Mailing List AE-List@media-motion.tv — Message #54183
From: Roei Tzoref <AE-List@media-motion.tv>
Subject: Re: [AE] Adobe Premiere Pro 1920x1440
Date: Sat, 7 Jun 2014 17:12:23 +0300
To: After Effects Mail List <AE-List@media-motion.tv>
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ok 

you should try to minimize you going back and forth taking render hits which can compromise quality and potentially waste of time and disk space.

you can still work without dynamic link simply by copy-pasting your sequence from Premiere to Ae - Try it.
either do that or just import the whole premiere project by using file->import->adobe premiere project

the difference between dynamic link is - it's not linked. these is the actual editing with tails to each footage 
so now you can do any thing from effects to color correction and see the shots as you put them.

on the downside -> dissolves and other premiere effects may not make this transition smoothly
and maybe you will have to recreate them. but in my opinion a small compromise.

after you do all the effects you can render out a full quality sequence through encoder or Ae to your Video editing software where you can compile the final sound mix.

if its a heavy pipeline project usually I render out a low res copy for a sound mix (where a specialist does the sound mix) and after I get from the guy the final mix I put it back in 
AE or Preimiere with a full quality video render underneath and render it to whatever purpose.

but that still did not help you with your issue which is you keep getting 1920x1080 instead of 1440. 
I am now not sure if that's a result of improper render settings in AE or AME. 








On Sat, Jun 7, 2014 at 3:49 PM, Mr. Eric D. Kirk <AE-List@media-motion.tv> wrote:
Roei,

My workflow could be that I just don't know any better. :)  However, what I generally have been doing is I take my raw footage in to Premiere first, especially if it's very long and I only want a piece.  So, it's easier to review, find what i want then I extract that.  So, by extract, I clip out that piece, render out of Premiere, then import in to AE, add effects, etc.

If you are referring to the dynamic link thing, I've tried that a time or two and it is SOOOO slow, it's ineffective to me.  If there is another way to send from Premiere to AE, I'm all ears OR if you have another suggestion on workflow, I appreciate it.

Then after in AE, I render out my finished piece and take it back to Premiere where I render out my mp4 with sounds, etc.  I can copy the preset but I just selected one of my existing ones (1920x1080) and then change the settings of that preset for the one render to 1920x1440.

THanks,
Eric




On Sat, Jun 7, 2014 at 7:18 AM, Roei Tzoref <AE-List@media-motion.tv> wrote:
is there a reason for your workflow Premiere->Encode-->AE 
instead of Premiere->Ae>Encode?

I guess your media encoding setting are set to output 1920x1080
view in the export setting in media encoder and compare Source vs Output

you could send me the preset via alt clicking on the save button near the preset button
and save it in your computer and send it.




On Sat, Jun 7, 2014 at 5:23 AM, Mr. Eric D. Kirk <AE-List@media-motion.tv> wrote:
Hey All,

I've been having a great time with this new drone I have, the DJI Phantom 2 with my GoPro camera.  I found right away that using the 1920x1440 is the best way to shoot because it gives you room to remove the propellers when they show.

My problem is, I breing the footage in to a Premiere project which is set properly at 1920x1440.  Then I look through it to see what I want to use and render that piece out to work in AE.

I've tried numerous times to render out a clip at 1920x1440 and every single time, I bring it in to AE and it is 1920x1080.  Somehow I got it right once but it's not working anymore.

I set the pixels, ensuring I unclick the perspective (chain link thing) so it accepts my settings and send to media encoder to render where I see the settings show correctly.

Any ideas on what I'm doing wrong?

Thanks,
Eric

--
Eric D. Kirk | Kirk Productions
Hidden in the Woods | VFX
The Night Visitor | VFX
 




--
Eric D. Kirk | Kirk Productions
Hidden in the Woods | VFX
The Night Visitor | VFX
 

 
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