Mailing List AE-List@media-motion.tv ? Message #51884
From: James Culbertson <albion@speakeasy.net>
Subject: Re: [AE] Green screen challenge question
Date: Tue, 3 Dec 2013 17:16:09 -0800
To: After Effects Mail List <AE-List@media-motion.tv>
Teddy, I am definitely using the methods you mention on some of the dark greenscreen footage with good results (though I am finding that Primatte works better than Keylight for this batch of footage; I've also got some of the Key Correct plugs in the mix).

But this other stuff I am referencing is a bit darker, and I wondered if there was an IRE/luminance point of no return...

James


On Dec 3, 2013, at 4:37 PM, Teddy Gage wrote:

keylight is really magic but it's not very intuitive. The default values are horrible. There are a few tricks. always add a high contrast levels / curves in the effects stack first. Then add keylight effect and grab your matte color. Go and view Screen Matte only in the drop down. Now go to Screen Matte settings: use ctrl+click+drag to fine tune clip black and then clip white to get a sharp matte. Soften it a bit and then play with shrink / grow and roll back.

Keeping the view in screen matte, duplicate your layer and remove all effects. Then use the Keylight layer as a Luma Matte above it- this takes care of spotting

For really bad motion blur, especially if it's a quick shot, I suggest you switch to roto brush and refine edge / refine matte and clean it up by hand


On Tue, Dec 3, 2013 at 7:26 PM, James Culbertson <albion@speakeasy.net> wrote:
I've been given some green screen shot with a 5DmkIII. Hand reaching across to the back of a TV with prominent shadow: 20 ire to about 15 ire where the shadows are. Seems like it was shot with higher motion blur than I am used to like they used 1/30th instead of 1/60th for a 30fps setting. Of course, lots of noise because it is so dark (don't know what ISO it was shot with).

Anyone ever gotten a good key with these light levels using this sort of camera? I'm having a horrible time and just want to jettison the whole thing.

Thanks, James


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