From: "Stephen van Vuuren" Received: from [207.46.163.239] (HELO na01-by2-obe.outbound.protection.outlook.com) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5511626 for AE-List@media-motion.tv; Thu, 26 Jun 2014 21:11:47 +0200 Received: from CO1PR06MB265.namprd06.prod.outlook.com (10.141.71.15) by CO1PR06MB265.namprd06.prod.outlook.com (10.141.71.15) with Microsoft SMTP Server (TLS) id 15.0.969.15; Thu, 26 Jun 2014 19:11:43 +0000 Received: from CO1PR06MB265.namprd06.prod.outlook.com ([169.254.7.30]) by CO1PR06MB265.namprd06.prod.outlook.com ([169.254.7.67]) with mapi id 15.00.0969.007; Thu, 26 Jun 2014 19:11:43 +0000 To: After Effects Mail List Subject: RE: [AE] Depreciated output formats gone completely in AE 2014 Thread-Topic: [AE] Depreciated output formats gone completely in AE 2014 Thread-Index: AQHPkW7LySF3MBg66E2G5/f/QC/kQpuDwCIQ Date: Thu, 26 Jun 2014 19:11:42 +0000 Message-ID: References: In-Reply-To: Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: x-originating-ip: [108.201.18.6] x-microsoft-antispam: BCL:0;PCL:0;RULEID: x-forefront-prvs: 02543CD7CD x-forefront-antispam-report: SFV:NSPM;SFS:(199002)(189002)(377454003)(2656002)(87936001)(77982001)(77096002)(80022001)(107046002)(66066001)(83072002)(81542001)(4396001)(105586002)(19300405004)(106116001)(81342001)(20776003)(15975445006)(106356001)(15202345003)(64706001)(85852003)(79102001)(19609705001)(19580395003)(83322001)(19580405001)(46102001)(76482001)(74316001)(19625215002)(86362001)(76576001)(33646001)(92566001)(31966008)(21056001)(16236675004)(74502001)(54356999)(95666004)(50986999)(101416001)(85306003)(76176999)(74662001)(99396002)(24736002);DIR:OUT;SFP:;SCL:1;SRVR:CO1PR06MB265;H:CO1PR06MB265.namprd06.prod.outlook.com;FPR:;MLV:sfv;PTR:InfoNoRecords;A:1;MX:1;LANG:en; Content-Type: multipart/alternative; boundary="_000_c587a08cd9e943bea09d157073d31760CO1PR06MB265namprd06pro_" MIME-Version: 1.0 X-OriginatorOrg: sv2studios.com --_000_c587a08cd9e943bea09d157073d31760CO1PR06MB265namprd06pro_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable I will chime in that on some of my boxes I had stopped using AE for H.264 d= ue to crashes with export and started using AME and never had an issue or c= rash. The one downside to AME is not having an export history saved with the proj= ect - not sure if that is even possible. But h.264 as a final for clients? I can't imagine doing that. ProRes 422 or= Avid is about as uncompressed I would ever deliver. H.264 is just a proof/= web format as it just won't holdup to much after that. stephen van vuuren 336.202.4777 http://www.insaturnsrings.com/ http://www.sv2dcp.com/ http://www.sv2studios.com/ A film is - or should be - more like music than like fiction. It should be = a progression of moods and feelings. The theme, what's behind the emotion, = the meaning, all that comes later. -Stanley Kubrick From: After Effects Mail List [mailto:AE-List@media-motion.tv] Sent: Thursday, June 26, 2014 2:45 PM To: After Effects Mail List Subject: Re: [AE] Depreciated output formats gone completely in AE 2014 I can vouch for this exact approach. Here's a sample from last weekend, exp= orted via AME using the Vimeo 1080p 29.97 preset. https://vimeo.com/98827113 Brian You're asking for output directly from After Effects, but my answer is to u= se the Vimeo encoding presets in Adobe Media Encoder. Just render and export a losslessly encoded master from After Effects into = a watch folder that AME is monitoring, and let AME create the Vimeo file. From: After Effects Mail List [mailto:AE-List@media-motion.tv] What is a better alternative than .MOV H.264 for optimal qualityute for upl= oad to Vimeo? Requirements: 24 fps, 1080p, 44kHz Stereo, size < 200 Mb per 60 sec of vide= o, direct render from AE output. --_000_c587a08cd9e943bea09d157073d31760CO1PR06MB265namprd06pro_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

I will chime in that on s= ome of my boxes I had stopped using AE for H.264 due to crashes with export= and started using AME and never had an issue or crash.

 <= /p>

The one downside to AME i= s not having an export history saved with the project – not sure if t= hat is even possible.

 <= /p>

But h.264 as a final for = clients? I can’t imagine doing that. ProRes 422 or Avid is about as u= ncompressed I would ever deliver. H.264 is just a proof/web format as it just won’t holdup to much after that.

 <= /p>

stephen van vuuren

336.202.4777

 

http://www.insaturnsrings.com/

http://www.sv2dcp.com/

http://www.sv2studios.com/

 

A film is – or s= hould be – more like music than like fiction. It should be a progress= ion of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.

–Stanley Kubrick=

 <= /p>

From: After = Effects Mail List [mailto:AE-List@media-motion.tv]
Sent: Thursday, June 26, 2014 2:45 PM
To: After Effects Mail List
Subject: Re: [AE] Depreciated output formats gone completely in AE 2= 014

 

I can vouch for this exact approach. Here’s a = sample from last weekend, exported via AME using the Vimeo 1080p 29.97 pres= et.

 

 

Brian


You're asking for output = directly from After Effects, but my answer is to use the Vimeo encoding pre= sets in Adobe Media Encoder.

 <= /p>

Just render and export a = losslessly encoded master from After Effects into a watch folder that AME i= s monitoring, and let AME create the Vimeo file.

 <= /p>

 <= /p>

From: After Effects Mail List [mailto:AE-List@media-motion.tv]

 

What is a better alternative than .MOV H.264 for optimal= qualityute for upload to Vimeo?

 

Requirements: 24 fps, 1080p, 44kHz Stereo, size < 200= Mb per 60 sec of video, direct render from AE output.

 

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