Return-Path: Received: from nmsh3.e.nsc.no ([193.213.121.74] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5462481 for AE-List@media-motion.tv; Sun, 04 May 2014 16:19:12 +0200 X-Auth: leirpoll Received: from HPZBook17 (ip-59-29-203-109.eidsiva.net [109.203.29.59] (may be forged)) (authenticated bits=0) by nmsh3.nsc.no (8.14.7/8.14.7) with ESMTP id s44EJBku008248 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-GCM-SHA384 bits=256 verify=NOT) for ; Sun, 4 May 2014 16:19:11 +0200 (MEST) From: "Jarle Leirpoll" To: "'After Effects Mail List'" Subject: Re: [AE] Workflow - colour grading with dynamic link Date: Sun, 4 May 2014 16:19:05 +0200 Message-ID: <001a01cf67a3$ceb62f10$6c228d30$@online.no> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: Microsoft Outlook 14.0 Thread-Index: Ac9notV639l4yp70SlqMPLHfCh6ccA== Content-Language: no From: Lucas Maciel - Hopping to see this new features, still have my doubts comparing Adobe color grading tools with others like Color and DaVince! the difference between high-end and low-end it's became unclear! -------------------- Could you elaborate on what you mean by "High-End? Premiere now reads LUTs, does animated masks, tracking, master clip effects, adjustment layers, cc on whole sequences, secondary corrections, 3-way CC, Curves etc. - all of it in real-time 4k from raw files with 32-bit per channel glorious color. And it has waveform scopes, vector scopes and RGB Parade scopes. That's pretty high-end to me. :-)