From: "=?utf-8?Q?S=C3=B8ren_Christensen?=" Received: from homiemail-a72.g.dreamhost.com ([69.163.253.135] verified) by media-motion.tv (CommuniGate Pro SMTP 6.1.0) with ESMTPS id 6347243 for AE-List@media-motion.tv; Mon, 30 Oct 2017 18:41:54 +0100 Received: from homiemail-a72.g.dreamhost.com (localhost [127.0.0.1]) by homiemail-a72.g.dreamhost.com (Postfix) with ESMTP id A0959A00CEC0 for ; Mon, 30 Oct 2017 10:44:35 -0700 (PDT) DKIM-Signature: v=1; a=rsa-sha1; c=relaxed; d=desilence.net; h=from :content-type:message-id:mime-version:subject:date:references:to :in-reply-to; s=desilence.net; bh=8298sTv7Z97CYsud4uGdrojRCHs=; b= am4mw81l6CAF2VJXMG5zOmNbaWJ1WJHozIROe0ln5FVd4oku2dPY6LJeHVYU5R/5 vOMokA7Jb6+w5vtZTCtVxuUnzNz9NPXb6Qxf918+aLFhVuOAsPqyj+b0SexVA1Iu fouitMm1U2lObIsgUJh4Jns3XvoPxCdjr/SrxGKQmw8= Received: from [192.168.1.52] (158.red-83-60-49.dynamicip.rima-tde.net [83.60.49.158]) (using TLSv1 with cipher ECDHE-RSA-AES256-SHA (256/256 bits)) (No client certificate requested) (Authenticated sender: soren@dslnc.com) by homiemail-a72.g.dreamhost.com (Postfix) with ESMTPSA id CA558A000B32 for ; Mon, 30 Oct 2017 10:44:34 -0700 (PDT) Content-Type: multipart/alternative; boundary="Apple-Mail=_58E60713-CDE9-4EAB-9255-20FBD505568A" Message-Id: <21900BC8-F6BB-4ECF-B63E-3970BA0A58E1@desilence.net> Mime-Version: 1.0 (Mac OS X Mail 9.3 \(3124\)) Subject: Re: [AE] Monitor Recommendations Date: Mon, 30 Oct 2017 18:44:31 +0100 References: To: After Effects Mail List In-Reply-To: X-Mailer: Apple Mail (2.3124) --Apple-Mail=_58E60713-CDE9-4EAB-9255-20FBD505568A Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Has anybody tried the new Benq SW271 4K 10bit display? Cheers, |||| D E S I L E N C E =20 |||| SOCIAL twitter facebook = instagram |||| SHOWREEL www.dslnc.com/reel |||| PHONE +34 61 555 9963=20 > On 30 Oct 2017, at 18:31, Steve Oakley = wrote: >=20 > ya but sometimes you need to see all the pixels. if you don=E2=80=99t = operate in a money is no worry environment, a good consumer 4K set + = calibration and maybe a LUT box in the middle is probably the way most = people will go. $2-$3K for a setup like this is doable for many folks.=20= >=20 > meanwhile pretty happy with the dell 27=E2=80=9D 4Ks are being = accurate enough for most things. >=20 > S >=20 >=20 >> On Oct 30, 2017, at 12:11 PM, Robert Kjettrup = > wrote: >>=20 >> If you want to get a 4K reference monitor, then be prepared to pay = big money. FSI is finallt about to release their first 4K reference = monitor, and that goes for us$45.000=20 >> http://flandersscientific.com/XM310K/ = >> And if you look at the other brands, like Sony or TVlogic then its = not anything less. >>=20 >> FSI best current monitors the DM240 (LCD) and DM250 (OLED) then they = are both 1080 monitors, and i would argue that color accuracy and = consistency is more important than resolution... or at least at the = current prices it is :-D >> They take an 2K input, and there is a firmware in beta that will make = them take an 4K input, not that i would suggest you use that unless you = have a backup reference monitor ;-) >>=20 >>=20 >> 2017-10-30 2:43 GMT+01:00 Teddy Gage >: >> Let me know what you think. Also in the market. May actually grab an = FSI reference monitor too, since I've been doing more color and online = finishing. Really hurt on my last project not having something with = broadcast specs. >>=20 >> What's the opinion on getting a 1080p vs 4K? Since I'm using it for = color but can do QA on a 4K LCD, is there any reason to get a 4K = reference monitor? Prices jump a fair amount >>=20 >> On Sun, Oct 29, 2017 at 3:29 PM, Jim Curtis > wrote: >> So is mine, but my 30=E2=80=9D Apple Cinema Display finally crapped = out yesterday, so I weighed the value of the 27=E2=80=9D BenQ PV270 = against the slightly more future-open HP 31=E2=80=9D Dreamcolor zx - = $900 vs. $1330, and fewer pixels than the ACD vs. more, respectively. I = ordered the HP. I should be getting it Thursday. Wish me luck. >>=20 >> I have a 24=E2=80=9D DreamColor already, and it=E2=80=99s been pretty = solid. >>=20 >> I read some reviews on the PV270, and that looks mighty impressive = for the price. The same size DreamColor is ~$300 more. >>=20 >>=20 >>=20 >>> On Oct 24, 2017, at 8:00 AM, Brian Maffitt > wrote: >>>=20 >>> 4K support is an excellent point. Fortunately my current gig is = still a 1080p workflow. >>>=20 >>> On Tue, Oct 24, 2017 at 8:51 AM, Carey Dissmore = > wrote: >>> Solid advice from Steve. I=E2=80=99m actually looking to upgrade my = 2012-vintage HD Extreme 3D card for something 4k capable. It will be a = BMD product.=20 >>>=20 >>> The trend to 4k has definitely reached my mid-level marketing = video-driven post business. >>> Current project load is something like this: >>>=20 >>> Source footage: 50% 1080p, 50% 3.2k or 4k (or higher) >>>=20 >>> Finished deliverables: 80% 1080p, 20% 4k >>>=20 >>> Carey >>>=20 >>>=20 >>>> On Oct 23, 2017, at 6:00 PM, Steve Oakley > wrote: >>>>=20 >>>> pretty much BMD is the main survivor of video I/O cards or = interfaces. I have one of their HD ultra studios with TB and it works = great=E2=80=A6 but its also a discontinued product. BMD thinned out = their hardware line considerably at or around NAB 2017. used options are = of course out there, but I=E2=80=99d probably go with something that = does 4K at this point. >>>>=20 >>>> S >>>>=20 >>>=20 >>>=20 >>=20 >>=20 >>=20 >>=20 >> --=20 >> _____________________________ >> Teddy Gage >> President >> Shotgun Inc. >> 360 VR | MOGRAPH | VFX >> SHOTGUNPOST.COM >> BKLYN NY 11215 >=20 --Apple-Mail=_58E60713-CDE9-4EAB-9255-20FBD505568A Content-Type: multipart/related; type="text/html"; boundary="Apple-Mail=_CD98E37C-53B1-48FA-9C75-31B9A29A564B" --Apple-Mail=_CD98E37C-53B1-48FA-9C75-31B9A29A564B Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 Has anybody tried the new Benq SW271 4K 10bit display?

Cheers,


|||| D =   E   S   I   L   E   N   C   E =   
|||| SOCIAL  twitter  facebook  instagram
|||| SHOWREEL  www.dslnc.com/reel
|||| PHONE +34 61 555 = 9963 



On 30 Oct 2017, at 18:31, Steve Oakley <AE-List@media-motion.tv> wrote:

ya but sometimes you = need to see all the pixels. if you don=E2=80=99t operate in a money is = no worry environment, a good consumer 4K set + calibration and maybe a = LUT box in the middle is probably the way most people will go. $2-$3K = for a setup like this is doable for many folks. 

meanwhile pretty happy with the dell = 27=E2=80=9D 4Ks are being accurate enough for most things.

S

On Oct 30, 2017, at 12:11 PM, Robert Kjettrup = <AE-List@media-motion.tv> wrote:

If = you want to get a 4K reference monitor, then be prepared to pay big = money. FSI is finallt about to release their first 4K reference monitor, = and that goes for us$45.000 
http://flandersscientific.com/XM310K/
And if you look at the other brands, = like Sony or TVlogic then its not anything less.

FSI best current = monitors the DM240 (LCD) and DM250 (OLED) then they are both 1080 = monitors, and i would argue that color accuracy and consistency is more = important than resolution... or at least at the current prices it is = :-D
They take an 2K input, and there is a firmware = in beta that will make them take an 4K input, not that i would suggest = you use that unless you have a backup reference monitor ;-)


2017-10-30 2:43 GMT+01:00 Teddy = Gage <AE-List@media-motion.tv>:
Let me know what you think. Also in the market. = May actually grab an FSI reference monitor too, since I've been doing = more color and online finishing. Really hurt on my last project not = having something with broadcast specs.

What's the opinion on getting a 1080p = vs 4K? Since I'm using it for color but can do QA on a 4K LCD, is there = any reason to get a 4K reference monitor? Prices jump a fair = amount

On Sun, Oct 29, = 2017 at 3:29 PM, Jim Curtis <AE-List@media-motion.tv> wrote:
So is mine, but my 30=E2=80=9D= Apple Cinema Display finally crapped out yesterday, so I weighed the = value of the 27=E2=80=9D BenQ PV270 against the slightly more = future-open HP 31=E2=80=9D Dreamcolor zx - $900 vs. $1330, and fewer = pixels than the ACD vs. more, respectively.  I ordered the = HP.  I should be getting it Thursday.  Wish me luck.

I have a = 24=E2=80=9D DreamColor already, and it=E2=80=99s been pretty = solid.

I read = some reviews on the PV270, and that looks mighty impressive for the = price.  The same size DreamColor is ~$300 more.



On Oct 24, 2017, at 8:00 AM, Brian Maffitt <AE-List@media-motion.tv> wrote:

4K support is an = excellent point. Fortunately my current gig is still a 1080p = workflow.

On Tue, Oct 24, 2017 at 8:51 AM, Carey = Dissmore <AE-List@media-motion.tv> wrote:
Solid advice from Steve. I=E2=80=99m actually = looking to upgrade my 2012-vintage HD Extreme 3D card for something 4k = capable. It will be a BMD product. 

The trend to 4k has definitely reached = my mid-level marketing video-driven post business.
Current = project load is something like this:

Source footage: 50% 1080p, 50% 3.2k or = 4k (or higher)

Finished deliverables: 80% 1080p, 20% 4k

Carey


On Oct 23, 2017, at 6:00 PM, Steve Oakley <AE-List@media-motion.tv> wrote:

pretty much BMD is the main = survivor of video I/O cards or interfaces. I have one of their HD ultra = studios with TB and it works great=E2=80=A6 but its also a discontinued = product. BMD thinned out their hardware line considerably at or around = NAB 2017. used options are of course out there, but I=E2=80=99d probably = go with  something that does 4K at this point.

S







-- 
_____________________________
Teddy Gage
President
Shotgun = Inc.
360 VR | MOGRAPH | = VFX
SHOTGUNPOST.COM
BKLYN NY = 11215
=


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