From: "Teddy Gage" Received: from mail-yk0-f172.google.com ([209.85.160.172] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5496795 for AE-List@media-motion.tv; Sat, 07 Jun 2014 21:17:20 +0200 Received: by mail-yk0-f172.google.com with SMTP id 79so1455052ykr.31 for ; Sat, 07 Jun 2014 12:17:19 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:from:date:message-id:subject:to :content-type; bh=CfYIfy1rkyevLsF9jjM4mSvqnvT8uADqRTCi1/n28gM=; b=C48mVRH+OoYnrM6qg2cXBAyavo8mxV1NSFeHe2SRo1OBKHIfB6bI5ICPU281LCVSdU CyKDk4yTeRFoUrZvlq+XLxkocLs9i0UugI1gby3RLaaa+vzCNL4cY2OG1loN+f7zJ/e8 A75Sl5oArcmnrtHT/JPRnyqjjdwoJB3j2QHo4CqwOXd462rbLGC9r1f2hrHavp0mnGMd fivV+efYcySs569MXbzvOGaF9CCAUUj4nq7PooXCBdw21u6xx82fp+huG1RrWjmZ0qdg IGm4jO3TmhNbDxkygWDWWd/FY+HxNaEnYdaBxZvVVTQF3Ha69Js0yrz98iF15Ex8POkY HbPg== X-Received: by 10.236.101.198 with SMTP id b46mr1073359yhg.68.1402168639139; Sat, 07 Jun 2014 12:17:19 -0700 (PDT) MIME-Version: 1.0 Received: by 10.170.76.134 with HTTP; Sat, 7 Jun 2014 12:16:39 -0700 (PDT) In-Reply-To: References: Date: Sat, 7 Jun 2014 15:16:39 -0400 Message-ID: Subject: Re: [AE] Adobe Premiere Pro 1920x1440 To: After Effects Mail List Content-Type: multipart/alternative; boundary=20cf30050b22a6b79d04fb43d35c --20cf30050b22a6b79d04fb43d35c Content-Type: text/plain; charset=UTF-8 holy crap that looks like fun. Footage looks really clean. Mind me asking what the DJI rig set you back? -TG On Sat, Jun 7, 2014 at 1:58 PM, Mr. Eric D. Kirk wrote: > Here's some footage i took. > > Light House Aerial HdG Maryland: http://youtu.be/Zu8Kx4R5XJo > On Jun 7, 2014 1:56 PM, "Steve Oakley" wrote: > >> ProRes, photojpeg. could even do iframe h264 like AVCintra 200 but why >> bother when you could edit native. gopro is limited to 8bits so whatever >> works. >> >> S >> >> On Jun 7, 2014, at 10:23 AM, Eric D. Kirk >> wrote: >> >> Steve, >> >> You, my friend just resolved it then. That's exactly what i was doing. >> What alternative do you recommend? >> >> Eric >> Eric D. Kirk | Kirk Productions >> Hidden in the Woods | VFX >> The Night Visitor | VFX >> 443.206.1347 >> www.kirkproductions.com >> kirkproductions@gmail.com >> IMDB: http://www.imdb.com/name/nm3351363/ >> >> >> >> >> >> >> On June 7, 2014 11:02:50 AM EDT, Steve Oakley >> wrote: >>> >>> what codec are you rendering to ? if its DNxHD its limited to HD res >>> only and will do exactly what you are describing - force your image into a >>> 1920X1080 >>> >>> otherwise opening the PP TL directly into AE will do what you want w/o >>> any hassle >>> >>> S >>> >>> On Jun 7, 2014, at 9:42 AM, Mr. Eric D. Kirk >>> wrote: >>> >>> Hey, >>> >>> Thanks for all this. Well, you just saved me a ton of f"ing! time with >>> that copy paste! Son of a gun, I never knew you could do that. That of >>> course resolves the short term issue of the 1440 thing, although I still >>> wonder why, even with the settings indicating it is rendering 1920x1440 >>> (literally while I render it directly, I see it). >>> >>> Understand the hits and this just eliminated one with the copy paste. >>> >>> Eric >>> >>> >>> On Sat, Jun 7, 2014 at 10:12 AM, Roei Tzoref >>> wrote: >>> >>>> ok >>>> >>>> you should try to minimize you going back and forth taking render hits >>>> which can compromise quality and potentially waste of time and disk space. >>>> >>>> you can still work without dynamic link simply by copy-pasting your >>>> sequence from Premiere to Ae - Try it. >>>> either do that or just import the whole premiere project by using >>>> file->import->adobe premiere project >>>> >>>> the difference between dynamic link is - it's not linked. these is the >>>> actual editing with tails to each footage >>>> so now you can do any thing from effects to color correction and see >>>> the shots as you put them. >>>> >>>> on the downside -> dissolves and other premiere effects may not make >>>> this transition smoothly >>>> and maybe you will have to recreate them. but in my opinion a small >>>> compromise. >>>> >>>> after you do all the effects you can render out a full quality sequence >>>> through encoder or Ae to your Video editing software where you can compile >>>> the final sound mix. >>>> >>>> if its a heavy pipeline project usually I render out a low res copy for >>>> a sound mix (where a specialist does the sound mix) and after I get from >>>> the guy the final mix I put it back in >>>> AE or Preimiere with a full quality video render underneath and render >>>> it to whatever purpose. >>>> >>>> but that still did not help you with your issue which is you keep >>>> getting 1920x1080 instead of 1440. >>>> I am now not sure if that's a result of improper render settings in AE >>>> or AME. >>>> >>>> >>>>>> >>>>>> >>>>>> >>>>>> On Sat, Jun 7, 2014 at 5:23 AM, Mr. Eric D. Kirk < >>>>>> AE-List@media-motion.tv> wrote: >>>>>> >>>>>>> Hey All, >>>>>>> >>>>>>> I've been having a great time with this new drone I have, the DJI >>>>>>> Phantom 2 with my GoPro camera. I found right away that using the >>>>>>> 1920x1440 is the best way to shoot because it gives you room to remove the >>>>>>> propellers when they show. >>>>>>> >>>>>>> My problem is, I breing the footage in to a Premiere project which >>>>>>> is set properly at 1920x1440. Then I look through it to see what I want to >>>>>>> use and render that piece out to work in AE. >>>>>>> >>>>>>> I've tried numerous times to render out a clip at 1920x1440 and >>>>>>> every single time, I bring it in to AE and it is 1920x1080. Somehow I got >>>>>>> it right once but it's not working anymore. >>>>>>> >>>>>>> I set the pixels, ensuring I unclick the perspective (chain link >>>>>>> thing) so it accepts my settings and send to media encoder to render where >>>>>>> I see the settings show correctly. >>>>>>> >>>>>>> Any ideas on what I'm doing wrong? >>>>>>> >>>>>>> Thanks, >>>>>>> Eric >>>>>>> >>>>>>> -- >>>>>>> *Eric D. Kirk | **Kirk Productions* >>>>>>> *Hidden in the Woods | VFX* >>>>>>> *The Night Visitor | VFX* >>>>>>> *443.206.1347 <443.206.1347>* >>>>>>> >>>>>>> *www.kirkproductions.com >>>>>>> kirkproductions@gmail.com >>>>>>> * >>>>>>> *IMDB: http://www.imdb.com/name/nm3351363/ >>>>>>> * >>>>>>> >>>>>>> >>>>>> >>>>>> >>>>> >>>>> >>>>> -- >>>>> *Eric D. Kirk | **Kirk Productions* >>>>> *Hidden in the Woods | VFX* >>>>> *The Night Visitor | VFX* >>>>> *443.206.1347 <443.206.1347>* >>>>> >>>>> *www.kirkproductions.com >>>>> kirkproductions@gmail.com >>>>> * >>>>> *IMDB: http://www.imdb.com/name/nm3351363/ >>>>> * >>>>> >>>>> >>>> >>>> >>> >>> >>> -- >>> *Eric D. Kirk | **Kirk Productions* >>> *Hidden in the Woods | VFX* >>> *The Night Visitor | VFX* >>> *443.206.1347 <443.206.1347>* >>> >>> *www.kirkproductions.com >>> kirkproductions@gmail.com >>> * >>> *IMDB: http://www.imdb.com/name/nm3351363/ >>> * >>> >>> >>> >>> >> -- _____________________________ VFX & Motion Graphic Artist teddygage dot com --20cf30050b22a6b79d04fb43d35c Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable
holy crap that looks like fun. Footage looks really clean.= Mind me asking what the DJI rig set you back?=C2=A0
-TG


On Sat, Jun 7, 2= 014 at 1:58 PM, Mr. Eric D. Kirk <AE-List@media-motion.tv> wrote:

Here's some footage i too= k.

Light House Aerial HdG Maryland: http://youtu.be/Zu8Kx4R5XJo

On Jun 7, 2014 1:56 PM, "Steve Oakley"= <AE-List@m= edia-motion.tv> wrote:
ProRes, photojpeg. could even do iframe= h264 like AVCintra 200 =C2=A0but why =C2=A0bother when you could edit nati= ve. gopro is limited to 8bits so whatever works.

S
=

On Jun 7, 2014, at 10:23 AM, Eric D. Kirk <AE-List@media-motion.tv> w= rote:

Steve,

You, my friend just resolved it then. That's exactly what i was doing.= What alternative do you recommend?

Eric
Eric D. Kirk |=C2=A0Kirk Productions
Hidden in the Woods | VFX
The Night Visitor | VFX
443.2= 06.1347
www.kirkprodu= ctions.com
kirkproducti= ons@gmail.com
IMDB:=C2=A0=C2=A0http://www.imdb.com/name/nm3351363/

=C2=A0




On June 7, 2014 11:02:50 AM EDT, Steve O= akley <AE-L= ist@media-motion.tv> wrote:
what codec are you rendering to ? if its DNxHD its limited to HD res only a= nd will do exactly what you are describing - force your image into a 1920X1= 080

otherwise opening the PP TL directly into AE will do= what you want w/o any hassle

S

On Jun 7, 2014, at 9:42 AM, M= r. Eric D. Kirk <AE-List@media-motion.tv> wrote:

Hey,

Thanks for all this. =C2=A0Well, y= ou just saved me a ton of f"ing! time with that copy paste! =C2=A0Son = of a gun, I never knew you could do that. =C2=A0That of course resolves the= short term issue of the 1440 thing, although I still wonder why, even with= the settings indicating it is rendering 1920x1440 (literally while I rende= r it directly, I see it).

Understand the hits and this just eliminated one with t= he copy paste.

Eric


On Sat, Jun 7, 2014 at 10:12 AM,= Roei Tzoref <AE-List@media-motion.tv> wrote:
ok=C2=A0

yo= u should try to minimize you going back and forth taking render hits which = can compromise quality and potentially waste of time and disk space.

you can still work without dynamic link simply by copy-= pasting your sequence from Premiere to Ae - Try it.
either do that or just import the whole premiere project by using file= ->import->adobe premiere project

the differe= nce between dynamic link is - it's not linked. these is the actual edit= ing with tails to each footage=C2=A0
so now you can do any thing from effects to color correction and see t= he shots as you put them.

on the downside -> di= ssolves and other premiere effects may not make this transition smoothly
and maybe you will have to recreate them. but in my opinion a small co= mpromise.

after you do all the effects you can ren= der out a full quality sequence through encoder or Ae to your Video editing= software where you can compile the final sound mix.

if its a heavy pipeline project usually I render out a = low res copy for a sound mix (where a specialist does the sound mix) and af= ter I get from the guy the final mix I put it back in=C2=A0
AE or= Preimiere with a full quality video render underneath and render it to wha= tever purpose.

but that still did not help you with your issue which i= s you keep getting 1920x1080 instead of 1440.=C2=A0
I am now not = sure if that's a result of improper render settings in AE or AME.=C2=A0=

=




On Sat, Jun 7, 2014 at 5:23 AM, Mr. Eric= D. Kirk <AE-List@media-motion.tv> wrote:
Hey All,

I've been having a great t= ime with this new drone I have, the DJI Phantom 2 with my GoPro camera. =C2= =A0I found right away that using the 1920x1440 is the best way to shoot bec= ause it gives you room to remove the propellers when they show.

My problem is, I breing the footage in to a Premiere pr= oject which is set properly at 1920x1440. =C2=A0Then I look through it to s= ee what I want to use and render that piece out to work in AE.
I've tried numerous times to render out a clip at 1920x1440 = and every single time, I bring it in to AE and it is 1920x1080. =C2=A0Someh= ow I got it right once but it's not working anymore.

I set the pixels, ensuring I unclick the perspective (chain link thing= ) so it accepts my settings and send to media encoder to render where I see= the settings show correctly.

Any ideas on what I&= #39;m doing wrong?

Thanks,
Eric
<= br>
--
Eric D. Kirk |=C2=A0= Kirk Productions
Hidden in the Woods | VFX
The Night Visitor | VFX
=C2=A0




--
Eric D. Kirk |=C2=A0Kirk Productions
Hidden i= n the Woods | VFX
The Night Visitor | VFX
=C2=A0




--
Eric D. Kirk |=C2=A0Kirk Productions
H= idden in the Woods | VFX
The Night Visitor | VF= X
=C2=A0





--
=
_____________________________=
VFX & Motion Graphic Artist
teddygage dot com
--20cf30050b22a6b79d04fb43d35c--