Return-Path: Received: from nk11p00mm-asmtp005.mac.com ([17.158.161.4] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5453306 for AE-List@media-motion.tv; Fri, 25 Apr 2014 16:42:32 +0200 MIME-version: 1.0 Content-transfer-encoding: 7BIT Content-type: text/plain; CHARSET=US-ASCII Received: from [192.168.1.68] (99-152-153-100.lightspeed.dllstx.sbcglobal.net [99.152.153.100]) by nk11p00mm-asmtp005.mac.com (Oracle Communications Messaging Server 7u4-27.08(7.0.4.27.7) 64bit (built Aug 22 2013)) with ESMTPSA id <0N4L008KXCUTP900@nk11p00mm-asmtp005.mac.com> for AE-List@media-motion.tv; Fri, 25 Apr 2014 14:42:31 +0000 (GMT) Subject: Re: [AE] Workflow - colour grading with dynamic link From: Jim Curtis In-reply-to: Date: Fri, 25 Apr 2014 09:42:29 -0500 Message-id: References: To: After Effects Mail List X-Mailer: Apple Mail (2.1510) X-MANTSH: 1TEIXREEbG1oaGkdHB0lGUkdDRl5PWBoaGBEKTEMXGx0EGx8SBBscHwQdGxAbHho fGhEKWE0XSxEKbX4XGhEKTFkXGxobGxEKWUkXEQpZXhdoY2YRCkNOF0sbGxpiTk0ZBBh1GBl4c wcZehseHhh8GREKWFwXGQQaBB0HTUsdEkhJHEwFGx0EGx8SBBscHwQdGxAbHhofGxEKXlkXYUF oQFMRCkxGF2JraxEKQ1oXExMEGx8YBBsfGQQbGhoRCkJGF2MYfGl4eFlIelsBEQpCRRdnehJTf BJwUx1uHhEKQk4XbHBgeUAdYlJpGmIRCkJMF2sdUhoFH0JDGEEcEQpCbBdlHHJHZ39PWmVgZhE KQkAXY25MT0MZaRtOX20RCkJYF2lhQ25nW155XkRyEQpwZxdsS1BiXF1HGHB4ehEKcGgXYnxBa BJtS29zSFARCnBoF2N9G2BLaVlHGHBcEQpwaBdiBWtnT31uUn0YaREKcGgXaQVPS31GTXt/AXs RCnBoF2NrEmhGfFBkRBlnEQpwbBd6X31jTEdzWGJwSxEKcEwXbmRJXB5hZxNIb28R X-CLX-Spam: false X-CLX-Score: 1011 X-Proofpoint-Virus-Version: vendor=fsecure engine=2.50.10432:5.11.96,1.0.14,0.0.0000 definitions=2014-04-25_04:2014-04-25,2014-04-25,1970-01-01 signatures=0 X-Proofpoint-Spam-Details: rule=notspam policy=default score=0 spamscore=0 suspectscore=0 phishscore=0 adultscore=0 bulkscore=0 classifier=spam adjust=0 reason=mlx scancount=1 engine=7.0.1-1402240000 definitions=main-1404250235 On Apr 25, 2014, at 9:14 AM, Jarle Leirpoll wrote: > > Color Grading tools in Premiere are actually very good. And many of them will be familiar to Ae / Color Finesse users: Luma Curve, RGB Curves, and Levels for starters (although Levels doesn't have a GUI or Histogram; there are scopes). The 3-Way Color Corrector has Levels control and the color wheels similar to Colorista and those in Color Finesse, and it has controls for secondaries, setting luma ranges, etc. that are useful. So is the Video Limiter. So, it shouldn't take an old hand at Ae to get up to speed quickly.