Return-Path: Received: from [207.46.163.211] (HELO na01-bl2-obe.outbound.protection.outlook.com) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5413753 for AE-List@media-motion.tv; Fri, 21 Mar 2014 19:46:28 +0100 Received: from CO1PR06MB265.namprd06.prod.outlook.com (10.141.71.15) by CO1PR06MB266.namprd06.prod.outlook.com (10.141.71.18) with Microsoft SMTP Server (TLS) id 15.0.898.11; Fri, 21 Mar 2014 18:47:02 +0000 Received: from CO1PR06MB265.namprd06.prod.outlook.com ([169.254.7.4]) by CO1PR06MB265.namprd06.prod.outlook.com ([169.254.7.4]) with mapi id 15.00.0898.005; Fri, 21 Mar 2014 18:47:01 +0000 From: Stephen van Vuuren To: After Effects Mail List Subject: RE: [AE] OT: HELP! How much to charge IBM for footage? Thread-Topic: [AE] OT: HELP! How much to charge IBM for footage? Thread-Index: AQHPRTKSnQ85890OsUGfu5DkLNryKprr4S4w Date: Fri, 21 Mar 2014 18:47:00 +0000 Message-ID: References: In-Reply-To: Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: x-originating-ip: [24.163.5.74] x-forefront-prvs: 0157DEB61B x-forefront-antispam-report: SFV:NSPM;SFS:(10019001)(428001)(24454002)(377454003)(189002)(199002)(59766001)(79102001)(80022001)(66066001)(94316002)(87266001)(95666003)(94946001)(76786001)(63696002)(20776003)(74502001)(87936001)(85852003)(95416001)(92566001)(74662001)(2656002)(47446002)(86362001)(93516002)(83072002)(65816001)(77096001)(56776001)(54316002)(53806001)(54356001)(76482001)(19609705001)(33646001)(19580405001)(93136001)(16236675002)(81342001)(97336001)(56816005)(85306002)(15202345003)(4396001)(47736001)(49866001)(74876001)(47976001)(50986001)(74366001)(46102001)(51856001)(83322001)(31966008)(76576001)(77982001)(90146001)(74316001)(19580395003)(80976001)(19300405004)(97186001)(81686001)(15975445006)(98676001)(81542001)(81816001)(24736002);DIR:OUT;SFP:1102;SCL:1;SRVR:CO1PR06MB266;H:CO1PR06MB265.namprd06.prod.outlook.com;FPR:1E48D51D.AD129320.33FF77D2.C8C879B9.202E1;MLV:sfv;PTR:InfoNoRecords;MX:1;A:1;LANG:en; received-spf: None (: sv2studios.com does not designate permitted sender hosts) Content-Type: multipart/alternative; boundary="_000_c7a9dd9e0baf424f8a744818749a6867CO1PR06MB265namprd06pro_" MIME-Version: 1.0 X-OriginatorOrg: sv2studios.com --_000_c7a9dd9e0baf424f8a744818749a6867CO1PR06MB265namprd06pro_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable Jim, thanks - good idea. Seem stuff is roughly in $5K range for broadcast, = 1 year. stephen van vuuren 336.202.4777 http://www.insaturnsrings.com/ http://www.sv2dcp.com/ http://www.sv2studios.com/ A film is - or should be - more like music than like fiction. It should be = a progression of moods and feelings. The theme, what's behind the emotion, = the meaning, all that comes later. -Stanley Kubrick From: After Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of= Jim Curtis Sent: Friday, March 21, 2014 2:23 PM To: After Effects Mail List Subject: Re: [AE] OT: HELP! How much to charge IBM for footage? I'd start by going to Getty, and see what they'd charge for similar usage. On Mar 21, 2014, at 1:19 PM, Stephen van Vuuren > wrote: My film for IMAX and giant screen "In Saturn's Rings" just a got a call fro= m IBM's ad agency this morning - they want a few shots for inclusion in com= mercials to run during the Masters. I've licensed stuff a couple of times before for one-time, limited, onscree= n bug use, but never for broadcast global commercial. I've said no, very pa= infully to PBS and BBC who wanted to buy it as royalty free for 5 figures a= nd up. Not sure what I should charge for this. Details I know so far is they want = a few short shots non-exclusive for in perpetuity (which I'm inclined to sa= y no to) although they will consider 1 and 5 year terms. Any hard real world numbers people have seen would be appreciated. stephen van vuuren 336.202.4777 http://www.insaturnsrings.com/ http://www.sv2dcp.com/ http://www.sv2studios.com/ A film is - or should be - more like music than like fiction. It should be = a progression of moods and feelings. The theme, what's behind the emotion, = the meaning, all that comes later. -Stanley Kubrick --_000_c7a9dd9e0baf424f8a744818749a6867CO1PR06MB265namprd06pro_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

Jim, thanks – good = idea. Seem stuff is roughly in $5K range for broadcast, 1 year.<= /span>

 <= /p>

stephen van vuuren

336.202.4777

 

http://www.insaturnsrings.com/

http://www.sv2dcp.com/

http://www.sv2studios.com/

 

A film is – or s= hould be – more like music than like fiction. It should be a progress= ion of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.

–Stanley Kubrick=

 <= /p>

From: After = Effects Mail List [mailto:AE-List@media-motion.tv] On Behalf Of Jim Curtis
Sent: Friday, March 21, 2014 2:23 PM
To: After Effects Mail List
Subject: Re: [AE] OT: HELP! How much to charge IBM for footage?=

 

I'd start by going to Getty, and see what they'd cha= rge for similar usage.

 

 

On Mar 21, 2014, at 1:19 PM, Stephen van Vuuren <= stephen@sv2studios.com> wr= ote:



My film for IMAX and giant screen ̶= 0;In Saturn’s Rings” just a got a call from IBM’s ad agen= cy this morning – they want a few shots for inclusion in commercials = to run during the Masters.

 

I’ve licensed stuff a couple of t= imes before for one-time, limited, onscreen bug use, but never for broadcas= t global commercial. I’ve said no, very painfully to PBS and BBC who wanted to buy it as royalty free for 5 figures and up.

 

Not sure what I should charge for this.= Details I know so far is they want a few short shots non-exclusive for in = perpetuity (which I’m inclined to say no to) although they will consider 1 and 5 year terms.

 

Any hard real world numbers people have= seen would be appreciated.

 

stephen van vuuren

336.202.4777

 <= /o:p>

 <= /o:p>

A film is – or should be ̵= 1; more like music than like fiction. It should be a progression of moods a= nd feelings. The theme, what’s behind the emotion, the meaning, all that comes later.

–Stanley Kubrick

 

 

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