The plugin only translates the SE camera specs to AE equivalent. The more accurate your SE solves is for lens, the better the AE look. 2.5 elements will always have slight issues depending on the amount of pixel coverage they have, since getting them locked in can be more dependent sometimes on the distortion accuracy.
I've had easy and very difficult times getting proper lens matches due to lack of trackable information in the distortion areas of the lens. I done plenty of tracks that using the simple Optics Compensation plugin worked just fine. It's a case by case scenario really. David Torno Technical Director O: 213.739.2290 C: 818.391.6060 --------------------
"The most useless day is that in which we do not laugh" -Charles Field Thanks David. How does the lens workflow hold up when incorporating it into a job using only 2.5 AE elements? Do many of you work this way in AE?
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