Return-Path: Received: from homiemail-a8.g.dreamhost.com ([208.97.132.208] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5458748 for AE-List@media-motion.tv; Tue, 29 Apr 2014 22:11:20 +0200 Received: from homiemail-a8.g.dreamhost.com (localhost [127.0.0.1]) by homiemail-a8.g.dreamhost.com (Postfix) with ESMTP id 94361D22077 for ; Tue, 29 Apr 2014 13:11:19 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha1; c=relaxed; d=influxx.com; h= mime-version:to:message-id:content-type:from:subject:date; s= influxx.com; bh=o9jbemG82IyHPgIZsiVzeEYOGDU=; b=LuYuqQeGRgk7bvF8 +EodS/bs6kaq/GMsZJ4R4TX75iXt7l5j1JBf++ewl6O1NRl5VWugb4hKXnHrpzoo voWBnZOvZU6Wv10Ne863qwM4fHMAks8xx8+Y0FePw3zIwOnHdNMdCcuIiziAeYjk Aqzr+6uTlf5dRDXBAL2kHxmiSVY= Received: from [192.168.0.14] (cpe-98-148-138-81.socal.res.rr.com [98.148.138.81]) (Authenticated sender: adam@influxx.com) by homiemail-a8.g.dreamhost.com (Postfix) with ESMTPA id 7BE9AD22074 for ; Tue, 29 Apr 2014 13:11:19 -0700 (PDT) Mime-Version: 1.0 (Apple Message framework v753.1) To: After Effects After Effects Mail List Message-Id: Content-Type: multipart/alternative; boundary=Apple-Mail-3--411716374 From: adam mercado Subject: Master motion blur shutter setting Date: Tue, 29 Apr 2014 13:11:18 -0700 X-Mailer: Apple Mail (2.753.1) --Apple-Mail-3--411716374 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=ISO-8859-1; delsp=yes; format=flowed Hey all This has bugged me for years, and I cannot seem to find a solution. I =20= typically end up with many nested comps that I need to change the =20 shutter angle on after I have built and animated my show. I know if I =20= was smart I'd make the adjustment BEFORE I do all the grunt work, but =20= I aint that smart. I always thought the top level comp dictated the =20 setting for its nested comps. I believe it still works that way for =20 frame rate (?) and you can set a comp to preserve its frame rate thus =20= over-riding the master setting. Is there such a behaviour for shutter angle? Or is it as it seems to =20 me that this is the normal behaviour. That is, shutter angle will =20 always adhere to the comps setting, regardless of where it is nested. =20= Is there a way to set a comps shutter angle based on its master? Adam Mercado Influxx Media Production Fullerton, CA Moving Images. For Business 714=B0928=B09896 http://www.influxx.com http://www.twitter.com/influxx http://www.linkedin.com/in/influxx http://influxx.tumblr.com/archive http://www.flickr.com/photos/influxx --Apple-Mail-3--411716374 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=ISO-8859-1 Hey all

This has bugged me for years, and I cannot = seem to find a solution. I typically end up with many nested comps that = I need to change the shutter angle on after I have built and animated my = show. I know if I was smart I'd make the adjustment BEFORE I do all the = grunt work, but I aint that smart. I always thought the top level comp = dictated the setting for its nested comps. I believe it still works that = way for frame rate (?) and you can set a comp to preserve its frame rate = thus over-riding the master setting.

Is there = such a behaviour for shutter angle? Or is it as it seems to me that this = is the normal behaviour. That is, shutter angle will always adhere to = the comps setting, regardless of where it is nested. Is there a way to = set a comps shutter angle based on its master?


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