Return-Path: Received: from qmta10.emeryville.ca.mail.comcast.net ([76.96.30.17] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5458905 for ae-list@media-motion.tv; Wed, 30 Apr 2014 01:26:39 +0200 Received: from omta17.emeryville.ca.mail.comcast.net ([76.96.30.73]) by qmta10.emeryville.ca.mail.comcast.net with comcast id vz5P1n0031afHeLAAzSe3H; Tue, 29 Apr 2014 23:26:38 +0000 Received: from resmail-po-247v.sys.comcast.net ([162.150.177.2]) by omta17.emeryville.ca.mail.comcast.net with comcast id vzSd1n00703VDaS8dzSdua; Tue, 29 Apr 2014 23:26:37 +0000 Date: Tue, 29 Apr 2014 23:26:37 +0000 (UTC) From: pixelbot@comcast.net To: After Effects Mail List Message-ID: <2137491394.13780085.1398813997380.JavaMail.root@comcast.net> In-Reply-To: References: Subject: Re: [AE] Master motion blur shutter setting MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="----=_Part_13780084_690230063.1398813997374" X-Originating-IP: [::ffff:107.1.199.10] X-Mailer: Zimbra 8.0.3_GA_5664 (ZimbraWebClient - SAF5.1 (Mac)/8.0.3_GA_5664) Thread-Topic: Master motion blur shutter setting Thread-Index: mejEHkxyksOgA9CsjneuOAy/dXHBnQ== DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=comcast.net; s=q20140121; t=1398813998; bh=7BnI45qltCrKSLqdQp0+3pI4Ow8XKLMIMQyU41Edmvg=; h=Received:Received:Date:From:To:Message-ID:Subject:MIME-Version: Content-Type; b=JXJWcSTVC+dR2GlxNBDtCmdnS2XYGu8jjGkNWzOwd2gQYx5zJyIlccPIi8hjZz/VN UBG/enx+0P3DfIxGf6TeakVhVYkr+8FzLiQP1zOpqqzsxYRSRJABNxQ5iEBo6xSf0F 5+3lqJGmcbSRZkJChCLfIc2owNZzTSs1j+fGm0aspEydpFqFJcKdjroHL2/eVfodmO fNoEMbz7pBK6AA7I6n2ZqGq4qmCOY5mho+FrdbZMyl0O62BTwl+tbymm7HbMpSoQtS gxOMM3nQmD4PWweCMuarl2GrZ2JFef6OlhwfVodmjr6EUOz0EDzmCA+k3o4jOgZjcL Nn0mBOyW5NDmw== ------=_Part_13780084_690230063.1398813997374 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable I think that was a script someone made because I requested it - I had gotte= n a project file from someone and the motion blur setting were screwed up a= nd they had migrated to my comps/projects so that script will set all your = comps to one setting.=20 tt=20 ----- Original Message ----- From: "rendernyc" =20 To: "After Effects Mail List" =20 Sent: Tuesday, April 29, 2014 2:59:42 PM=20 Subject: Re: [AE] Master motion blur shutter setting=20 wow... that sounds like it would make things awfully slow.=20 i believe only if a precomp is collapsed will it use the master settings.= =20 i dont have it in front of me but RD comp setter might allow you to set tho= se for multiple comps all at once=20 On Tue, Apr 29, 2014 at 4:54 PM, Teddy Gage < teddygage@gmail.com > wrote:= =20 One option would be to add the CC Force Motion Blur effect to all layers, a= nd then copy the property links from a master layer null with the effect to= all subcomps and layers. so you would - 1. create null in master comp with= cc force motion blur. choose desired settings for the effect 2. Copy the e= ffect with property links (assuming you are using AE CC) from the drop down= menu. 3. paste the effect to every layer using motion blur=20 it will override all comp MB settings and all settings will be dependent on= a single master null. I often set up complicated projects like this with a= ll effects used multiple times on a master node in this way - color palette= s, glows, fonts etc controlled from a single layer. Makes picky clients eas= ier to deal with=20 -TG=20 On Tue, Apr 29, 2014 at 4:11 PM, adam mercado < adam@influxx.com > wrote:= =20
Hey all=20 This has bugged me for years, and I cannot seem to find a solution. I typic= ally end up with many nested comps that I need to change the shutter angle = on after I have built and animated my show. I know if I was smart I'd make = the adjustment BEFORE I do all the grunt work, but I aint that smart. I alw= ays thought the top level comp dictated the setting for its nested comps. I= believe it still works that way for frame rate (?) and you can set a comp = to preserve its frame rate thus over-riding the master setting.=20 Is there such a behaviour for shutter angle? Or is it as it seems to me tha= t this is the normal behaviour. That is, shutter angle will always adhere t= o the comps setting, regardless of where it is nested. Is there a way to se= t a comps shutter angle based on its master?=20 Adam Mercado=20 Influxx Media Production=20 Fullerton, CA=20 Moving Images. For Business=20 714=C2=B0928=C2=B09896=20 http://www.influxx.com=20 http://www.twitter.com/influxx=20 http://www.linkedin.com/in/influxx=20 http://influxx.tumblr.com/archive=20 http://www.flickr.com/photos/influxx=20 --=20 _____________________________=20 VFX & Motion Graphic Artist=20 teddygage dot com=20
--=20 danny princz=20 vimeo.com/rendernyc=20 ------=_Part_13780084_690230063.1398813997374 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable
I think that was a script someone made= because I requested it - I had gotten a project file from someone and the = motion blur setting were screwed up and they had migrated to my comps/proje= cts so that script will set all your comps to one setting.

tt

From: "rendernyc" <rendernyc@gmail.com>=
To: "After Effects Mail List" <AE-List@media-motion.tv>Sent: Tuesday, April 29, 2014 2:59:42 PM
Subject: Re: [AE= ] Master motion blur shutter setting

wow= ... that sounds like it would make things awfully slow.

= i believe only if a precomp is collapsed will it use the master settings.

i dont have it in front of me but RD comp setter mi= ght allow you to set those for multiple comps all at once



On Tue, Apr 29, 2014 at 4:54 PM, Teddy Gage <teddygage@gmail.com> wrote:
One option would be = to add the CC Force Motion Blur effect to all layers, and then copy the pro= perty links from a master layer null with the effect to all subcomps and la= yers. so you would - 1. create null in master comp with cc force motion blu= r. choose desired settings for the effect 2. Copy the effect with property = links (assuming you are using AE CC) from the drop down menu. 3. paste the = effect to every layer using motion blur

it will override= all comp MB settings and all settings will be dependent on a single master= null. I often set up complicated projects like this with all effects used = multiple times on a master node in this way - color palettes, glows, fonts = etc controlled from a single layer. Makes picky clients easier to deal with=
-TG


On Tue, Apr 29, 2014 at 4:11= PM, adam mercado <adam@influxx.c= om> wrote:
Hey all

This has bugged me for years, and I cannot seem= to find a solution. I typically end up with many nested comps that I need = to change the shutter angle on after I have built and animated my show. I k= now if I was smart I'd make the adjustment BEFORE I do all the grunt work, = but I aint that smart. I always thought the top level comp dictated the set= ting for its nested comps. I believe it still works that way for frame rate= (?) and you can set a comp to preserve its frame rate thus over-riding the= master setting.

Is there such a behaviour for shu= tter angle? Or is it as it seems to me that this is the normal behaviour. T= hat is, shutter angle will always adhere to the comps setting, regardless o= f where it is nested. Is there a way to set a comps shutter angle based on = its master?

Adam Mercado
Influxx Media P= roduction
Fullerton, CA

Moving Images. F= or Business
714=C2=B0928=C2=B09896
http://influxx.tumblr.com/archive=








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_____________________________<= /span>
VFX & Motion Graphic Artist
teddygage dot com



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