From: "D" Received: from mail-wg0-f45.google.com ([74.125.82.45] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5484078 for AE-List@media-motion.tv; Sat, 24 May 2014 11:58:47 +0200 Received: by mail-wg0-f45.google.com with SMTP id m15so5715943wgh.28 for ; Sat, 24 May 2014 02:58:46 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=MjLEaFqfNJNQ/goVWlwBUVbD9F061Pu0BL5kLwJjOJg=; b=kRsNaLOGHscvu0GH1Wngu9xr+o37GvGkIJfLNLXO59vOkpsM5jvV+5FsQmgu5+pgcI atVGfzSP74st9Cml4BdLL5FETyO2Q6iIfPOBOWZD/GEWZsFTRcRFzSDaNBFfA67HKKQ1 4co/tQKdzElV8M/jHErycWUC16ZHEkQ+de6ijzvVemq2k0NAqITmDzOt2aLTgpxzrM2i UB9jjgIq+pLC0Tjq+kSxljMmUIU0xBTrcPNJHhTVo9DHf3/Gb6asNbok6E2St3uLVSNG 8ON+S4KUT82+ovAe9UybRwhEKnMPKNa9tSIVi0b312zNp1/ungZ+QJ56vv+y5ctOTY6s IdgA== MIME-Version: 1.0 X-Received: by 10.194.79.36 with SMTP id g4mr8845573wjx.71.1400925526746; Sat, 24 May 2014 02:58:46 -0700 (PDT) Received: by 10.217.55.137 with HTTP; Sat, 24 May 2014 02:58:46 -0700 (PDT) In-Reply-To: References: Date: Sat, 24 May 2014 10:58:46 +0100 Message-ID: Subject: [AE] Adding functionality to Render Queue To: After Effects Mail List Content-Type: multipart/alternative; boundary=047d7bb03ab860ed8204fa226463 --047d7bb03ab860ed8204fa226463 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Does CC give the option of a multi pass H264 .mp4 as opposed to previous versions that only allowed single pass? On Saturday, May 24, 2014, Jonathan > wrote: > Put me down for render history too. It is an essential part of my > workflow. I often re-render the same compositions as things change or get > updated. I also lay out segments of a comp for discreet renders and can > sometimes just re-render a segment or two. I also work in multiple > languages. Once the comps are set in one language, I can reuse the same > comp and render settings for the other languages as well, making a minor > change to the file name and perhaps changing the destination. That saves = a > lot of time. > > AME comes in handy for transcoding when I can just set up a batch and wal= k > away. I find it takes what seems to me to be a long time to load the clip= s > to be transcoded into AME, however. > > > Jonathan > > > On May 24, 2014, at 12:49 AM, D wrote: > > I second this! Having the render history there can be vital. > > I never use AME for anything. On the occasions where I've tried it I've > experienced longer render times and sluggish performance generally. I > automatically reach for MPEG streamclip for compression or batches. I've > not tried AME on CC though and my current employers are using it so I'll > try it again. > > > On Saturday, 24 May 2014, rendernyc wrote: > >> its nice to have the RQ history attached to the project so that you can >> see what was rendered. how long it took. etc. >> >> also when opening an old project or someone elses for revisions you see >> what came from where and to track down the comp where you need to make y= our >> changes. >> >> > > *JONATHAN PENZNER* > VIDEO EDITING =E2=80=A2 MOTION GRAPHICS =E2=80=A2 DESIGN > > sundancerealtime@me.com > --047d7bb03ab860ed8204fa226463 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable Does CC give=C2=A0the option of a multi pass H264 .mp4 as oppo= sed to previous versions that only allowed single pass?=C2=A0

On Saturday, May 24, 2014, Jonathan <AE-L= ist@media-motion.tv> wrote:
Put me down for render history too= . It is an essential part of my workflow. I often re-render the same compos= itions as things change or get updated. I also lay out segments of a comp f= or discreet renders and can sometimes just re-render a segment or two. I al= so work in multiple languages. Once the comps are set in one language, I ca= n reuse the same comp and render settings for the other languages as well, = making a minor change to the file name and perhaps changing the destination= . That saves a lot of time.

AME comes in handy for transcoding when I can just set = up a batch and walk away. I find it takes what seems to me to be a long tim= e to load the clips to be transcoded into AME, however.


Jonathan


On May 24, 2= 014, at 12:49 AM, D wrote:

I second this= ! Having the render history there can be vital.=C2=A0

I = never use AME for anything.=C2=A0On the occasions where I've tried it= =C2=A0I've experienced longer render times and sluggish performance gen= erally.=C2=A0I a= utomatically reach for MPEG streamclip for compression or batches. I've= not tried AME=C2=A0on CC though and=C2=A0my current employers=C2=A0are usi= ng it so I'll try it again.=C2=A0


On Saturday, 24 May 2014, rendernyc <AE-List@= media-motion.tv> wrote:
its nice to have the RQ history attached to the project so= that you can see what was rendered. how long it took. etc.

<= div>also when opening an old project or someone elses for revisions you see= what came from where and to track down the comp where you need to make you= r changes.



JONATHAN=C2=A0PENZNER
<= span style=3D"letter-spacing:0px">VIDEO EDITING =E2=80=A2 MOTION GRAPHICS = =E2=80=A2 DESIGN

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