Return-Path: Received: from atl4mhob12.myregisteredsite.com ([209.17.115.50] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5316412 for AE-List@media-motion.tv; Fri, 13 Dec 2013 11:33:45 +0100 Received: from mailpod.hostingplatform.com ([10.30.71.206]) by atl4mhob12.myregisteredsite.com (8.14.4/8.14.4) with ESMTP id rBDAaUE4026534 for ; Fri, 13 Dec 2013 05:36:30 -0500 Received: (qmail 19710 invoked by uid 0); 13 Dec 2013 10:36:30 -0000 X-TCPREMOTEIP: 60.225.102.245 X-Authenticated-UID: chris@chriszwar.com Received: from unknown (HELO ?192.168.0.4?) (chris@chriszwar.com@60.225.102.245) by 0 with ESMTPA; 13 Dec 2013 10:36:30 -0000 Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 (Mac OS X Mail 6.6 \(1510\)) Subject: Re: [AE] PAL comp in NTSC world From: Chris Zwar In-Reply-To: Date: Fri, 13 Dec 2013 21:36:27 +1100 Content-Transfer-Encoding: quoted-printable Message-Id: References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1510) Sorry to sound like a pedant but that's not PAL or NTSC. Those terms = refer to the old analogue system. Incidentally, analogue TV has just = stopped broadcasting here in Australia so I suppose it's no longer = correct to refer to us as a PAL country. Using the digital terminology, = PAL is (was) 720x576, 50i and NTSC is 720x486,59.94i. You have HD comps. There is no PAL or NTSC with high def, just = different frame sizes, frames rates, and either progressive or = interlaced. You've said that you have a 1920x1080 "PAL" comp - does that mean it's = 25p or 50i? And you want it to be NTSC - again, you actually have a few = frame rates to choose from - 29.97 and 30 progressive, and 59.94 or 60 = for interlaced. The easiest way to do it is just import the clip into After Effects and = ensure it is interpreted correctly (frame rate and fields). Then drop = it into a new composition that has the new settings you want (e.g. = 1920x1080, 29.97). After Effects will take care of the conversion and = you just have to render it out. This probably won't give you the best results though. The next step is = to turn on frame blending. Try both settings and see if the = pixel-motion setting works without artefacts. If that doesn't work too = well then split the clip at each edit point, and use the time warp = effect - adjusting the parameters for each clip. And finally, if that = doesn't work too well then try a 3rd party product like twixtor. Don't = expect Twixtor to do a better job that After Effects without you doing = some manual adjusting for each shot though. You might have to split the clip at each edit point and use a different = technique for each shot. If you can get pixel blending to work then = great, but often there's a rogue scene that won't work with it. Try it = and see... On 13/12/2013, at 8:52 AM, mpo@michaeloreilly.com wrote: > I have not paid attention to threads about PAL coz I never work with = it >=20 > But I have a great PAL 1920x1080 comp in my possession which I cannot = rework. >=20 > What's the best way to go about outputting an NTSC version of it ? = (drop > it in an NTSC 1080p comp ?) >=20 > Answer is probably simple, but my brain is fried and I am under = deadline. >=20 > thanks >=20 > Mike O >=20 >=20 > +---End of message---+ > To unsubscribe send any message to >=20