Return-Path: Received: from p02c11o141.mxlogic.net ([208.65.144.74] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5305203 for AE-List@media-motion.tv; Mon, 02 Dec 2013 20:19:00 +0100 Received: from unknown [216.57.150.10] (EHLO exchangecashub.crameronline.com) by p02c11o141.mxlogic.net(mxl_mta-7.2.2-0) over TLS secured channel with ESMTP id 3bddc925.0.209932.00-081.552905.p02c11o141.mxlogic.net (envelope-from ); Mon, 02 Dec 2013 12:21:26 -0700 (MST) X-MXL-Hash: 529cddb6620f5bbb-6a83716229299fdbb331313d11d38ea632fdd9fa Received: from EXCHANGEMBX.cramerdom.com ([172.16.1.55]) by EXCHANGECasHub.cramerdom.com ([172.16.1.25]) with mapi id 14.03.0158.001; Mon, 2 Dec 2013 14:21:23 -0500 From: Michael Powers To: After Effects Mail List Subject: RE: [AE] OT: New mocha training video (tracking difficult screens) Thread-Topic: [AE] OT: New mocha training video (tracking difficult screens) Thread-Index: AQHO583o4GeeFyT4n0KYXHm7hdgIIppBV4tw Date: Mon, 2 Dec 2013 19:21:22 +0000 Message-ID: <8C6FE228180FE143B942B993AE2E1C74A7D1419F@EXCHANGEMBX.cramerdom.com> References: In-Reply-To: Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: x-originating-ip: [10.10.1.139] Content-Type: multipart/alternative; boundary="_000_8C6FE228180FE143B942B993AE2E1C74A7D1419FEXCHANGEMBXcram_" MIME-Version: 1.0 X-AnalysisOut: [v=2.0 cv=K9uV6VqI c=1 sm=1 a=92rrH11NjGMdhXfoADi2UA==:17 a] X-AnalysisOut: [=1TgokJ0tkEwA:10 a=fvH1djJbZqEA:10 a=O91693uk2i0A:10 a=BLc] X-AnalysisOut: [eEmwcHowA:10 a=G7-xRGy1AAAA:8 a=ERUe88dTAAAA:8 a=XH1BOTkfx] X-AnalysisOut: [bgA:10 a=x4DtWz_vAAAA:8 a=3j4BkbkPAAAA:8 a=JqEG_dyiAAAA:8 ] X-AnalysisOut: [a=vnREMb7VAAAA:8 a=ZgFmqT6sAAAA:8 a=5jAO3Ijx98pgsdRAJnQA:9] X-AnalysisOut: [ a=CjuIK1q_8ugA:10 a=FBFlXbyYl7EA:10 a=rpld2nCxuj0A:10 a=H] X-AnalysisOut: [dAV4206BNUA:10 a=pUNFnclQszAA:10 a=nG8qMnCaVEgA:10 a=AJOOF] X-AnalysisOut: [oStRi8A:10 a=ikbylE-SE_NMatNa:21 a=sY_Ol1qaMqcA_1DE:21 a=y] X-AnalysisOut: [MhMjlubAAAA:8 a=SSmOFEACAAAA:8 a=lGD4s7A-ZI1NLJ4gtdUA:9 a=] X-AnalysisOut: [gKO2Hq4RSVkA:10 a=UiCQ7L4-1S4A:10 a=hTZeC7Yk6K0A:10 a=frz4] X-AnalysisOut: [AuCg-hUA:10 a=tXsnliwV7b4A:10 a=_7FfYppVZzg_LwXK:21 a=zXcU] X-AnalysisOut: [LWsJ5tB0gGJZ:21 a=8KAo5BXeX4zN-7nx:21] X-Spam: [F=0.2000000000; CM=0.500; S=0.200(2010122901)] X-MAIL-FROM: X-SOURCE-IP: [216.57.150.10] --_000_8C6FE228180FE143B942B993AE2E1C74A7D1419FEXCHANGEMBXcram_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Thnx for the links Ross - just got back from vacation. From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of= Ross Shain Sent: Friday, November 22, 2013 4:58 PM To: After Effects Mail List Subject: Re: [AE] OT: New mocha training video (tracking difficult screens) Hi Michael, Both these videos cover a useful technique for offset planar tracking: http://www.imagineersystems.com/videos/04_advanced_tracking.m4v/view http://www.imagineersystems.com/videos/fundamentals-ex.11-mask-shapes-roto-= pt.-2/view The key to doing long pans or dolly shots is to "unlink" the shape search a= rea from the tracking data to create an offset. This is a very useful techn= iqe - as pixels come into the search area, they are offsetting the track. I= t covers a very useful concept: understanding that the search area (shape) = and surface (track data) have a linked relationship, but the search area is= very flexible with keyframes etc. You can apply this same technique to a 3D solve as mocha's 3D camera solver= is based on 2D tracked planes. Hope this helps! -Ross On 22 November 2013 14:18, Michael Powers > wrote: Thnx Ross, I find these very helpful. Could you recommend a training video that deals with getting good tracks an= d (perhaps) camera solves for very long dolly shots - where the total backg= round might be -10 camera views wide over the course of the shot. (sorry if this too OT) From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Ross Shain Sent: Friday, November 22, 2013 1:01 PM To: After Effects Mail List Subject: [AE] OT: New mocha training video (tracking difficult screens) Hi folks, Just wanted to share the screen recording of this week's mocha webinar. If = you have never understood mocha AE or how planar tracking can be used to so= lve very difficult screen inserts, than this is the video watch. This 1 hr video covers advanced techniques as well as methods for finishing= in After Effects. If anyone has requests for future mocha AE training topi= cs, please let me know. Video is found here: http://www.imagineersystems.com/videos/webinar-replay-tracking-dificult-scr= eens-with-mocha/view Note: (If you did attend the webinar, this video fixes the streaming issues= and is high quality.) Cheers, Ross -- Ross Shain Chief Marketing Officer Imagineer Systems - developers of mocha planar tracking and visual effects = tools. -- Ross Shain Chief Marketing Officer Imagineer Systems - developers of mocha planar tracking and visual effects = tools. www.imagineersystems.com Phone: +1.646.298.6458 | Fax: 646.808.0831 | Email: rosss@imagineersystems.= com Find us online: Facebook | Twitter | YouTube = | Vimeo --_000_8C6FE228180FE143B942B993AE2E1C74A7D1419FEXCHANGEMBXcram_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Thnx for the links Ross -= just got back from vacation.

 

From: After Ef= fects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Ross Shain
Sent: Friday, November 22, 2013 4:58 PM
To: After Effects Mail List
Subject: Re: [AE] OT: New mocha training video (tracking difficult s= creens)

 

The key to doing long= pans or dolly shots is to "unlink" the shape search area from th= e tracking data to create an offset. This is a very useful techniqe - as pi= xels come into the search area, they are offsetting the track. It covers a very useful concept: understanding that the search = area (shape) and surface (track data) have a linked relationship, but the s= earch area is very flexible with keyframes etc.

You can apply this sa= me technique to a 3D solve as mocha's 3D camera solver is based on 2D track= ed planes.

Hope this helps!

-Ross

 

On 22 November 2013 14:18, Michael Powers <MPowers@cramer.com>= ; wrote:

Thnx Ross, I find these very helpful.

 

Could you recommend a training video th= at deals with getting good tracks and (perhaps) camera solves for very long dolly shots – where the total background might be -10 = camera views wide over the course of the shot.

 

(sorry if this too OT)

 

From: After Effects Mail Lis= t [mailto:AE-L= ist@media-motion.tv] On Behalf Of Ross Shain
Sent: Friday, November 22, 2013 1:01 PM
To: After Effects Mail List
Subject: [AE] OT: New mocha training video (tracking difficult scree= ns)

 

Hi folks, 

Just wanted to share the screen recording of this week's mocha web= inar. If you have never understood mocha AE or how planar tracking can be u= sed to solve very difficult screen inserts, than this is the video watch.  

 

This 1 hr video covers advanced techniques as well as methods for = finishing in After Effects. If anyone has requests for future mocha AE trai= ning topics, please let me know.

 

Video is found here: 

 

Note: (If you did attend the webinar, this video fixes the stre= aming issues and is high quality.)

 

Cheers,

Ross

 

--

Ross Shain
Chief Marketing Officer
Imagineer Systems - developers of mocha planar tracking and visual e= ffects tools.




--

Ross Shain
Chief Marketing Officer
Imagineer Systems - developers of mocha planar tracking and visual e= ffects tools.

www.imagineer= systems.com
Phone: +1.646.298.6458 | Fax: 646.808.0831 | Email: rosss@imagineersystems.com

Find us online:
Face= book | Twitter | YouTube | Vimeo

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