From: "Robert W. Walker" Received: from p3plwbeout04-06.prod.phx3.secureserver.net ([72.167.218.227] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5511652 for ae-list@media-motion.tv; Thu, 26 Jun 2014 21:36:12 +0200 Received: from localhost ([72.167.218.243]) by p3plwbeout04-06.prod.phx3.secureserver.net with bizsmtp id K7cB1o0065FgiYg017cBik; Thu, 26 Jun 2014 12:36:11 -0700 X-SID: K7cB1o0065FgiYg01 Received: (qmail 3750 invoked by uid 99); 26 Jun 2014 19:36:11 -0000 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset="utf-8" X-Originating-IP: 172.250.73.93 User-Agent: Workspace Webmail 5.7.1 Message-Id: <20140626123610.89259f98f291d771214680e8971719cb.81f9445a51.wbe@email04.secureserver.net> To: "After Effects Mail List" Subject: RE: [AE] Depreciated output formats gone completely in AE 2014 Date: Thu, 26 Jun 2014 12:36:10 -0700 Mime-Version: 1.0 You would think - but some local television stations actually specify=0Ah26= 4 for delivery of commercials for air. Big markets, too.=0A=0ARobert W. Wal= ker=0AWalkerSound=0AWalker/Fitzgibbon TV & Film=0ALos Angeles CA USA=0A=0A= =0A> But h.264 as a final for clients? I can't imagine doing that. ProRes 4= 22 or Avid is about as uncompressed I would ever deliver. H.264 is just a p= roof/web format as it just won't holdup to much after that.=0A> =0A> stephe= n van vuuren