From: "Mr. Eric D. Kirk" Received: from mail-ig0-f179.google.com ([209.85.213.179] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5540667 for AE-List@media-motion.tv; Mon, 04 Aug 2014 03:29:42 +0200 Received: by mail-ig0-f179.google.com with SMTP id h18so4476495igc.6 for ; Sun, 03 Aug 2014 18:29:42 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20120113; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :content-type; bh=fdiBi5UNdCgH148DcsXdVYRDWODrOdtG9L+z5iOXsIM=; b=rvH/2BWLwMoHiOcQkF14dDJi1PP1zRvrIoXlDbosWr6Szq2TYpdFoP2Ci0Ckw/aS0l YvLn2TfqFhgcve7CeR/Ehrk5fuc+tIp4HDytBtlyPJ+1uKyU/SXYrVXF+1TQTBJ1hj/d YtbdoAxDvuIsxBZsDmFaw0PUZM5t7gf09J4ghVcuPXrOKFh/JFwU6pjyDLJOO4uzd30u VoQ2uGOErRj2PVXVAUN954M2spdjgeOLe2C5GLLiEKI2Wlq4q0epkMqeE7KGWqV4BWW8 amlWQSNsIOt0D3KTCPv8kkJEIqDKbD5bDrP9F0s/MMKZ3bvNd7FyzZmvtQRpASGHWivS wmpA== MIME-Version: 1.0 X-Received: by 10.42.107.145 with SMTP id d17mr21748862icp.61.1407115782093; Sun, 03 Aug 2014 18:29:42 -0700 (PDT) Received: by 10.50.56.50 with HTTP; Sun, 3 Aug 2014 18:29:42 -0700 (PDT) Received: by 10.50.56.50 with HTTP; Sun, 3 Aug 2014 18:29:42 -0700 (PDT) In-Reply-To: References: Date: Sun, 3 Aug 2014 21:29:42 -0400 Message-ID: Subject: Re: [AE] VFX for Movie - Your Take on This To: After Effects Mail List Content-Type: multipart/alternative; boundary=20cf301fb60d5981f404ffc3acde --20cf301fb60d5981f404ffc3acde Content-Type: text/plain; charset=UTF-8 Good response, neither of which are happening. :) On Aug 3, 2014 9:25 PM, "Henry Birdseye" wrote: > Get more money and time. > > > On 8/3/2014 8:18 PM, Mr. Eric D. Kirk wrote: > > All, > > A couple weeks ago, I posted a message about this ROTO effort that a > producer wanted in which they hadn't had approval for a certain location > and now wanted me to like change all of the background which was pretty > much impossible. I was finally able to explain that it just could be done > without being noticed and they wanted me to fake a depth of field thing, > etc. Anyway, I'm off the hook on that. So, I'm on the same project and > use that as a lead in to this. > > It's a time lapse thing where you see some young girls growing up, not > sure, let's say 10 yrs maybe and so they want the guys beard to also change > to more grays/whites in the latter half of the movie. I haven;t even begun > to look yet but rest assured, you see the guy in probably 90% of the the > remaining scenes. > > My initial response is, you have to be kidding me. Is this even a > realistic objective to thing you can motion track and recolor a beard for > half of a movie? It's a lot of action and movement, not like a paraplegic > in a bed or something but before I jump on this as a pessimist, what is the > take of the brains in this group? > > Thanks ahead. > > Eric > > -- > *Eric D. Kirk | **Kirk Productions* > *Hidden in the Woods | VFX* > *The Night Visitor | VFX* > *443.206.1347 <443.206.1347>* > > *www.kirkproductions.com > kirkproductions@gmail.com * > *IMDB: http://www.imdb.com/name/nm3351363/ > * > > > > --20cf301fb60d5981f404ffc3acde Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable

Good response, neither of which are happening. :)

On Aug 3, 2014 9:25 PM, "Henry Birdseye&quo= t; <AE-List@media-motion.tv> wrote:
=20 =20 =20
Get more money and time.


On 8/3/2014 8:18 PM, Mr. Eric D. Kirk wrote:
All,

A couple weeks ago, I posted a message about this ROTO effort that a producer wanted in which they hadn't had approval for a certain location and now wanted me to like change all of the background which was pretty much impossible. =C2=A0I was finally able to explain that it just could be done without being noticed and they wanted me to fake a depth of field thing, etc. =C2=A0Anyway, I'm off the hook on that. =C2= =A0So, I'm on the same project and use that as a lead in to this.

It's a time lapse thing where you see some young girls growing up, not sure, let's say 10 yrs maybe and so they want the guys beard to also change to more grays/whites in the latter half of the movie. =C2=A0I haven;t even begun to look yet but rest assured, you see the guy in probably 90% of the the remaining scenes.

My initial response is, you have to be kidding me. =C2=A0Is th= is even a realistic objective to thing you can motion track and recolor a beard for half of a movie? =C2=A0It's a lot of acti= on and movement, not like a paraplegic in a bed or something but before I jump on this as a pessimist, what is the take of the brains in this group?

Thanks ahead.

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