From: "Michael Powers" Received: from p02c12o148.mxlogic.net ([208.65.145.81] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5507252 for AE-List@media-motion.tv; Fri, 20 Jun 2014 16:53:12 +0200 Received: from unknown [216.57.150.10] (EHLO exchangecashub.crameronline.com) by p02c12o148.mxlogic.net(mxl_mta-8.0.0-1) over TLS secured channel with ESMTP id 6da44a35.0.160122.00-354.399784.p02c12o148.mxlogic.net (envelope-from ); Fri, 20 Jun 2014 08:53:12 -0600 (MDT) X-MXL-Hash: 53a44ad8582c99af-e8ed98d95344d734a4a5398c517c874bfcd8a70e Received: from EXCHANGEMBX.cramerdom.com ([172.16.1.55]) by EXCHANGECasHub.cramerdom.com ([172.16.1.25]) with mapi id 14.03.0174.001; Fri, 20 Jun 2014 10:53:09 -0400 To: After Effects Mail List Subject: Projection Mapping Show Thread-Topic: Projection Mapping Show Thread-Index: Ac+Ml1H7zm45Jgl/SUu+mVj52fpbhA== Date: Fri, 20 Jun 2014 14:53:09 +0000 Message-ID: <8C6FE228180FE143B942B993AE2E1C74A8634C54@EXCHANGEMBX.cramerdom.com> Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: x-originating-ip: [10.10.1.139] Content-Type: multipart/alternative; boundary="_000_8C6FE228180FE143B942B993AE2E1C74A8634C54EXCHANGEMBXcram_" MIME-Version: 1.0 X-AnalysisOut: [v=2.1 cv=Ds/Y+QP+ c=1 sm=1 tr=0 a=92rrH11NjGMdhXfoADi2UA==] X-AnalysisOut: [:117 a=92rrH11NjGMdhXfoADi2UA==:17 a=fvH1djJbZqEA:10 a=O91] X-AnalysisOut: [693uk2i0A:10 a=BLceEmwcHowA:10 a=G7-xRGy1AAAA:8 a=ERUe88dT] X-AnalysisOut: [AAAA:8 a=sQkoB04UAAAA:8 a=YlVTAMxIAAAA:8 a=ZgFmqT6sAAAA:8 ] X-AnalysisOut: [a=gemiOXgmZTjmymRQzKwA:9 a=CjuIK1q_8ugA:10 a=NWVoK91CQyQA:] X-AnalysisOut: [10 a=yMhMjlubAAAA:8 a=SSmOFEACAAAA:8 a=JX-m9nlbePVDbrDgN8E] X-AnalysisOut: [A:9 a=kZFJuB47pd-UtQb5:21 a=gKO2Hq4RSVkA:10 a=UiCQ7L4-1S4A] X-AnalysisOut: [:10 a=hTZeC7Yk6K0A:10] X-Spam: [F=0.5000000000; CM=0.500; MH=0.500(2014062011); S=0.200(2014051901)] X-MAIL-FROM: X-SOURCE-IP: [216.57.150.10] --_000_8C6FE228180FE143B942B993AE2E1C74A8634C54EXCHANGEMBXcram_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable I thought this might be of interest to some on the list, it is a projection= mapping job I just finished in the MGM Grand Arena. It used an a 120' x 40= ' set and also the 100' x 35' stage as the projection area. This clip has a= time-lapsed build of the set and the Pandora registration process precedin= g the Opener Animation (starts around 1:03). It is a mix of 3ds Max and Aft= erFx. - I imported all the set flats into AfterFx, most of the outlining an= d 90% of particle FXs are in AfterFx. During development, we build a 1:13 s= cale model of the set and I used after FX to corner pin (24planes) the outp= ut, using a 10k projector. This was a big help in visualization. Onsite: 18= projector and seven Pandora's boxes. https://vimeo.com/97883362 I am currently doing an in studio shoot, completely in AfterFx, onto a 16'x= 9' half cube. Mainly the live talent is being lit by the projection. It is= a jib shoot, so the main challenge was coming up with an AfterFx camera ri= g (four camera) and output workflow that facilitated full nodal pans and fa= st renders of the four screens. I'll make a tutorial for the project if any= one has interest(?) --_000_8C6FE228180FE143B942B993AE2E1C74A8634C54EXCHANGEMBXcram_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

I thought this might b= e of interest to some on the list, it is a projection mapping job I just fi= nished in the MGM Grand Arena. It used an a 120’ x 40’ set and = also the 100’ x 35’ stage as the projection area. This clip has a time-lapsed build of the set and the Pandora registration = process preceding the Opener Animation (starts around 1:03). It is a mix of= 3ds Max and AfterFx. – I imported all the set flats into AfterFx, mo= st of the outlining and 90% of particle FXs are in AfterFx. During development, we build a 1:13 scale model of the= set and I used after FX to corner pin (24planes) the output, using a 10k p= rojector. This was a big help in visualization. Onsite: 18 projector and se= ven Pandora’s boxes.

https://vimeo.com/97883362

I am currently doing a= n in studio shoot, completely in AfterFx, onto a 16’x 9’ half c= ube. Mainly the live talent is being lit by the projection. It is a jib sho= ot, so the main challenge was coming up with an AfterFx camera rig (four camera) and output workflow that facilitated full= nodal pans and fast renders of the four screens. I’ll make a tutoria= l for the project if anyone has interest(?)

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