From: "Mettle" Received: from miles.ecohosting.com ([174.142.119.245] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5507290 for AE-List@media-motion.tv; Fri, 20 Jun 2014 17:27:33 +0200 Received: from [24.114.97.152] (port=14991 helo=[25.45.142.180]) by miles.ecohosting.com with esmtpa (Exim 4.82) (envelope-from ) id 1Wy0iq-0007mf-Uu; Fri, 20 Jun 2014 11:27:27 -0400 References: In-Reply-To: Mime-Version: 1.0 (1.0) Content-Type: multipart/alternative; boundary=Apple-Mail-27175ABC-D62D-4BAB-9267-67BD5CB7B98C Message-Id: Content-Transfer-Encoding: 7bit X-Mailer: iPhone Mail (11D169) Subject: Re: [AE] Projection Mapping Show Date: Fri, 20 Jun 2014 11:27:20 -0400 To: After Effects Mail List X-EcoHosting-MailScanner-Information: Please contact the ISP for more information X-EcoHosting-MailScanner-ID: 1Wy0iq-0007mf-Uu X-EcoHosting-MailScanner: Found to be clean X-EcoHosting-MailScanner-SpamCheck: not spam, SpamAssassin (not cached, score=-2.898, required 5, autolearn=not spam, ALL_TRUSTED -1.00, BAYES_00 -1.90, HTML_MESSAGE 0.00, MIME_QP_LONG_LINE 0.00) X-EcoHosting-MailScanner-From: chris@mettle.com X-Spam-Status: No X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - miles.ecohosting.com X-AntiAbuse: Original Domain - media-motion.tv X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - mettle.com X-Get-Message-Sender-Via: miles.ecohosting.com: authenticated_id: mettle/from_h --Apple-Mail-27175ABC-D62D-4BAB-9267-67BD5CB7B98C Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Great job Michael... Yes pleas to your doing tuts on this! Cheers, Chris mettle.com Sent from my iPhone > On Jun 20, 2014, at 10:53 AM, "Michael Powers" w= rote: >=20 > I thought this might be of interest to some on the list, it is a projectio= n mapping job I just finished in the MGM Grand Arena. It used an a 120=E2=80= =99 x 40=E2=80=99 set and also the 100=E2=80=99 x 35=E2=80=99 stage as the p= rojection area. This clip has a time-lapsed build of the set and the Pandora= registration process preceding the Opener Animation (starts around 1:03). I= t is a mix of 3ds Max and AfterFx. =E2=80=93 I imported all the set flats in= to AfterFx, most of the outlining and 90% of particle FXs are in AfterFx. Du= ring development, we build a 1:13 scale model of the set and I used after FX= to corner pin (24planes) the output, using a 10k projector. This was a big h= elp in visualization. Onsite: 18 projector and seven Pandora=E2=80=99s boxes= . =20 > =20 > https://vimeo.com/97883362 > =20 > =20 > I am currently doing an in studio shoot, completely in AfterFx, onto a 16=E2= =80=99x 9=E2=80=99 half cube. Mainly the live talent is being lit by the pro= jection. It is a jib shoot, so the main challenge was coming up with an Afte= rFx camera rig (four camera) and output workflow that facilitated full nodal= pans and fast renders of the four screens. I=E2=80=99ll make a tutorial for= the project if anyone has interest(?) --Apple-Mail-27175ABC-D62D-4BAB-9267-67BD5CB7B98C Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable

Great job Michael... Yes pleas to your= doing tuts on this!

Cheers,

Chris

<= div>mettle.com

Sent from my iPhone<= /div>

On Jun 20, 2014, at 10:53 AM, "Michael Powers" <AE-List@media-motion.tv> wrote:

=

I thought this might be= of interest to some on the list, it is a projection mapping job I just fini= shed in the MGM Grand Arena. It used an a 120=E2=80=99 x 40=E2=80=99 set and= also the 100=E2=80=99 x 35=E2=80=99 stage as the projection area. This clip has a time-lapsed build of the set and the Pandora registration p= rocess preceding the Opener Animation (starts around 1:03). It is a mix of 3= ds Max and AfterFx. =E2=80=93 I imported all the set flats into AfterFx, mos= t of the outlining and 90% of particle FXs are in AfterFx. During development, we build a 1:13 scale model of the s= et and I used after FX to corner pin (24planes) the output, using a 10k proj= ector. This was a big help in visualization. Onsite: 18 projector and seven P= andora=E2=80=99s boxes.

https://vimeo.com/97883362

I am currently doing an= in studio shoot, completely in AfterFx, onto a 16=E2=80=99x 9=E2=80=99 half= cube. Mainly the live talent is being lit by the projection. It is a jib sh= oot, so the main challenge was coming up with an AfterFx camera rig (four camera) and output workflow that facilitated full n= odal pans and fast renders of the four screens. I=E2=80=99ll make a tutorial= for the project if anyone has interest(?)

= --Apple-Mail-27175ABC-D62D-4BAB-9267-67BD5CB7B98C--