Return-Path: Received: from mail-oa0-f51.google.com ([209.85.219.51] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5298767 for AE-List@media-motion.tv; Wed, 27 Nov 2013 08:49:35 +0100 Received: by mail-oa0-f51.google.com with SMTP id i7so7247676oag.38 for ; Tue, 26 Nov 2013 23:51:49 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=Ma5N5QgD6PBLhxxUJopA9kXHecXJKthy78VGas8a8g8=; b=QLAotD338ZCNst9WWnhl+HW3ZNWLqYN+piAdBYXEpOYk8mycAg7OVcJVTHiFfcN7j3 Te2X4yelNMK07GRtWTQ5vv+ZO3Ro5zMF1bFJaHm1t36D6GyVz+YGTZS8Js8YDEmQiac3 yoyiW7iLZVpA0IiIApQboAbcofvupaO9gVVfVDEi+4oUXJTo/+TUG+jTwgKDa5GWQHXK HDEe7g4SZdpqzmJo6Kcgo3Ru7NJyG79kNa1vOxxhbDvSUn1+cghkWeZ7Po6HZ+AZCEBw ZIZEMnfKJ9MSO7WkfheEyMraH/ItNRgDGIMxT49oqRO4iDrJaImf5CuutFVTEW4SgobP pdCQ== MIME-Version: 1.0 X-Received: by 10.60.80.8 with SMTP id n8mr32637844oex.33.1385538707579; Tue, 26 Nov 2013 23:51:47 -0800 (PST) Received: by 10.76.193.102 with HTTP; Tue, 26 Nov 2013 23:51:47 -0800 (PST) In-Reply-To: References: Date: Tue, 26 Nov 2013 23:51:47 -0800 Message-ID: Subject: Re: [AE] Working with cine footage From: Erik Hansen To: After Effects Mail List Content-Type: multipart/alternative; boundary=089e011606787ce8a904ec23de89 --089e011606787ce8a904ec23de89 Content-Type: text/plain; charset=ISO-8859-1 I feel like a Resolve shill, but Resolve Lite (free) 10 reads .CINE files. Saying that, most Phantom techs have SpeedGrade or Scratch to output whatever you might need. Resolve is really my swiss army knife digital cinema tool these days. Erik Erik Hansen 323-316-3731 @error1k On Tue, Nov 26, 2013 at 10:37 PM, Brian Higgins wrote: > Yeah, the Phantoms I've worked with needed to be black balanced after > every take. The Windows app for de-whatevering the files used to > be...quirky. Hopefully it's better now! > > Sent from my iPhone > > On Nov 27, 2013, at 12:25 AM, David Torno wrote: > > Way back when, we use to get ProRes4444 as well. > > Also as a heads up when dealing with Phantom footage, if you see > horizontal striping or weird lines through any clips. Strong chance the > camera wasn't black balanced before shooting. We actually had to hire a > paint artist to remove that stuff by hand on green screen footage. > Production paid for that mistake big time. :) > > > David Torno > Visual Effects Professional > http://www.ghosttownmedia.com > O: 213.739.2290 > C: 818.391.6060 > -------------------- > http://www.sydefxink.com > http://aeioweyou.blogspot.com > http://mactex.blogspot.com > > "The most useless day is that in which we do not laugh" > -Charles Field > > On Nov 26, 2013, at 9:51 PM, Phil Spitler wrote: > > I did a Phantom shoot today. I usually get the DIT to transcode the clips > to ProRes 444 and give me the cine files as backup. > > Phantom provided free software to convert them although it was Windows > only last time I looked. > > Phil > > *Phil Spitler* | Creative Technologist | *Bonfire Labs* | t : > 415.394.8200 m : 415.571.3139 > > Website | Facebook > | LinkedIn > > > > > > > > > > > On Nov 26, 2013, at 10:09 AM, George Loch wrote: > > I have a Phantom shoot coming up and I am wondering about workflow. How do > you work with Phantom footage inside AE? I know I can bring cine raw into > Premiere natively but, I can't send that sequence into AE. Any tips? > > -gl > > > --089e011606787ce8a904ec23de89 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable
I feel like a Resolve shill, but Resolve Lite (free) 10 re= ads .CINE files. Saying that, most Phantom techs have SpeedGrade or Scratch= to output whatever you might need.

Resolve is really my= swiss army knife digital cinema tool these days.

Erik

Erik Hansen
323-316-3731
@error1k


On Tue, Nov 26, 2013 at 10:37 PM, Brian = Higgins <brian.higgins@flavor.tv> wrote:
Yeah, the Phantoms I've worked with needed to be= black balanced after every take. =A0 The Windows app for de-whatevering th= e files used to be...quirky. =A0Hopefully it's better now!

Sent = from my iPhone

On Nov 27, 2013, at 12:25 AM, David Torno &= lt;torno@sydefxink= .com> wrote:

Way ba= ck when, we use to get ProRes4444 as well.

Also as a heads up when dealing with Phantom footage, i= f you see horizontal striping or weird lines through any clips. Strong chan= ce the camera wasn't black balanced before shooting. We actually had to= hire a paint artist to remove that stuff by hand on green screen footage. = Production paid for that mistake big time. :)


David Torno
Visual Effects Professional
--------------------
=

<= /div>
"The most useless day is that in which = we do not laugh"
-Char= les Field

On Nov 26, 2013, at 9:51 PM, Phil Spit= ler <phil@bonf= irelabs.com> wrote:

I did a Phantom shoot today. I usu= ally get the DIT to transcode the clips to ProRes 444 and give me the cine = files as backup.

Phantom provided free software to conve= rt them although it was Windows only last time I looked.

Phil

Phil Spitler=A0 |=A0 Creative Techno= logist =A0 |=A0=A0Bonfire Labs=A0 |=A0 t : 415.394.8200=A0 m : 415.571.313= 9

Website=A0|= =A0Facebook=A0|=A0LinkedIn





<= br>




On Nov 26, 2013, at 10:09 AM, George Loch wrote:

I have a Phantom shoot coming up an= d I am wondering about workflow. How do you work with Phantom footage insid= e AE? I know I can bring cine raw into Premiere natively but, I can't s= end that sequence into AE. Any tips?

-gl



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