From: "Byron Nash" Received: from mail-la0-f52.google.com ([209.85.215.52] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5539637 for AE-List@media-motion.tv; Fri, 01 Aug 2014 18:00:32 +0200 Received: by mail-la0-f52.google.com with SMTP id e16so3336376lan.39 for ; Fri, 01 Aug 2014 09:00:32 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:from:date:message-id:subject:to:content-type; bh=SToe/dHPdJtxkh3eTF8GP6lBxy2aWNKARvKT04ZKgCI=; b=sD4fvvSdwjBGdT8tiggjJfJLNgi9pxuC9PD0pL52iNC/ITU1EpimgA46BwFgZboZhV mbw+GR1CKbAaI31tBnnTJtMDU3Cm82kBt5laWxBe+FE9g8K3v+FFOlknpr3GAirGmoy4 q9EZj3E0yXaALCS7qPXXtC5NhOk9gP29xS5qLcbafCXcvxsyEFs5hTyJSXF0Yt+awizu fZktkL0VeQoeTb8si/hcsrQVXXWb4d2mHkT6bZQvGhiNdqrbzLgvOzUF6Sp6J4SpBeA3 ZJciTJkUuAvFgqQ1M97SV36uRGwShOb7xLDzBgKFpFJvxKG81NXPHPMG8CcPeNT310UV rJPQ== X-Received: by 10.112.225.7 with SMTP id rg7mr6636540lbc.52.1406908831941; Fri, 01 Aug 2014 09:00:31 -0700 (PDT) MIME-Version: 1.0 Received: by 10.152.124.109 with HTTP; Fri, 1 Aug 2014 09:00:11 -0700 (PDT) Date: Fri, 1 Aug 2014 12:00:11 -0400 Message-ID: Subject: 32bit AE projects in Premiere To: After Effects Mail List Content-Type: multipart/alternative; boundary=001a11348d4e28cbfb04ff937d6c --001a11348d4e28cbfb04ff937d6c Content-Type: text/plain; charset=UTF-8 We are trying to keep a dynamically linked conform of our spot in Premiere Pro. The AE file is 32bit linear with a Rec 709 working space. It went dark on this last update when we changed the footage to EXR. Putting a gamma adjustment layer over all the clips in PPro seemed to get it back into a viewable range. What is the correct way to accomplish this? Or, can PPro not handle our 32bit linear comps? --001a11348d4e28cbfb04ff937d6c Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable
We are trying to keep a dynamically linked conform of our = spot in Premiere Pro. The AE file is 32bit linear with a Rec 709 working sp= ace. It went dark on this last update when we changed the footage to EXR. P= utting a gamma adjustment layer over all the clips in PPro seemed to get it= back into a viewable range. What is the correct way to accomplish this? Or= , can PPro not handle our 32bit linear comps?
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