Thanks Eric!

Yes I had forgotten about Psunami - that was just used for the 'flying into the sunset' scene (the water in the flamingo scene was done with of displacement mapping and fractal noise with radio waves for the ripples)

-- 

Phil Bearman

Phil Bearman Creative Media Solutions
Motion Graphics Design

PhilBearman.co.uk

0161 236 2581 - 9am-5pm, Monday-Friday

This message contains confidential information and is intended only for the individual named. If you are not the named addressee you should not disseminate, distribute or copy this E-Mail. Please notify the sender immediately by E-Mail if you have received this E-Mail by mistake and delete the E-Mail from your system. E-Mail transmission cannot be guaranteed to be secure or error-free as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. The sender therefore does not accept liability for any errors or omissions in the contents of this message or attached documents or for any damage suffered by your computer system caused by any errors or viruses contained in the E-Mail message or any attached documents.

On 11 September 2017 at 10:56, Mr. Eric D. Kirk <AE-List@media-motion.tv> wrote:

Hey Phil,

That's a very good, fun music video. I think I also saw some Trapcode Psunami.  

And they guy has good voice as well.

Great work!

Eric

On Sep 11, 2017 05:03, "Phil Bearman" <AE-List@media-motion.tv> wrote:

Hi guys,

I thought I'd share my latest project with you as it was created almost entirely in After Effects and was a really good work-out of all kinds of tools and techniques.

https://www.youtube.com/watch?v=bxWqN_II8ds

I filmed and produced it in two weeks in collaboration with an art director (Cathy McDougal from The Rabbit Hole Group) and Peyton (the artist) himself. 

The song was inspired by, and features a sample of, Michelle Obama with her anti-bullying motto "When they go low, we go high", and the video takes you on a fun, surreal and slightly crazy journey referencing the lyrics and the meaning as well as having lots of personal connections and references to the artist's life.

I'm going to write a 'making of' blog covering the whole process, challenges and techniques so will share that here when it's finished.

As with any project, there are no doubt things that could have been done better with more time, but I'm happy with the overall result. The biggest difficulty was trying to achieve a fairly consistent look to the video which mixes and matches so many different styles of imagery.

Main tools/techniques used: Particular, Puppet Tool, Element 3D, Keylight, CC Kaleido, Camera Tracker, Motion Tracker,  and a bit of work in Cinema 4D. 

If you've got any comments or constructive critique I'd love to hear from you.

Enjoy! 

Phil

-- 

Phil Bearman

Phil Bearman Creative Media Solutions
Motion Graphics Design

PhilBearman.co.uk

0161 236 2581 - 9am-5pm, Monday-Friday

This message contains confidential information and is intended only for the individual named. If you are not the named addressee you should not disseminate, distribute or copy this E-Mail. Please notify the sender immediately by E-Mail if you have received this E-Mail by mistake and delete the E-Mail from your system. E-Mail transmission cannot be guaranteed to be secure or error-free as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. The sender therefore does not accept liability for any errors or omissions in the contents of this message or attached documents or for any damage suffered by your computer system caused by any errors or viruses contained in the E-Mail message or any attached documents.