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| > You would think - but some local television stations actually specify >h264 for delivery of commercials for air. Big markets, too. I know - I've delivered those myself. But never as the primary output. Even if it's on a separate thumb drive dropped in the mail or in my own client archive, there is a proper quality version because invariably there are changes and likely a couple of years down the road. Repeatedly outputting a h.264 master from an h.264 with CC, edit and other changes quickly goes bad. stephen van vuuren 336.202.4777 http://www.insaturnsrings.com/ http://www.sv2dcp.com/ http://www.sv2studios.com/ A film is – or should be – more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later. –Stanley Kubrick -----Original Message----- From: After Effects Mail List [mailto:AE-List@media-motion.tv] Sent: Thursday, June 26, 2014 3:36 PM To: After Effects Mail List Subject: Re: [AE] Depreciated output formats gone completely in AE 2014 You would think - but some local television stations actually specify h264 for delivery of commercials for air. Big markets, too. Robert W. Walker WalkerSound Walker/Fitzgibbon TV & Film Los Angeles CA USA > But h.264 as a final for clients? I can't imagine doing that. ProRes 422 or Avid is about as uncompressed I would ever deliver. H.264 is just a proof/web format as it just won't holdup to much after that. > > stephen van vuuren +---End of message---+ To unsubscribe send any message to <ae-list-off@media-motion.tv> |
