Return-Path: Received: from mail-yh0-f48.google.com ([209.85.213.48] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5390317 for AE-List@media-motion.tv; Wed, 26 Feb 2014 14:27:42 +0100 Received: by mail-yh0-f48.google.com with SMTP id z6so740196yhz.21 for ; Wed, 26 Feb 2014 05:27:57 -0800 (PST) X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=1e100.net; s=20130820; h=x-gm-message-state:content-type:mime-version:subject:from :in-reply-to:date:content-transfer-encoding:message-id:references:to; bh=Br+Hk3Sf29akDcXOwTlr2ptK23TaOP5v+bRfYj7cxYI=; b=fJ9t9BiymWIBSp79sV6pr63PGcfoONQ5FH87WAGgPbmVScsW95k3ZiNi9FUhxSs9sK 0EoDLxPis62bT5LcmOUZKS90hAp20PkqcKY4c4APWBtyai9YA727kRar8yd+dr61hjGD pb6S34ilC1BVrh0hmu5Awq1l+9rnkzz2nA1rM0dJanGPnHwWpxmx9nSKJf6ULwxfELcS MlO8jG+NUAloVD5J7uSBHSXMNI2DwssZ9ytHSGvE8Hfn3vVA29TmaTe8S+ed9Wwq3jpk ciAblMtlg8TSCDMCVCcZgd9QFWs4iczcC8jFX0tSO9EHOYMODc4JRKBnyK1YIBSYID+E vwgQ== X-Gm-Message-State: ALoCoQk1U+YT/4QAmSk3imy1r7Hi4fLe83b879aHjGLtj6ElH89NVxGTo91/27oYY+zy+PJjyBfw X-Received: by 10.236.152.36 with SMTP id c24mr1970901yhk.118.1393421277093; Wed, 26 Feb 2014 05:27:57 -0800 (PST) Return-Path: Received: from 66.49.40.101.nw.nuvox.net (66.49.40.101.nw.nuvox.net. [66.49.40.101]) by mx.google.com with ESMTPSA id q9sm2665246yhk.16.2014.02.26.05.27.55 for (version=TLSv1 cipher=ECDHE-RSA-RC4-SHA bits=128/128); Wed, 26 Feb 2014 05:27:56 -0800 (PST) Content-Type: text/plain; charset=us-ascii Mime-Version: 1.0 (Mac OS X Mail 7.1 \(1827\)) Subject: Re: [AE] Shape layer from object animation path From: Benny Christensen In-Reply-To: Date: Wed, 26 Feb 2014 07:27:51 -0600 Content-Transfer-Encoding: quoted-printable Message-Id: References: To: After Effects Mail List X-Mailer: Apple Mail (2.1827) Just spitballing here... Why not use the Stroke Effect and/or the Write on Effect to trace the = path?=20 Then I would try to pick whip the write on position to the balls = position. Benny Christensen Producers Playhouse Oklahoma City 405-858-0700 "We are what we pretend to be, so we must be careful what we pretend to = be." - Kurt Vonnegut (Mother Night) On Feb 26, 2014, at 7:12 AM, sean cusson wrote: > Just in case someone jumps in with this one solution I figured I would = go ahead and post that I just took a screen shot of my comp while the = ball was selected and am going to drop that in to my comp and trace the = shape path over it. >=20 > On 2014-02-26, at 8:06 AM, sean cusson wrote: >=20 >> I have a ball bouncing through my scene and would like to have a line = trail behind it. I was going to draw out a shape layer path and then = just use Trim Paths on it. What makes it a bit more challenging is that = I can only see the ball's animation path while it's selected which = brings me to two questions.=20 >>=20 >> A) Is it possible to force an object to always show it's path (like a = camera or light)? >> B) Is there a way to extrapolate an animation path from an object and = somehow apply that to a shape layer path?=20 >> +---End of message---+ >> To unsubscribe send any message to >=20 >=20 > +---End of message---+ > To unsubscribe send any message to