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> Use the following formats for DCPs:
>Flat: 1998x1080
>Scope: 2048x858
>Full: 2048x1080
>HD: 1920x1080
>Make sure that your video is @24fps, AME DCP only supports 24fps DCPs.
Full and HD are not well supported by theater masking so should be avoided especially. "24fps" is 24.000fps not 23.976fps. Not sure what AME does with 23.976, but you will either get a non-compliant DCP or artifacts from conversion. Proper method is .1% speedup
Also AME from my viewing lacks any ability to properly naming DCPs, not sure about digital signing and hash checking. Does not help with drive formatting and several dozen other features (including 3D, InterOp vs. SMTPE) which open source software like OpenDCP support.
It's pretty weak overall and not suitable IMO for professional work.
stephen van vuuren
336.202.4777
http://www.insaturnsrings.com/
http://www.sv2dcp.com/
http://www.sv2studios.com/
A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.
-Stanley Kubrick
-----Original Message-----
From: After Effects Mail List [mailto:AE-List@media-motion.tv]
Sent: Saturday, June 28, 2014 3:22 AM
To: After Effects Mail List
Subject: Re: [AE] DCP Format in AME
Hi!
Use the following formats for DCPs:
Flat: 1998x1080
Scope: 2048x858
Full: 2048x1080
HD: 1920x1080
Make sure that your video is @24fps, AME DCP only supports 24fps DCPs.
Cheers
Christer
On 6/26/14 11:40 PM, Terry Wieser wrote:
> I love the new DCP format in AME as I do a lot of movie theater spots. What does anyone suggest as an optimal format for my After Effects spots before I send them over to AME to be output as DCP?
> I had been sending them as 1920 X1080 Pro Res 422 and outputting through Compressor using a QUBExport product. The new Adobe support for DCP allows me to use multiple workstations for the DCP output!
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