From: "ML meassi" Received: from mr004msr.fastwebnet.it ([85.18.95.67] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP id 5544797 for AE-List@media-motion.tv; Fri, 08 Aug 2014 10:52:12 +0200 Received: from MacInfetto.local (100.66.126.185) by mr004msr.fastwebnet.it (8.5.140.03) (authenticated as gianluca.meassi@fastwebnet.it) id 533E5C0F0699C42C for AE-List@media-motion.tv; Fri, 8 Aug 2014 10:52:13 +0200 Message-ID: <53E48FBE.8090708@signumdigit.com> Date: Fri, 08 Aug 2014 10:52:14 +0200 User-Agent: Mozilla/5.0 (Macintosh; Intel Mac OS X 10.8; rv:24.0) Gecko/20100101 Thunderbird/24.3.0 MIME-Version: 1.0 To: After Effects Mail List Subject: Re: [AE] Use of 4K Cameras References: In-Reply-To: Content-Type: multipart/alternative; boundary="------------030701090109010102010809" This is a multi-part message in MIME format. --------------030701090109010102010809 Content-Type: text/plain; charset=UTF-8; format=flowed Content-Transfer-Encoding: 8bit Yes, you're right if it's a pro that look at the video. Most customers percive things in a different manner. Even a 300 fps slow motion Full HD video have more impact than 4k video in my experience. We shoot 4k half of the times but this, most of the times, is a choice we make for technical aspects (reframing, CK, track, etc). As here the end use is always on 2k or less resolution most of the customers / agencies don't ask for 4k. GL Il 06/08/14 02:37, Steve Oakley ha scritto: > and the problem with theory vs reality is > reality. having seen 4K many times ( shoot, > edit, project all 4K ) there is a difference > that you can perceive even under less than > ideal viewing conditions. until you get to see > good 4K I’d suggest holding off a bit on > judgement as to if its worth it or not. 10bit > color space is also a big deal which is part > of the up coming standard for 4K. --------------030701090109010102010809 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: 8bit Yes, you're right if it's a pro that look at the video.
Most customers percive things in a different manner.
Even a 300 fps slow motion Full HD video have more impact than 4k video in my experience.

We shoot 4k half of the times but this, most of the times, is a choice we make for technical aspects (reframing, CK, track, etc).
As here the end use is always on 2k or less resolution most of the customers / agencies don't ask for 4k.

GL

Il 06/08/14 02:37, Steve Oakley ha scritto:
and the problem with theory vs reality is reality. having seen 4K many times ( shoot, edit, project all 4K ) there is a difference that you can perceive even under less than ideal viewing conditions. until you get to see good 4K I’d suggest holding off a bit on judgement as to if its worth it or not. 10bit color space is also a big deal which is part of the up coming standard for 4K.

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