Hell, I'd never get footage if I needed Faa approval.  Lol. Truth is the faa is not quite up to speed yet on how they will be handling the increased use.  Just saw a story this week in fact on news where, because of the great desire of film makers they may not restrict drones up to 50 lbs and reserve that for larger drones for commercial use.

Eric

On Jun 9, 2014 4:58 PM, "Gordon" <AE-List@media-motion.tv> wrote:

I saw people walking under your drone.  Did you have to get any local clearances with FAA?

-g

Sent from my iPad

On Jun 7, 2014, at 12:47 PM, "Eric D. Kirk" <AE-List@media-motion.tv> wrote:

Teddy,

Not at all. The rig which comes with a go pro gimble is about $959. Pretty steep and i pondered it for like 3 months. Well worth it.

That's NOT counting the camera but i already had that.

Eric
Eric D. Kirk | Kirk Productions
Hidden in the Woods | VFX
The Night Visitor | VFX
443.206.1347
www.kirkproductions.com
kirkproductions@gmail.com
IMDB:  http://www.imdb.com/name/nm3351363/

 

On June 7, 2014 3:16:39 PM EDT, Teddy Gage <AE-List@media-motion.tv> wrote:

holy crap that looks like fun. Footage looks really clean. Mind me asking what the DJI rig set you back? 

-TG

On Sat, Jun 7, 2014 at 1:58 PM, Mr. Eric D. Kirk <AE-List@media-motion.tv> wrote:

Here's some footage i took.

Light House Aerial HdG Maryland: http://youtu.be/Zu8Kx4R5XJo

On Jun 7, 2014 1:56 PM, "Steve Oakley" <AE-List@media-motion.tv> wrote:

ProRes, photojpeg. could even do iframe h264 like AVCintra 200  but why  bother when you could edit native. gopro is limited to 8bits so whatever works.

S

On Jun 7, 2014, at 10:23 AM, Eric D. Kirk <AE-List@media-motion.tv> wrote:

Steve,

You, my friend just resolved it then. That's exactly what i was doing. What alternative do you recommend?

Eric
Eric D. Kirk | Kirk Productions
Hidden in the Woods | VFX
The Night Visitor | VFX
443.206.1347
www.kirkproductions.com
kirkproductions@gmail.com
IMDB:  http://www.imdb.com/name/nm3351363/

 

On June 7, 2014 11:02:50 AM EDT, Steve Oakley <AE-List@media-motion.tv> wrote:

what codec are you rendering to ? if its DNxHD its limited to HD res only and will do exactly what you are describing - force your image into a 1920X1080

otherwise opening the PP TL directly into AE will do what you want w/o any hassle

S

On Jun 7, 2014, at 9:42 AM, Mr. Eric D. Kirk <AE-List@media-motion.tv> wrote:

Hey,

Thanks for all this.  Well, you just saved me a ton of f"ing! time with that copy paste!  Son of a gun, I never knew you could do that.  That of course resolves the short term issue of the 1440 thing, although I still wonder why, even with the settings indicating it is rendering 1920x1440 (literally while I render it directly, I see it).

Understand the hits and this just eliminated one with the copy paste.

Eric

On Sat, Jun 7, 2014 at 10:12 AM, Roei Tzoref <AE-List@media-motion.tv> wrote:

ok 

you should try to minimize you going back and forth taking render hits which can compromise quality and potentially waste of time and disk space.

you can still work without dynamic link simply by copy-pasting your sequence from Premiere to Ae - Try it.

either do that or just import the whole premiere project by using file->import->adobe premiere project

the difference between dynamic link is - it's not linked. these is the actual editing with tails to each footage 

so now you can do any thing from effects to color correction and see the shots as you put them.

on the downside -> dissolves and other premiere effects may not make this transition smoothly

and maybe you will have to recreate them. but in my opinion a small compromise.

after you do all the effects you can render out a full quality sequence through encoder or Ae to your Video editing software where you can compile the final sound mix.

if its a heavy pipeline project usually I render out a low res copy for a sound mix (where a specialist does the sound mix) and after I get from the guy the final mix I put it back in 

AE or Preimiere with a full quality video render underneath and render it to whatever purpose.

but that still did not help you with your issue which is you keep getting 1920x1080 instead of 1440. 

I am now not sure if that's a result of improper render settings in AE or AME. 

On Sat, Jun 7, 2014 at 5:23 AM, Mr. Eric D. Kirk <AE-List@media-motion.tv> wrote:

Hey All,

I've been having a great time with this new drone I have, the DJI Phantom 2 with my GoPro camera.  I found right away that using the 1920x1440 is the best way to shoot because it gives you room to remove the propellers when they show.

My problem is, I breing the footage in to a Premiere project which is set properly at 1920x1440.  Then I look through it to see what I want to use and render that piece out to work in AE.

I've tried numerous times to render out a clip at 1920x1440 and every single time, I bring it in to AE and it is 1920x1080.  Somehow I got it right once but it's not working anymore.

I set the pixels, ensuring I unclick the perspective (chain link thing) so it accepts my settings and send to media encoder to render where I see the settings show correctly.

Any ideas on what I'm doing wrong?

Thanks,
Eric

--

Eric D. Kirk | Kirk Productions

Hidden in the Woods | VFX

The Night Visitor | VFX

443.206.1347

www.kirkproductions.com
kirkproductions@gmail.com

IMDB:  http://www.imdb.com/name/nm3351363/

 

--

Eric D. Kirk | Kirk Productions

Hidden in the Woods | VFX

The Night Visitor | VFX

443.206.1347

www.kirkproductions.com
kirkproductions@gmail.com

IMDB:  http://www.imdb.com/name/nm3351363/

 

--

Eric D. Kirk | Kirk Productions

Hidden in the Woods | VFX

The Night Visitor | VFX

443.206.1347

www.kirkproductions.com
kirkproductions@gmail.com

IMDB:  http://www.imdb.com/name/nm3351363/

 

--

_____________________________

VFX & Motion Graphic Artist
teddygage dot com