Return-Path: Received: from mail-we0-f181.google.com ([74.125.82.181] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5461059 for AE-List@media-motion.tv; Fri, 02 May 2014 13:45:01 +0200 Received: by mail-we0-f181.google.com with SMTP id q58so4285802wes.26 for ; Fri, 02 May 2014 04:45:01 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=P9Eb3ssnybbDEmmL+YpWm0Lv3b9uqjT/9gXisJ3tkn8=; b=rgCGcaIIpMc8LZ47g/4YF5t/weu06FeQh4QmemdNBoijKNUmLiDv8b1R/41Era6VpF HAuvxgnkjfNyR19OkODqqpWzQriWfPVyeNDVZHznbT+ZeEPFk/GKefuS4pBaZ1d+JJee ycqqxRexzTWAp4HC34tzANm6xyRA+G+mtJkUBy14GnDFcSJ4gG9EkcdA387UaCmcBEea EU7wHkjEDJ1nw7D3/2F0piL11Zqw9p2ozQXnpDVVTqjG9et3GT4IyuuBm/RyTf4tTsS9 acjDcImQ25IyL7A0cooNAcHFgQvpUp4zdgrMIEpN19gSeK7mkgTAeyGLCYZ+QOcguv56 4FwA== X-Received: by 10.180.187.111 with SMTP id fr15mr2510652wic.57.1399031100843; Fri, 02 May 2014 04:45:00 -0700 (PDT) MIME-Version: 1.0 Received: by 10.227.202.133 with HTTP; Fri, 2 May 2014 04:44:40 -0700 (PDT) In-Reply-To: References: From: Lucas Maciel Date: Fri, 2 May 2014 08:44:40 -0300 Message-ID: Subject: Re: [AE] Workflow - colour grading with dynamic link To: After Effects Mail List Content-Type: multipart/alternative; boundary=001a11c265decbad3304f8694fef --001a11c265decbad3304f8694fef Content-Type: text/plain; charset=UTF-8 Tottally agree by using Premiere! And you can color grading all sequence! But, color grading scene by scene give a lot of work not matter if you are using Premirere or AE! Someone have a tip for that? Correct me if I'm wrong Regards! On Fri, Apr 25, 2014 at 11:42 AM, Jim Curtis wrote: > > On Apr 25, 2014, at 9:14 AM, Jarle Leirpoll wrote: > > > > Color Grading tools in Premiere are actually very good. > > > And many of them will be familiar to Ae / Color Finesse users: Luma > Curve, RGB Curves, and Levels for starters (although Levels doesn't have a > GUI or Histogram; there are scopes). The 3-Way Color Corrector has Levels > control and the color wheels similar to Colorista and those in Color > Finesse, and it has controls for secondaries, setting luma ranges, etc. > that are useful. So is the Video Limiter. So, it shouldn't take an old > hand at Ae to get up to speed quickly. > > > +---End of message---+ > To unsubscribe send any message to > -- *-----------* *Lucas Maciel*, [image: LinkedIn] [image: Flickr] [image: YouTube] [image: Skype] lucasmpm +55 27 88194985 --001a11c265decbad3304f8694fef Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable

Tottally agree by using Premiere! And you can color gradin= g all sequence!=C2=A0

But, color grading scene by scene = give a lot of work not matter if you are using Premirere or AE! =C2=A0Someo= ne have a tip for that? Correct me if I'm wrong

Regards!

On Fri,= Apr 25, 2014 at 11:42 AM, Jim Curtis <jpcurtis@me.com> wrote:=

On Apr 25, 2014, at 9:14 AM, Jarle Leirpoll <leirpoll@online.no> wrote:
>
> Color Grading tools in Premiere are actually very good.

And many of them will be familiar to Ae / Color Finesse users: =C2=A0= Luma Curve, RGB Curves, and Levels for starters (although Levels doesn'= t have a GUI or Histogram; there are scopes). =C2=A0The 3-Way Color Correct= or has Levels control and the color wheels similar to Colorista and those i= n Color Finesse, and it has controls for secondaries, setting luma ranges, = etc. that are useful. =C2=A0So is the Video Limiter. =C2=A0So, it shouldn&#= 39;t take an old hand at Ae to get up to speed quickly.

+---End of message---+
To unsubscribe send any message to <ae-list-off@media-motion.tv>

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Lucas Maciel,=C2=A0

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=C2=A0lucasmpm

=C2=A0 =C2=A0 =C2=A0+55 27 88194985

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