Return-Path: Received: from mail-ie0-f181.google.com ([209.85.223.181] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5390477 for AE-List@media-motion.tv; Wed, 26 Feb 2014 17:08:32 +0100 Received: by mail-ie0-f181.google.com with SMTP id lx4so831759iec.40 for ; Wed, 26 Feb 2014 08:08:49 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=49uwdOoXfstTaLl/S/KRtPbZmq0oy3Cs9ZrfiOpiV/w=; b=Y1bhQtWxhtsL3UQeB9sl/PeDqPiFl75wOQQ2ZaMQDXeEK8NlN2smG5u72v4WcfCmof 4xzMyB8MuTa0DWm/7CnAdmmeWRED2DV9VXWnUijmG1PR6vEQmooo7BIoORx8felwHZG2 p8aHRLz00JeEwcHnOqzMaRwQULjk65tRLXgvoiP7PqP2USXS8C+uruCfDFCO3cvJ8tAU l4KCD2UVwYCxPOfWzzPdx7d4UuFDL/gw7OESF0HLeOmOsu+QJPHVylQzWOr9Wv+cfT00 ECslc0Ts87UAlj9Ym10tZuO5UerQGwcfkd7wT4oqt3auYSlw1d7eJEuJpfha01P9YoPo 6AqA== X-Received: by 10.50.103.101 with SMTP id fv5mr355653igb.2.1393430927986; Wed, 26 Feb 2014 08:08:47 -0800 (PST) MIME-Version: 1.0 Received: by 10.50.122.67 with HTTP; Wed, 26 Feb 2014 08:08:26 -0800 (PST) In-Reply-To: References: From: "Mr. Eric D. Kirk" Date: Wed, 26 Feb 2014 11:08:26 -0500 Message-ID: Subject: Re: [AE] Motion tracking [Drones] To: After Effects Mail List Content-Type: multipart/alternative; boundary=047d7b2e12937b599d04f3516b36 --047d7b2e12937b599d04f3516b36 Content-Type: text/plain; charset=ISO-8859-1 Well, despite the route, turned out pretty darn good. I love the initial shot as it slows down over the building. Which brings to my attention, I don't think I've ever used timewarp. How is timewarp used and how is it different than time remapping or slowing down using other methods? Thanks, Eric On Wed, Feb 26, 2014 at 11:00 AM, John Morgan wrote: > You could say I stress-tested the footage. J It was originally 1080 > 60fps from the GoPro. I warp stabilized it in a 1080 60fps Pr timeline then > exported it as 720p 23.97. Then took that exported clip into Ae for the > Timewarp....forgetting that I'd made the clip 23.97, I rendered out of Ae as > 29.97. Then took it back to Pr for the final edit and exported as 720p > 23.97. Not exactly the cleanest route! But the footage held up. Exported > timewarped piece from Ae with Frame Blend highest quality switched on. Was > only planning to show it to co-workers who consider the drone "John's toy > thingy," but then this discussion came up so decided to share it on YouTube. > > > > John > > > > *From:* After Effects Mail List [mailto:AE-List@media-motion.tv] *On > Behalf Of *Mr. Eric D. Kirk > *Sent:* Wednesday, February 26, 2014 8:47 AM > *To:* After Effects Mail List > *Subject:* Re: [AE] Motion tracking [Drones] > > > > That's pretty awesome looking footage. > > > > So the time warp was done on 60FPS footage? > > > > Eric > > > > On Wed, Feb 26, 2014 at 9:56 AM, John Morgan wrote: > > http://youtu.be/lgfSvJ-vQPs > > > > Short compilation of drone shots. Note a bit of yawing problem in the > second two scenes. I inadvertantly had the transmitter switched to Course > Lock. Seemed to be fighting me. Or, it was the little bit of wind. Not sure > yet. First shot flying over the Lifetime Activities Center did not have the > yawing. All shots color and sharpness corrected and default Warp Stablized > in Pr. First scene flying over the LAC has Timewarp speed changes in Ae. > > > > John > > > > *From:* After Effects Mail List [mailto:AE-List@media-motion.tv] *On > Behalf Of *John Morgan > *Sent:* Wednesday, February 26, 2014 7:40 AM > *To:* After Effects Mail List > *Subject:* Re: [AE] Motion tracking > > > > Eric, > > 7 months ago I got that same Phantom package from B&H. You'll love the GPS > mode of flying. An R/C hobbyist in my private life, I've flown mostly > aircraft (sailplanes and electrics). As you'll find from flying > helicopters/quadcopter in simulators like RealFlight, they are a handful!! > Orientation is critical and getting mixed up on the controls will put you > on the ground in pieces super fast. GPS mode adds a LOT of stability to > your flying and makes it so you can't get disoriented and slip the Phantom > into the ground. Home Lock/Course Lock modes offer their advantages too. > > > > > > > This message, and any attachments, is intended only for the use of the > addressee and may contain information that is privileged and confidential > or otherwise exempt from disclosure under applicable law. If the reader of > this e-mail is not the intended recipient, you are hereby notified that any > unauthorized use, dissemination, distribution or reproduction of this > message is prohibited. If you have received this communication in error, > please notify the sender by return e-mail and delete this e-mail and any > attachments from your system. -- > > > > > -- > > *Eric D. Kirk | Kirk Productions* > > *Hidden in the Woods | VFX* > > *The Night Visitor | VFX* > > *443.206.1347 <443.206.1347>* > > > *www.kirkproductions.com > kirkproductions@gmail.com * > > *IMDB: http://www.imdb.com/name/nm3351363/ > * > > > -- *Eric D. Kirk | **Kirk Productions* *Hidden in the Woods | VFX* *The Night Visitor | VFX* *443.206.1347* *www.kirkproductions.com kirkproductions@gmail.com * *IMDB: http://www.imdb.com/name/nm3351363/ * --047d7b2e12937b599d04f3516b36 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable
Well, despite the route, turned out pretty darn good.=   I love the initial shot as it slows down over the building.  Wh= ich brings to my attention, I don't think I've ever used timewarp.&= nbsp;
 
How is timewarp used and how is it different than time rem= apping or slowing down using other methods? 
 
Thanks,
Eric
 
 


On Wed, Feb 26, 2014 at 11:00 AM, John Morgan <John.Morgan@slcc.edu> wrote:

You could say I stre= ss-tested the footage. J It was originally 1080 60fps= from the GoPro. I warp stabilized it in a 1080 60fps Pr timeline then exported it as 720p 23.97. Then took that exported clip into Ae for t= he Timewarp….forgetting that I’d made the clip 23.97, I render= ed out of Ae as 29.97. Then took it back to Pr for the final edit and expor= ted as 720p 23.97.  Not exactly the cleanest route! But the footage held up. Exported timewarped piece from Ae with Fra= me Blend highest quality switched on. Was only planning to show it to co-wo= rkers who consider the drone “John’s toy thingy,” but the= n this discussion came up so decided to share it on YouTube.

 =

John

 =

From: After Effe= cts Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Mr. Eric D. Kirk
Sent: Wednesday, February 26, 2014 8:47 AM
To: After Effects Mail List
Subject: Re: [AE] Motion tracking [Drones]

 

That's pretty awesome looking footage.=

 

So the time warp was done on 60FPS footage?

 

Eric

 

On Wed, Feb 26, 2014 at 9:56 AM, John Morgan <John.Morgan@slcc.edu= > wrote:

http://youtu.be/lgfSvJ-= vQPs

 =

Short = compilation of drone shots. Note a bit of yawing problem in the second two = scenes. I inadvertantly had the transmitter switched to Course Lock. Seemed to be = fighting me. Or, it was the little bit of wind. Not sure yet. First shot fl= ying over the Lifetime Activities Center did not have the yawing. All shots= color and sharpness corrected and default Warp Stablized in Pr.  First scene flying over the LAC has Ti= mewarp speed changes in Ae.

 =

John

 =

From: After Effe= cts Mail List [mailto:AE-List@media-motion.tv] On Behalf Of John Morgan
Sent: Wednesday, February 26, 2014 7:40 AM
To: After Effects Mail List
Subject: Re: [AE] Motion tracking

 

Eric,<= u>

7 months ago I got t= hat same Phantom package from B&H. You’ll love the GPS mode of fl= ying. An R/C hobbyist in my private life, I’ve flown mostly aircraft (sailplanes = and electrics). As you’ll find from flying helicopters/quadcopter in = simulators like RealFlight, they are a handful!! Orientation is critical an= d getting mixed up on the controls will put you on the ground in pieces super fast.  GPS mode adds a LOT of stabi= lity to your flying and makes it so you can’t get disoriented and sli= p the Phantom into the ground. Home Lock/Course Lock modes offer their adva= ntages too.

 =

<snip>  


This message, and any attachments, is intended only for the use of the addr= essee and may contain information that is privileged and confidential or ot= herwise exempt from disclosure under applicable law. If the reader of this = e-mail is not the intended recipient, you are hereby notified that any unauthorized use, dissemination, distribu= tion or reproduction of this message is prohibited. If you have received th= is communication in error, please notify the sender by return e-mail and de= lete this e-mail and any attachments from your system.  ­­  




--

Eric D. Kirk | Kirk Productions

Hidden in the Woods | VFX

The Night Visitor | VFX

 




--
<= b>Eric D. Kirk | Kirk Productions
Hidden in th= e Woods | VFX
The Night Visitor | VFX
=
443.206.1347
 
--047d7b2e12937b599d04f3516b36--