From: "Jim Curtis" Received: from production003.einsteinsname02.net ([67.228.43.50] verified) by media-motion.tv (CommuniGate Pro SMTP 4.2.10) with ESMTP-TLS id 5545443 for AE-List@media-motion.tv; Sat, 09 Aug 2014 18:44:10 +0200 Received: from 99-152-153-100.lightspeed.dllstx.sbcglobal.net ([99.152.153.100]:61308 helo=[192.168.1.68]) by production003.einsteinsname02.net with esmtpsa (TLSv1:AES128-SHA:128) (Exim 4.82) (envelope-from ) id 1XG9kV-00027v-2R for AE-List@media-motion.tv; Sat, 09 Aug 2014 11:44:07 -0500 Content-Type: multipart/alternative; boundary="Apple-Mail=_29FB2DF7-5474-45C6-A457-AD1580A6FC13" Message-Id: <452FDBEE-B424-4ABE-ABF5-CAE997CA104A@me.com> Mime-Version: 1.0 (Mac OS X Mail 6.6 \(1510\)) Subject: Re: [AE] Mixed Frame Rates Date: Sat, 9 Aug 2014 11:44:06 -0500 References: To: After Effects Mail List In-Reply-To: X-Mailer: Apple Mail (2.1510) X-EinsteinsEyes-MailScanner-Information: Please contact the ISP for more information X-EinsteinsEyes-MailScanner-ID: 1XG9kV-00027v-2R X-EinsteinsEyes-MailScanner: Not scanned: please contact your Internet E-Mail Service Provider for details X-EinsteinsEyes-MailScanner-SpamCheck: X-EinsteinsEyes-MailScanner-From: jpcurtis@me.com X-Spam-Status: No X-AntiAbuse: This header was added to track abuse, please include it with any abuse report X-AntiAbuse: Primary Hostname - production003.einsteinsname02.net X-AntiAbuse: Original Domain - media-motion.tv X-AntiAbuse: Originator/Caller UID/GID - [47 12] / [47 12] X-AntiAbuse: Sender Address Domain - me.com X-Get-Message-Sender-Via: production003.einsteinsname02.net: authenticated_id: jim@hartprods.com X-Source: X-Source-Args: X-Source-Dir: --Apple-Mail=_29FB2DF7-5474-45C6-A457-AD1580A6FC13 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii Just pick the frame rate that you want for your sequence, and throw = everything in it. I'd choose 24, since most of your clips are at that rate. Yes, you'll = may some jerkiness. If you want to smooth things out, you could use a = plug in like Twixtor. If you're going to make a DVD, choose 29.97i lower for your Sequence = Setting. On Aug 9, 2014, at 10:57 AM, Mr. Eric D. Kirk = wrote: > Hello, >=20 > This is just for a little home project but I left one of my cams at = 29.97FPS with the other at 24FPS. In Premiere, what's the best way to = handle the use of two frame rates? I'm seeing some wobble on playback = and I'm sure that's why. >=20 > Most are 24, just 2 clips (of about 10) are 29. >=20 > Thanks, > Eric >=20 > --=20 > Eric D. Kirk | Kirk Productions > Hidden in the Woods | VFX > The Night Visitor | VFX > 443.206.1347 > www.kirkproductions.com > kirkproductions@gmail.com > IMDB: http://www.imdb.com/name/nm3351363/ > =20 --Apple-Mail=_29FB2DF7-5474-45C6-A457-AD1580A6FC13 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii Just = pick the frame rate that you want for your sequence, and throw = everything in it.

I'd choose 24, since most of your = clips are at that rate.  Yes, you'll may some jerkiness.  If = you want to smooth things out, you could use a plug in like = Twixtor.

If you're going to make a DVD, choose = 29.97i lower for your Sequence = Setting.



On Aug 9, = 2014, at 10:57 AM, Mr. Eric D. Kirk <AE-List@media-motion.tv> = wrote:

Hello,

This is just = for a little home project but I left one of my cams at 29.97FPS with the = other at 24FPS.  In Premiere, what's the best way to handle the use = of two frame rates?  I'm seeing some wobble on playback and I'm = sure that's why.

Most are 24, just 2 clips (of about 10) are = 29.

Thanks,
Eric

--
Eric D. = Kirk | Kirk Productions
Hidden in the Woods | VFX
The Night = Visitor | VFX
443.206.1347
 

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