.2290
C: 818.391.6060
--------------------
http://www.sydefxink.com
http://aeioweyou.blogspot.com<= div>
"The most useless day is that in which we do not laugh"
-Charles Field

On Nov 26, 2013, at 9:51 PM, Phil Spitler <phil@bonfirelabs.com> wrote:

I did a Phantom shoot today. I usually get the DIT= to transcode the clips to ProRes 444 and give me the cine files as backup.<= div>
Phantom provided free software to convert them although i= t was Windows only last time I looked.

Phil

Phil Spitler=   |  Creative Technologist   |  Bonfire Labs=   |  t : 415.394.8200  m : 415.571.3139

Website | Facebook | LinkedIn


=


=


On Nov 26, 2013, at 10:09 AM, George Loch wrote:

I= have a Phantom shoot coming up and I am wondering about workflow. How do yo= u work with Phantom footage inside AE? I know I can bring cine raw into Prem= iere natively but, I can't send that sequence into AE. Any tips?

-gl


= --Apple-Mail-340FE398-0853-4079-8944-7B89A9D14CC4--