Return-Path: Received: from mail-pa0-f51.google.com ([209.85.220.51] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5360991 for AE-List@media-motion.tv; Wed, 29 Jan 2014 00:24:13 +0100 Received: by mail-pa0-f51.google.com with SMTP id ld10so1010170pab.38 for ; Tue, 28 Jan 2014 15:28:29 -0800 (PST) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=1e100.net; s=20130820; h=x-gm-message-state:from:mime-version:content-type:subject:date :in-reply-to:to:references:message-id; bh=GxD7BoM0/WTy7d/ZdRuQ0Pejm0BVhp3hgHgkD6/U1eU=; b=VTrKfuzPbnkxnvV2STgYObQGwrGC06r4yBEgoajPf+/iEEeKDO3gIK1K2JxlwtVRoZ 1/TItsy+dL4dIVSN10nwR6GU3mvYqimFV+Vs/j1aAa8hdmbhtSSnENgwykyJBMBbQodq pcX+0qj5bz2l5pfcXhqFkyGrne2AjsjM3XKD/vDwS5ncMt/pzIjRSoRo9c2wbfzwRItr U+C3WKE4K042kSKI/gvleTWxS5b7CqqCmZiFPQQc6m3HYxiIcftf6JmKBZIFXQIQbhhL wzFXo7RxnxVw/IPsDvocGzZgIhWlL+3+YIncy6VnVQ62j0DggpZQ3MXky0zJwX26w/wf R6qQ== X-Gm-Message-State: ALoCoQmf7YpDvyWF5oywAHtB9Yaef0GC4kpytNeLFwWSiE6yA2TebDXAtGY3aUSxFoDz7ilWl2lY X-Received: by 10.66.149.7 with SMTP id tw7mr4463579pab.72.1390951707917; Tue, 28 Jan 2014 15:28:27 -0800 (PST) Return-Path: Received: from [10.0.0.227] ([65.223.58.66]) by mx.google.com with ESMTPSA id gw11sm524107pbd.17.2014.01.28.15.28.24 for (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Tue, 28 Jan 2014 15:28:24 -0800 (PST) From: Phil Spitler Mime-Version: 1.0 (Apple Message framework v1283) Content-Type: multipart/alternative; boundary="Apple-Mail=_06F12EE7-FC8D-4358-9301-8F759E01527D" Subject: Re: [AE] tutorial for color correcting to unify footage from different sources? Date: Tue, 28 Jan 2014 15:28:23 -0800 In-Reply-To: To: "After Effects Mail List" References: Message-Id: X-Mailer: Apple Mail (2.1283) --Apple-Mail=_06F12EE7-FC8D-4358-9301-8F759E01527D Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=iso-8859-1 Adobe Speedgrade has an option for shot matching. = http://tv.adobe.com/watch/creative-cloud-for-video/adobe-speedgrade-cc-sho= t-matcher/ I have never used it but it does look interesting. Phil Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 Website | Facebook | LinkedIn On Jan 28, 2014, at 3:11 PM, scott.aelist wrote: > We're using some stock for a job and the color is a bit different in = all the shots. Does anyone know of a tutorial that covers this type of = thing? I could possibly do it in Premiere if necessary but i'm more = comfortable in AE. --Apple-Mail=_06F12EE7-FC8D-4358-9301-8F759E01527D Content-Transfer-Encoding: 7bit Content-Type: text/html; charset=iso-8859-1 Adobe Speedgrade has an option for shot matching.


I have never used it but it does look interesting.

Phil


signature1 Phil Spitler  |  Creative Technologist   |  Bonfire Labs  |  t : 415.394.8200  m : 415.571.3139

Website | Facebook | LinkedIn

On Jan 28, 2014, at 3:11 PM, scott.aelist wrote:

We're using some stock for a job and the color is a bit different in all the shots. Does anyone know of a tutorial that covers this type of thing? I could possibly do it in Premiere if necessary but i'm more comfortable in AE.

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