Communigate Pro AE-List@media-motion.tv Message 52990

Those resolutions you mentioned seem really low to me. Am I just out of the loop? I mean 2048x880? I know they were elements used for composite, but some things were full screen at times in that movie. Seems a bit low. Like if this film were shown in IMAX things would have been quite blurry.

Maybe I'm just too inexperienced with film motion graphics to understand the workflow.

///Greg Balint
//Art Director / Motion Graphics Designer
/321.514.4839
delRAZOR.com/

Ha Coleran is the MAN! He's the one that got me into it - thanks to Angie Taylor who introduced us long ago! He's a wizard!

Yeah the machines used to really choke playing full-sized videos full screen, as you can imagine. Not as much of an issue now - I was just doing screens for onset playback on Mocking Jay, and we are using ProRes - a fave codec!

Thanks for all the comments guys! Was a great team! :-D

--------------------------------

Jayse Hansen

www.jayse.tv

jayse@jayse.tv

702-321-3449

On Thu, Feb 20, 2014 at 10:06 AM, Richard Green <Rich@loopcorp.com> wrote:

Great work Jayse, and an excellent website too. Anyone interested in
this stuff, there's a really good 50min talk by Mark Coleran from 2010
on YouTube. At one point, he talks about using DeBabelizer to render
his stuff down to 256 colours and exporting to an ancient QT codec
called Graphix. So a lot of those live on-set screen animations he
used to produce were less than 1Mb in size!

http://www.youtube.com/watch?v=Ep4nLFjEu20

Cheers
Rich

www.loopcorp.com

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