From: "Phil Spitler" Received: from mail-pf0-f173.google.com ([209.85.192.173] verified) by media-motion.tv (CommuniGate Pro SMTP 6.1.0) with ESMTPS id 6360132 for AE-List@media-motion.tv; Wed, 22 Nov 2017 17:53:23 +0100 Received: by mail-pf0-f173.google.com with SMTP id m88so12310546pfi.9 for ; Wed, 22 Nov 2017 08:56:54 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=bonfirelabs-com.20150623.gappssmtp.com; s=20150623; h=from:mime-version:subject:date:references:to:in-reply-to:message-id; bh=A1zkVzb4DjbWI9vafLCpN85CfIdXAOvCmPwmYLoYwdE=; b=KnnNw1g7gpvF9BJVliy0StZqr/8yzxHBXiQSNy0w6KKPxaLeFPDyTbn2T4cDCqRm7n 1PSIEZJKo9nIuubxHGFAS1t9xAF/Ajb3axqGTBKagO9uueHqZJP/t+6sUpcdMBQTMHuC kvsXfHqjrw1Qk+ZRkgj9DAm3yd1rjL90bMAOAIBvqg+qO39GXdwt+RlUffdSgd90S9OA b9HihgGlbUvmsKW8gs74aVDgmxYHV9FAFfhWP8jiz/QhmFmeA3YahtKIFidFZD324k2P lroS2021jQdx7ElD3SEZkVNE5D8yBkbNoAeCynSVCpgh+zOkQDerH5Nut6Rq7iiGLtd0 8sqA== X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=1e100.net; s=20161025; h=x-gm-message-state:from:mime-version:subject:date:references:to :in-reply-to:message-id; bh=A1zkVzb4DjbWI9vafLCpN85CfIdXAOvCmPwmYLoYwdE=; b=kLhzbNE0YUUDzdx1VAE4wNJCLTFe6+nqalEiNLeswgDxcNnuhr/w1dDDRb8qjeGEZ6 ogOUyDwfAYbTHB1DhrUBXXWHecKiRurt2bBhL5jZaVDSMEXdUMMMgG3vadVYBdvAiNiE ZvjSBT8QkvBqHd+ITHA0E5GL7f0ILpvbYPHp2MhBCoVVA/WEbSrJrO4zDqybaqaBIcOi jpVUZcwF/m12PdmpHS8SI6ggMvKNzwjrjVkYK0TUbXzVT7wnIlwerBDrxLH8n+2RhFEz ZSIhMnyQNiFvA0htLX2xI4QdtB2UF0ON4nYVRYksfVl0Em8nBi5eGDU7bMqRAbrsQOnL z+Mw== X-Gm-Message-State: AJaThX5WlnttL4sqpQyCTzAheVYqsy6kyhI04rEmArFghZMcTw6H+yFg 0XIwykBh/0Onu9iRMvKJDZ1eI1joNZw= X-Google-Smtp-Source: AGs4zMb7uZ/ZVRSzpZQ4/l030Qe0NRvHgxTy2xjKRAFuWJvIQC/w1+aOh5qLxVhN08xwuyHt9+v23Q== X-Received: by 10.98.38.66 with SMTP id m63mr10291094pfm.0.1511369810847; Wed, 22 Nov 2017 08:56:50 -0800 (PST) Return-Path: Received: from phils-imac.lan (157-131-169-198.fiber.dynamic.sonic.net. [157.131.169.198]) by smtp.gmail.com with ESMTPSA id f70sm33465095pfc.84.2017.11.22.08.56.49 for (version=TLS1_2 cipher=ECDHE-RSA-AES128-GCM-SHA256 bits=128/128); Wed, 22 Nov 2017 08:56:50 -0800 (PST) Content-Type: multipart/alternative; boundary="Apple-Mail=_BE023CC2-3106-412F-999A-0E090CDE9D73" Mime-Version: 1.0 (Mac OS X Mail 10.3 \(3273\)) Subject: Re: [AE] Multiple cameras per comp hack Date: Wed, 22 Nov 2017 08:56:49 -0800 References: To: After Effects Mail List In-Reply-To: Message-Id: <6B01CCB8-F47B-4E09-9AF2-642CEFD40514@bonfirelabs.com> X-Mailer: Apple Mail (2.3273) --Apple-Mail=_BE023CC2-3106-412F-999A-0E090CDE9D73 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 Seems like you could duplicate your master comp six times and delete the = cameras from the duplicated comps. Then copy the camera rig and your NULL from your master comp using the = =E2=80=9Ccopy with property links=E2=80=9D option and paste it into each = of the duplicated comps. Now just turn off all but 1 camera in each of the 6 comps and that = should work perfectly Animate the NULL (or individual cameras for that matter) in the master = comp and your 6 dupe comps will update. Hope this helps. Phil Phil Spitler | Creative Technologist | Bonfire Labs | t : = 415.394.8200 m : 415.571.3139 Website | Facebook = | LinkedIn = > On Nov 22, 2017, at 6:56 AM, Stephen van Vuuren = wrote: >=20 > I have a need to have six cameras in one master comp, looking in = different directions but rigged together so I can move the camera rig = easily as one e.g. with a null. > =20 > I=E2=80=99m messing with the multiple comp, single camera method and = it=E2=80=99s very awkward. > =20 > Of course, AE only will render the top camera per comp. But is there a = way to feed output from all six cameras into another comp that would be = a preview and render comp i.e. made of six precomps of the output of = each camera? > =20 > If you switch the active camera, AE see the output just fine for each = camera layer in a comp, so I figure there has got to be some internal = function to get that output somewhere. > =20 > =20 > Best, > Stephen > =20 > stephen van vuuren > 336.202.4777 > =20 > http://www.insaturnsrings.com/ > http://www.sv2dcp.com/ > http://www.sv2studios.com/ > =20 > A film is =E2=80=93 or should be =E2=80=93 more like music than like = fiction. It should be a progression of moods and feelings. The theme, = what=E2=80=99s behind the emotion, the meaning, all that comes later. > =E2=80=93Stanley Kubrick --Apple-Mail=_BE023CC2-3106-412F-999A-0E090CDE9D73 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 Seems like you could duplicate your master comp six times and = delete the cameras from the duplicated comps.

Then copy the camera rig and your NULL = from your master comp using the =E2=80=9Ccopy with property links=E2=80=9D= option and paste it into each of the duplicated comps.

Now just turn off all = but 1 camera in each of the 6 comps and that should work = perfectly

Animate the NULL (or individual cameras for that matter) in = the master comp and your 6 dupe comps will update.

Hope this = helps.

Phil





Phil Spitler  |  Creative = Technologist |  Bonfire Labs  |  t : 415.394.8200  m : 415.571.3139

Website | Facebook | LinkedIn

On Nov 22, 2017, at 6:56 AM, Stephen van Vuuren <AE-List@media-motion.tv> wrote:

I have a need to have six cameras in one master comp, looking = in different directions but rigged together so I can move the camera rig = easily as one e.g. with a null.
 
I=E2=80=99m messing with the multiple = comp, single camera method and it=E2=80=99s very awkward.
 
Of = course, AE only will render the top camera per comp. But is there a way = to feed output from all six cameras into another comp that would be a = preview and render comp i.e. made of six precomps of the output of each = camera?
 
If you switch the active camera, AE see the output just fine = for each camera layer in a comp, so I figure there has got to be some = internal function to get that output somewhere.
 
 
Best,
Stephen
 
stephen van vuuren
336.202.4777
 
http://www.insaturnsrings.com/
http://www.sv2dcp.com/
http://www.sv2studios.com/
 
A film is =E2=80=93 or should be =E2=80=93 more like music = than like fiction. It should be a progression of moods and feelings. The = theme, what=E2=80=99s behind the emotion, the meaning, all that comes = later.
=E2=80=93Stanley = Kubrick

= --Apple-Mail=_BE023CC2-3106-412F-999A-0E090CDE9D73--