Return-Path: Received: from nmsh2.e.nsc.no ([193.213.121.73] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5473469 for AE-List@media-motion.tv; Thu, 15 May 2014 00:37:30 +0200 X-Auth: leirpoll Received: from HPZBook17 ([148.122.14.30]) (authenticated bits=0) by nmsh2.nsc.no (8.14.7/8.14.7) with ESMTP id s4EMbTj2027563 (version=TLSv1/SSLv3 cipher=DHE-RSA-AES256-GCM-SHA384 bits=256 verify=NOT) for ; Thu, 15 May 2014 00:37:29 +0200 (MEST) From: "Jarle Leirpoll" To: "'After Effects Mail List'" Subject: [AE] UHD on Mac Date: Thu, 15 May 2014 00:37:25 +0200 Message-ID: <001c01cf6fc5$1488e4f0$3d9aaed0$@online.no> MIME-Version: 1.0 Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: 7bit X-Mailer: Microsoft Outlook 14.0 Thread-Index: Ac9vw18tOt559veUSTq8OQl3fGGnsA== Content-Language: no Well, I have two different DreamColor monitors, and they both do 10 bits-per-channel colors at several frame rates via DisplayPort. Then again, I'm on PC, and my world may be very different from yours. But the DreamColor monitors sure can do 30-bit (10 per channel) color at different frame rates. If you feed 10-bit color to the DreamColor, and it's calibrated to Rec709 - then Rec709 is what you see. I do this through DisplayPort. On a Mac, or through HDMI, I'm not sure how that works. /jarle From: Jim Curtis I have the HP DreamColor display, and it only goes into "Deep Color" = mode when fed a 60Hz signal thru DisplayPort or HDMI 1.2. The way you = get it to play other frame rates (like 23.976) is to put a converter, = like the AJA HDP2 between your video card's SDI out and the HDMI to = Displayport cable=85 and wondering what the analogous options are for = this display. I also have a question about how Adobe Ae and Pr handle color spaces = when using the computer's HDMI outputs without a converter box. If it's = Full RGB, that's not very useful for broadcast work, right?