Return-Path: Received: from homiemail-a62.g.dreamhost.com ([208.97.132.208] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5458959 for AE-List@media-motion.tv; Wed, 30 Apr 2014 02:53:12 +0200 Received: from homiemail-a62.g.dreamhost.com (localhost [127.0.0.1]) by homiemail-a62.g.dreamhost.com (Postfix) with ESMTP id 3F58963406F for ; Tue, 29 Apr 2014 17:53:11 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha1; c=relaxed; d=influxx.com; h= mime-version:in-reply-to:references:content-type:message-id:from :subject:date:to; s=influxx.com; bh=O208VTNEh49ShJTumdmqKdZL6E0= ; b=D4Armt8QWqC0Pk3nzqENYAFOp0BS0mhNdO2wapuf/vSQ6JzVFHHfc9h8cjPp Q+TE266E+a4HeQ/P5sWIs6oUJBErxWixTrIZ/o4eOscHewXUZh3pm1e2b2kVdXS5 irERZCfgg+Q6GYEC8et4jq+lyd62Wvs4i7iygF6I8Ta9q88= Received: from [192.168.0.14] (cpe-98-148-138-81.socal.res.rr.com [98.148.138.81]) (Authenticated sender: adam@influxx.com) by homiemail-a62.g.dreamhost.com (Postfix) with ESMTPA id 299F663406E for ; Tue, 29 Apr 2014 17:53:11 -0700 (PDT) Mime-Version: 1.0 (Apple Message framework v753.1) In-Reply-To: References: Content-Type: multipart/alternative; boundary=Apple-Mail-6--394804658 Message-Id: <2EE33D8F-FC52-42E7-913E-5EFDDE56B8A8@influxx.com> From: adam mercado Subject: Re: [AE] Master motion blur shutter setting Date: Tue, 29 Apr 2014 17:53:10 -0700 To: "After Effects Mail List" X-Mailer: Apple Mail (2.753.1) --Apple-Mail-6--394804658 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=ISO-8859-1; delsp=yes; format=flowed Ah, thanks. I'll try collapsing and hope my blending modes dont tweek =20= out. And take a look at the ReDefinery script (correct?) cheers Adam Mercado Influxx Media Production Fullerton, CA Moving Images. For Business 714=B0928=B09896 http://www.influxx.com http://www.twitter.com/influxx http://www.linkedin.com/in/influxx http://influxx.tumblr.com/archive http://www.flickr.com/photos/influxx On Apr 29, 2014, at 2:59 PM, rendernyc wrote: > wow... that sounds like it would make things awfully slow. > > i believe only if a precomp is collapsed will it use the master =20 > settings. > > i dont have it in front of me but RD comp setter might allow you to =20= > set those for multiple comps all at once > > > > On Tue, Apr 29, 2014 at 4:54 PM, Teddy Gage =20 > wrote: > One option would be to add the CC Force Motion Blur effect to all =20 > layers, and then copy the property links from a master layer null =20 > with the effect to all subcomps and layers. so you would - 1. =20 > create null in master comp with cc force motion blur. choose =20 > desired settings for the effect 2. Copy the effect with property =20 > links (assuming you are using AE CC) from the drop down menu. 3. =20 > paste the effect to every layer using motion blur > > it will override all comp MB settings and all settings will be =20 > dependent on a single master null. I often set up complicated =20 > projects like this with all effects used multiple times on a master =20= > node in this way - color palettes, glows, fonts etc controlled from =20= > a single layer. Makes picky clients easier to deal with > -TG > > > On Tue, Apr 29, 2014 at 4:11 PM, adam mercado =20 > wrote: > Hey all > > This has bugged me for years, and I cannot seem to find a solution. =20= > I typically end up with many nested comps that I need to change the =20= > shutter angle on after I have built and animated my show. I know if =20= > I was smart I'd make the adjustment BEFORE I do all the grunt work, =20= > but I aint that smart. I always thought the top level comp dictated =20= > the setting for its nested comps. I believe it still works that way =20= > for frame rate (?) and you can set a comp to preserve its frame =20 > rate thus over-riding the master setting. > > Is there such a behaviour for shutter angle? Or is it as it seems =20 > to me that this is the normal behaviour. That is, shutter angle =20 > will always adhere to the comps setting, regardless of where it is =20 > nested. Is there a way to set a comps shutter angle based on its =20 > master? > > Adam Mercado > Influxx Media Production > Fullerton, CA > > Moving Images. For Business > 714=B0928=B09896 > http://www.influxx.com > http://www.twitter.com/influxx > http://www.linkedin.com/in/influxx > http://influxx.tumblr.com/archive > http://www.flickr.com/photos/influxx > > > > > > > > > --=20 > _____________________________ > VFX & Motion Graphic Artist > teddygage dot com > > > > --=20 > danny princz > > vimeo.com/rendernyc --Apple-Mail-6--394804658 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=ISO-8859-1 Ah, thanks. I'll try collapsing and hope my blending modes dont tweek = out. And take a look at the ReDefinery script = (correct?)

cheers


On Apr 29, 2014, at 2:59 PM, rendernyc = wrote:

wow... that sounds like it would make = things awfully slow.

i believe only if a precomp is = collapsed will it use the master settings.

i = dont have it in front of me but RD comp setter might allow you to set = those for multiple comps all at once



On Tue, Apr 29, = 2014 at 4:54 PM, Teddy Gage <teddygage@gmail.com> wrote:
=
One = option would be to add the CC Force Motion Blur effect to all layers, = and then copy the property links from a master layer null with the = effect to all subcomps and layers. so you would - 1. create null in = master comp with cc force motion blur. choose desired settings for the = effect 2. Copy the effect with property links (assuming you are using AE = CC) from the drop down menu. 3. paste the effect to every layer using = motion blur

it will override all comp MB settings = and all settings will be dependent on a single master null. I often set = up complicated projects like this with all effects used multiple times = on a master node in this way - color palettes, glows, fonts etc = controlled from a single layer. Makes picky clients easier to deal = with
-TG


On Tue, Apr 29, 2014 at = 4:11 PM, adam mercado <adam@influxx.com> wrote:
Hey = all

This has bugged me for years, and I cannot seem = to find a solution. I typically end up with many nested comps that I = need to change the shutter angle on after I have built and animated my = show. I know if I was smart I'd make the adjustment BEFORE I do all the = grunt work, but I aint that smart. I always thought the top level comp = dictated the setting for its nested comps. I believe it still works that = way for frame rate (?) and you can set a comp to preserve its frame rate = thus over-riding the master setting.

Is there = such a behaviour for shutter angle? Or is it as it seems to me that this = is the normal behaviour. That is, shutter angle will always adhere to = the comps setting, regardless of where it is nested. Is there a way to = set a comps shutter angle based on its master?

Adam Mercado
Influxx Media = Production
Fullerton, CA

Moving = Images. For Business
714=B0928=B09896
=




<= /span>




--
_____________________________
VFX = & Motion Graphic Artist
teddygage dot com
=



--
danny = princz

vimeo.com/rendernyc
=

= --Apple-Mail-6--394804658--