Return-Path: Received: from atl4mhob09.myregisteredsite.com ([209.17.115.47] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5304569 for AE-List@media-motion.tv; Mon, 02 Dec 2013 10:40:16 +0100 Received: from mailpod.hostingplatform.com ([10.30.71.207]) by atl4mhob09.myregisteredsite.com (8.14.4/8.14.4) with ESMTP id rB29gejS024172 for ; Mon, 2 Dec 2013 04:42:40 -0500 Received: (qmail 18707 invoked by uid 0); 2 Dec 2013 09:42:40 -0000 X-TCPREMOTEIP: 60.225.102.245 X-Authenticated-UID: chris@chriszwar.com Received: from unknown (HELO ?192.168.0.3?) (chris@chriszwar.com@60.225.102.245) by 0 with ESMTPA; 2 Dec 2013 09:42:40 -0000 Content-Type: text/plain; charset=windows-1252 Mime-Version: 1.0 (Mac OS X Mail 6.6 \(1510\)) Subject: Re: [AE] White Board effect From: Chris Zwar In-Reply-To: Date: Mon, 2 Dec 2013 20:42:38 +1100 Content-Transfer-Encoding: quoted-printable Message-Id: References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1510) > This appears to be much more automated than some of the others=92 I=92ve= seen. Any idea if this is the case, and how they=92re pulling it off? I've done a load of these recently, and I've started a tutorial on how = to do it - unfortunately it's not ready yet. It's in the pile with = about 5 others that are in various states waiting for me to get the time = to finish and upload them. Basically, Rob's suggestion is how you go about it. The basic steps are = - - reveal your artwork using mask paths and the stroke effect if it isn't = vector to begin with. - if it is vector, you can convert vector artwork to masks in AE (then = use the stroke effect to reveal) - convert all text to paths (a feature built into AE) and also reveal = with stroke effect - sequence all the masks and keyframes until you are happy with the = reveal. - copy the mask paths to the position of the hand / pencil / brush = layer. The mask paths will come in with 2 seconds duration, and roving = keyframes in the middle. Copy and paste the masks in sequence - = beginning each new letter the next keyframe after the previous one. You = have to do this one at a time - quite tedious if there are lots of = masks. - convert ALL position keyframes (except the first and last) to roving = keyframes. Move the first keyframe to the start of the first layer = reveal, and the last to the very end i.e. you are matching up the = start/end position keyframes with the 0 - 100% keyframes of the stroke = effect. The hand will now follow the reveal of the text / artwork - not = 100% perfectly but close enough. You can also get very good results using the 'scribble' effect - again = you can use AE to convert text to masks, then apply the scribble effect = and animate the end value just as you do with the stroke effect. This is a very rushed overview - I'll try to finish off the video = tutorial and get it up soon. Two things to note: - firstly, the effect works best when it's very quick. =20 - I have also worked on a few where we have recorded an artist doing it = for real. There has always been quite a lot of post-processing needed = to fix up the end result - shadows, paper movement, and so on. It's not = necessarily easy just to video someone, although the end results can = look more natural. -Chris=