From: "Rob Birnholz" Received: from st13p35im-asmtp002.me.com ([17.164.199.65] verified) by media-motion.tv (CommuniGate Pro SMTP 6.1.0) with ESMTPS id 6364470 for AE-List@media-motion.tv; Thu, 30 Nov 2017 20:19:35 +0100 Received: from process-dkim-sign-daemon.st13p35im-asmtp002.me.com by st13p35im-asmtp002.me.com (Oracle Communications Messaging Server 8.0.1.2.20170607 64bit (built Jun 7 2017)) id <0P0800L00WHE3800@st13p35im-asmtp002.me.com> for AE-List@media-motion.tv; Thu, 30 Nov 2017 19:23:20 +0000 (GMT) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=me.com; s=04042017; t=1512069800; bh=v1IBvjPVpz58/DJ5aUswUegJk6gxKVkQc1StPMjjlEw=; h=From:Content-type:MIME-version:Date:Subject:Message-id:To; b=1gAEOZeN9I7XnojW/fcTbKX9CFiHAWKXhChdX1o074xImZlGctU46iGHv9uFTGCqv wMaDzm45QNeiG3WLlHfTFEHSE3HiwN/EXaRWbo6ZOrVlPx9V+JHwwaozFbLPwQcQDj 6uOUE9MyV4VRcFadmpi2y1f82F301pH03+4aTWk2MA469IcTPvr4d7bWyAJ7Jjec3N Nuhy1IhlcZQD1HE1eRw2bORzVzxyXffLklGg0jAMT8zHqhjxpXN8yiD00RddruqZWw J+lwC5Pa8xEXqIdW5uweUVhsXOVVQfJrA7BHUY1CuNiRk+56jYqMqQ4DGvrnIqZSNv 9jEatw00p7fgw== Received: from icloud.com ([127.0.0.1]) by st13p35im-asmtp002.me.com (Oracle Communications Messaging Server 8.0.1.2.20170607 64bit (built Jun 7 2017)) with ESMTPSA id <0P0800M3KWITKO30@st13p35im-asmtp002.me.com> for AE-List@media-motion.tv; Thu, 30 Nov 2017 19:23:19 +0000 (GMT) X-Proofpoint-Virus-Version: vendor=fsecure engine=2.50.10432:,, definitions=2017-11-30_06:,, signatures=0 X-Proofpoint-Spam-Details: rule=notspam policy=default score=0 spamscore=0 clxscore=1015 suspectscore=2 malwarescore=0 phishscore=0 adultscore=0 bulkscore=0 classifier=spam adjust=0 reason=mlx scancount=1 engine=8.0.1-1707230000 definitions=main-1711300249 Content-type: multipart/alternative; boundary=Apple-Mail-200D1952-2813-466C-A303-58ED56BCC4B5 Content-transfer-encoding: 7bit MIME-version: 1.0 (1.0) Date: Thu, 30 Nov 2017 14:23:17 -0500 Subject: Re: [AE] Compositing Ocean and Sky into Sailboat shot Message-id: References: In-reply-to: To: After Effects Mail List X-Mailer: iPhone Mail (14G60) --Apple-Mail-200D1952-2813-466C-A303-58ED56BCC4B5 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Haven't used Trapcode Horizon in a while, but maybe it'll help=20 https://www.redgiant.com/products/trapcode-horizon/ Rob Birnholz Absolute Motion Graphics, Inc. www.absolutemotiongraphics.com Office 407-830-8856 (Sent from a mobile device) > On Nov 30, 2017, at 1:44 PM, Steve Oakley wrote:= >=20 > Tsunami for water. never tried tying it into a track like this but should w= ork. if the camera doesn=E2=80=99t move from its location point, 2D planar t= rack should get you into good shape, otherwise may require 3D camera track t= o lock it up.=20 >=20 > S >=20 >> On Nov 30, 2017, at 11:07 AM, Brian Higgins wro= te: >>=20 >> That's a pretty tall order to do in 2d, particularly as I don't think the= re's a 2d way to do the water. Are there any clouds in the sky you can track= ? >>=20 >> On Thu, Nov 30, 2017 at 11:02 AM, Lachlan Westfall wrote: >>> Hey folks, >>>=20 >>> Never had to do this one before. >>>=20 >>> I have a hand-held shot on a sailboat where the sailor is looking out at= a "fantastical" sky and ocean. The shot's hand-held and the boat is moving w= ith the waves. I need to match the motion and put in water and sky with a ho= rizon. The horizon will move with the handheld motion of the camera, but won= 't really move as much with the boat. I'm thinking about tracking the boat a= nd using an expression to have the bg move at about 25-percent of the boat m= otion. I just wanted to ask if there's a tried and true technique for doing t= his. Why reinvent the wheel? >>>=20 >>> Thanks in advance. >>>=20 >>> -Lachlan >>> Quiet Earth Design >>>=20 >>> +---End of message---+ >>> To unsubscribe send any message to >>=20 >>=20 >>=20 >> --=20 >> brian higgins | creative director >> Flavor >> ny =E2=80=A2 chicago =E2=80=A2 la =E2=80=A2 detroit =E2=80=A2 tokyo >> 312.706.5500 >> brian.higgins@flavor.tv >> flavor.tv >>=20 >=20 --Apple-Mail-200D1952-2813-466C-A303-58ED56BCC4B5 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable
Haven't used Trapcode Horizon in a whi= le, but maybe it'll help 

https://www.redgiant.com/products/trapcode-horizon/<= br>
Rob Birnholz
Absolute Motion Graphics, Inc.
Office 407-830-8856
(Sent from a mobile device)=

On Nov 30, 2017, at 1:44 PM, Steve Oakley <AE-List@media-motion.tv> wrote:=

Tsunami for water. never tried tyi= ng it into a track like this but should work. if the camera doesn=E2=80=99t m= ove from its location point, 2D planar track should get you into good shape,= otherwise may require 3D camera track to lock it up. 
<= br class=3D"">
S

On Nov 30, 2017, at 11:07 A= M, Brian Higgins <A= E-List@media-motion.tv> wrote:

That's a pretty tall orde= r to do in 2d, particularly as I don't think there's a 2d way to do the wate= r. Are there any clouds in the sky you can track?

On Thu, Nov 30, 2017 at 11:0= 2 AM, Lachlan Westfall <AE-List@media-motion.tv<= /a>> wrote:
Hey folks,
Never had to do this one before.

I have a hand-held shot on a sailboat where the sailor is looking out at a "= fantastical" sky and ocean. The shot's hand-held and the boat is moving with= the waves. I need to match the motion and put in water and sky with a horiz= on. The horizon will move with the handheld motion of the camera, but won't r= eally move as much with the boat. I'm thinking about tracking the boat and u= sing an expression to have the bg move at about 25-percent of the boat motio= n. I just wanted to ask if there's a tried and true technique for doing this= . Why reinvent the wheel?

Thanks in advance.

-Lachlan
Quiet Earth Design

+---End of message---+
To unsubscribe send any message to <ae-list-off@media-motion.tv>



--
=
brian higgins | creative director
Flavor
ny =E2=80=A2 chicago =E2=80=A2 la =E2=80=A2 detroit =E2=80=A2 tokyo
312.706.5500
brian.higgins@flavor.tv
flavor.tv

=

= --Apple-Mail-200D1952-2813-466C-A303-58ED56BCC4B5--