Return-Path: Received: from spike.lmi.net ([66.117.140.17] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5319504 for AE-List@media-motion.tv; Tue, 17 Dec 2013 04:50:54 +0100 Received: from [10.0.1.39] (c-71-198-249-239.hsd1.ca.comcast.net [71.198.249.239]) by spike.lmi.net (Postfix) with ESMTP id 76DD1154024 for ; Mon, 16 Dec 2013 19:53:47 -0800 (PST) Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 (Apple Message framework v1085) Subject: Re: [AE] OT: WebM and Theora plug-ins for Premiere From: Brendan Bolles In-Reply-To: Date: Mon, 16 Dec 2013 19:53:47 -0800 Content-Transfer-Encoding: quoted-printable Message-Id: <9FF7F903-532A-4B9B-A8E6-DC7E9084E33E@fnordware.com> References: To: "After Effects Mail List" X-Mailer: Apple Mail (2.1085) On Dec 16, 2013, at 7:40 PM, scott.aelist wrote: > Well that's pretty cool. I haven't investigated these formats much. Do = you find they have advantages over h264 (other than being open source?) = Do you get better quality or smaller file-sizes? VP8 in WebM is roughly equivalent to H.264, and VP9 should be roughly = equivalent to the forthcoming H.265. Theora, based on VP3, is pretty = old technology and not nearly as good, but some people still need it. I think H.264 does generally have a slight edge over VP8, especially = when using the excellent x264 encoder. Not sure about Adobe's encoder. = =46rom what I've read, having a high-quality encoder can make as much = difference as having a high-quality format. Google should probably hire = the x264 people and put them to work on their VP9 encoder. One big advantage for me is that WebM is not QuickTime. So there is no = chance of someone opening a WebM file in QuickTime and getting some sort = of weird gamma issue. I haven't done thorough real-world comparisons though. That's what you = guys are for. ;) Brendan