Return-Path: Received: from mail-qe0-f51.google.com ([209.85.128.51] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5306406 for AE-List@media-motion.tv; Wed, 04 Dec 2013 01:35:57 +0100 Received: by mail-qe0-f51.google.com with SMTP id 1so13255735qee.38 for ; Tue, 03 Dec 2013 16:38:23 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=2tOtEvhN54QXD6EK4WK/tNzdyzdBa/ZlXo0V9lJ//H4=; b=c/XNtCz/3NwzFdmvFMUmCt6k5MavyZTPGoZYv5MbJNJDJHwyiRjvc3O84LfCr2vMfe XBFLZYVxx7BrCdO320a6tcRmSZ+s9t6RN68A314J7bb+l+7c6Xjjw37IblnPbGJoHGsr y1yFielz+EoZRbDBIbYDwrd1UBoTsHroxVY1ultJJ2YOMbys1KpBaDbExj7qA7xgq5LT Vwfm65jEstTKIgZAjwGqDN41HBFl1Q4yUekrQkG2XHhV6vuHgR+3EY0KyJIOORRaz+di RSHGnmsmKKCRxMSMaQKydsLGtzHAT79nhPOast2uxRxYFHgWq/DVr2sh8qTphlPX6Lcy r6Dg== X-Received: by 10.224.136.136 with SMTP id r8mr104080578qat.0.1386117503883; Tue, 03 Dec 2013 16:38:23 -0800 (PST) MIME-Version: 1.0 Received: by 10.96.16.102 with HTTP; Tue, 3 Dec 2013 16:37:43 -0800 (PST) In-Reply-To: References: From: Teddy Gage Date: Tue, 3 Dec 2013 19:37:43 -0500 Message-ID: Subject: Re: [AE] Green screen challenge question To: After Effects Mail List Content-Type: multipart/alternative; boundary=001a11c2b2666fc00404ecaaa1a2 --001a11c2b2666fc00404ecaaa1a2 Content-Type: text/plain; charset=ISO-8859-1 keylight is really magic but it's not very intuitive. The default values are horrible. There are a few tricks. always add a high contrast levels / curves in the effects stack first. Then add keylight effect and grab your matte color. Go and view Screen Matte only in the drop down. Now go to Screen Matte settings: use ctrl+click+drag to fine tune clip black and then clip white to get a sharp matte. Soften it a bit and then play with shrink / grow and roll back. Keeping the view in screen matte, duplicate your layer and remove all effects. Then use the Keylight layer as a Luma Matte above it- this takes care of spotting For really bad motion blur, especially if it's a quick shot, I suggest you switch to roto brush and refine edge / refine matte and clean it up by hand On Tue, Dec 3, 2013 at 7:26 PM, James Culbertson wrote: > I've been given some green screen shot with a 5DmkIII. Hand reaching > across to the back of a TV with prominent shadow: 20 ire to about 15 ire > where the shadows are. Seems like it was shot with higher motion blur than > I am used to like they used 1/30th instead of 1/60th for a 30fps setting. > Of course, lots of noise because it is so dark (don't know what ISO it was > shot with). > > Anyone ever gotten a good key with these light levels using this sort of > camera? I'm having a horrible time and just want to jettison the whole > thing. > > Thanks, James > > > +---End of message---+ > To unsubscribe send any message to > -- VFX & Motion Graphic artist NEW - teddygage.com --001a11c2b2666fc00404ecaaa1a2 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable
keylight is really magic but it's not very intuitive. = The default values are horrible. There are a few tricks. always add a high = contrast levels / curves in the effects stack first. Then add keylight effe= ct and grab your matte color. Go and view Screen Matte only in the drop dow= n. Now go to Screen Matte settings: use ctrl+click+drag to fine tune clip b= lack and then clip white to get a sharp matte. Soften it a bit and then pla= y with shrink / grow and roll back.

Keeping the view in screen matte, duplicate your layer and r= emove all effects. Then use the Keylight layer as a Luma Matte above it- th= is takes care of spotting

For really bad motion bl= ur, especially if it's a quick shot, I suggest you switch to roto brush= and refine edge / refine matte and clean it up by hand


On Tue,= Dec 3, 2013 at 7:26 PM, James Culbertson <albion@speakeasy.net>= wrote:
I've been given some green screen shot w= ith a 5DmkIII. Hand reaching across to the back of a TV with prominent shad= ow: 20 ire to about 15 ire where the shadows are. Seems like it was shot wi= th higher motion blur than I am used to like they used 1/30th instead of 1/= 60th for a 30fps setting. Of course, lots of noise because it is so dark (d= on't know what ISO it was shot with).

Anyone ever gotten a good key with these light levels using this sort of ca= mera? I'm having a horrible time and just want to jettison the whole th= ing.

Thanks, James


+---End of message---+
To unsubscribe send any message to <ae-list-off@media-motion.tv>



--
VFX & Motion Graphic artist<= br>NEW - teddygage.c= om

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