From: "Stephen van Vuuren" Received: from [40.107.71.63] (HELO NAM05-BY2-obe.outbound.protection.outlook.com) by media-motion.tv (CommuniGate Pro SMTP 6.1.0) with ESMTPS id 7235024 for AE-List@media-motion.tv; Thu, 24 Jan 2019 20:02:16 +0100 DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=sv2studios.onmicrosoft.com; s=selector1-sv2studios-com; h=From:Date:Subject:Message-ID:Content-Type:MIME-Version:X-MS-Exchange-SenderADCheck; bh=0E10zNkrgMp5io25CwUu1lkY04etkAgImstzK9oHGLg=; b=HXxCHou0veTTNCH/ZoVW+fPkRZm6cO5Py8jxk8d3h5ssl520i6XBgJm8Z3iWBXOkRK7Yncc1w7/eVlYrWJ4EX7lZ34fr0Uq8pWfaRQNXlgv+KEey6qeANgRaeiqYjwQMdLDvps43vJ+a9an7RavWFrwkzgciAgURVc5ViS4HH/8= Received: from BL0PR06MB4466.namprd06.prod.outlook.com (20.177.145.83) by BL0PR06MB4946.namprd06.prod.outlook.com (10.167.234.222) with Microsoft SMTP Server (version=TLS1_2, cipher=TLS_ECDHE_RSA_WITH_AES_256_GCM_SHA384) id 15.20.1558.16; Thu, 24 Jan 2019 19:11:54 +0000 Received: from BL0PR06MB4466.namprd06.prod.outlook.com ([fe80::f108:791e:5faf:93f8]) by BL0PR06MB4466.namprd06.prod.outlook.com ([fe80::f108:791e:5faf:93f8%2]) with mapi id 15.20.1537.032; Thu, 24 Jan 2019 19:11:54 +0000 To: After Effects Mail List Subject: RE: [AE] Monitor Recommendations redux Thread-Topic: [AE] Monitor Recommendations redux Thread-Index: AQHUtAdzuIUf0ywECk6AM0UmvGE9fqW+yRZg Date: Thu, 24 Jan 2019 19:11:54 +0000 Message-ID: References: In-Reply-To: Accept-Language: en-US Content-Language: en-US X-MS-Has-Attach: X-MS-TNEF-Correlator: authentication-results: spf=none (sender IP is ) smtp.mailfrom=stephen@sv2studios.com; x-originating-ip: [45.36.20.199] x-ms-publictraffictype: Email x-microsoft-exchange-diagnostics: 1;BL0PR06MB4946;6:MfjNMnLDx1farjQkrsuY2ibliQDYZGJLYA9DROJ5r1dsAqcdH6Nyw9zwn0uK0ix3IFQyuHkPmrLE+4CkiVrohmmVmMTbXl+KkrJpPfd7DqKSVr+EM7v2RxX6qcV6Srz/SGJHO24CCpZVj4pRIv1eEN3ZMedxxE4uTAe5iX5NwozdYb4RvlM9lQGUST/RXqTCleBKAthh6w3L3vCJHgdEI2eMhLlDvynh0rglEtMCGGhCJxnu3ENf6ZQcY9rFZD4VBnM1/T2Cq2sEQPMhVP8OfREVxclSUXJkMk2/uJzrvh+sXnvSEpjcp7SupR5NbxZLkPDrAfFlmNG4p0SlRtfLm8qCyMtd73wPSvTwUtSzxBYcMJbXHMgiSdtmEknNU0cizRtb5jHce/6gx+99y8Zaa0GoEXrXo/L3ZSisllw3kGsQEEgYYX0a0jtjjgYow7FlRikCt+FSBSr1ZSMrt+7Ilg==;5:YhjoK/9WD8AgE485RhskgvVkF6KYMdRTzm2yl22qKojol349ktQTpxspfdZtLtdND6lXKTskl+WHIMdPypLy46jD9DpgYLloHllMG4U0E/KrDVYW9Y+uF0HYITVnKzH8CIyFdGeMv9JW0h87/lNSDWVbchT/O4b3eWWLV8kSDIX2j7Ix9hjV+DcdBTJkrp4EAv1uXesYGnS6ino00n7cqw==;7:f5pBf3B2Gn1BS1mS3IxjQDsX87FI/NCHpk27lhtLqPqkHgSOEZbXMXn2MfHmJlyXEpT2JwOLItNqKVZxn+xYyrBjImY9bZGUsN/TRe16/EprWHo/e8q7UWXr8/xwtyWZIEs8jn1FGcaxzOdDF159cg== x-ms-office365-filtering-correlation-id: 261b4f81-001d-4c4c-ae31-08d6822fcd97 x-microsoft-antispam: BCL:0;PCL:0;RULEID:(2390118)(7020095)(4652040)(7021145)(8989299)(4534185)(7022145)(4603075)(4627221)(201702281549075)(8990200)(7048125)(7024125)(7027125)(7023125)(5600110)(711020)(4605077)(2017052603328)(7153060)(7193020);SRVR:BL0PR06MB4946; 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boundary="_000_BL0PR06MB44669AB5F6B6690BB09A2C8C909A0BL0PR06MB4466namp_" MIME-Version: 1.0 X-OriginatorOrg: sv2studios.com X-MS-Exchange-CrossTenant-Network-Message-Id: 261b4f81-001d-4c4c-ae31-08d6822fcd97 X-MS-Exchange-CrossTenant-originalarrivaltime: 24 Jan 2019 19:11:54.2909 (UTC) X-MS-Exchange-CrossTenant-fromentityheader: Hosted X-MS-Exchange-CrossTenant-id: e570a484-2aa9-42b7-94d7-bc709ee3b55c X-MS-Exchange-Transport-CrossTenantHeadersStamped: BL0PR06MB4946 --_000_BL0PR06MB44669AB5F6B6690BB09A2C8C909A0BL0PR06MB4466namp_ Content-Type: text/plain; charset="us-ascii" Content-Transfer-Encoding: quoted-printable I did several years ago as well. Xrite is just better all around and I trus= t it. Never quite trusted the Spyder 4 or 5. From: After Effects Mail List Sent: Thursday, January 24, 2019 12:08 PM To: After Effects Mail List Subject: Re: [AE] Monitor Recommendations redux I gave up on Spyders. While the 5 approaches semi-usable its still not as g= ood as the Xrite1. S On Jan 23, 2019, at 7:45 AM, Matthew Tompkins > wrote: Hi Robert, I am curious to know your calibration device/s. I use a Spyder5 = and also see what I regard as a reddish tint. On Wed, Jan 23, 2019 at 12:38 AM Robert W. Walker > wrote: I used the 27" Dreamcolor Z27X for many months. Over time it drifted into an overall reddish tint that color calibration does not seem to be able to correct, which is really weird. I bought the BenQ PV270 and have been very happy with it ever since. It responds properly to calibration. The Dreamcolor is now a GUI monitor and all critical color decisions are made using the PV270. The HP and BenQ are not on par with the ultra-critical state-of-the-art Flanders or Eizo monitors; they are bang-for-the-buck monitors that ring in at less than half the price of the top of the line while still giving me sufficient confidence in color accuracy to get the job done. Robert W. Walker WalkerSound Walker/Fitzgibbon TV & Film Los Angeles CA USA > -------- Original Message -------- > Subject: [AE] Monitor Recommendations redux > From: "Jim Curtis" > > Date: Tue, January 22, 2019 5:08 pm > To: "After Effects Mail List" > > > > Are the Benq, Flanders, and DreamColor still the best value in monitors f= or color critical work currently? > > > > > . > +---End of message---+ > To unsubscribe send any message to > +---End of message---+ To unsubscribe send any message to > --_000_BL0PR06MB44669AB5F6B6690BB09A2C8C909A0BL0PR06MB4466namp_ Content-Type: text/html; charset="us-ascii" Content-Transfer-Encoding: quoted-printable

I did several years ago as well. Xrite is just bette= r all around and I trust it. Never quite trusted the Spyder 4 or 5.

 

From: After Effects Mail List <AE-List@med= ia-motion.tv>
Sent: Thursday, January 24, 2019 12:08 PM
To: After Effects Mail List <AE-List@media-motion.tv>
Subject: Re: [AE] Monitor Recommendations redux

 

I gave up on Spyders. While the 5 approaches semi-us= able its still not as good as the  Xrite1.  

 

S



On Jan 23, 2019, at 7:45 AM, Matthew Tompkins <AE-List@media-motion.tv> wr= ote:

 

Hi Robert, I am curious to know your calibration dev= ice/s. I use a Spyder5 and also see what I regard as a reddish tint.

 

On Wed, Jan 23, 2019 at 12:38 AM Robert W. Walker &l= t;AE-List@media-motion.tv>= ; wrote:

I used the 27" Dreamcolor Z27X for many months.= Over time it drifted
into an overall reddish tint that color calibration does not seem to be
able to correct, which is really weird. I bought the BenQ PV270 and have been very happy with it ever since. It responds properly to calibration. The Dreamcolor is now a GUI monitor and all critical color decisions are made using the PV270.

The HP and BenQ are not on par with the ultra-critical state-of-the-art
Flanders or Eizo monitors; they are bang-for-the-buck monitors that ring in at less than half the price of the top of the line while still giving me sufficient confidence in color accuracy to get the job done.

Robert W. Walker
WalkerSound
Walker/Fitzgibbon TV & Film
Los Angeles CA USA



> -------- Original Message --------
> Subject: [AE] Monitor Recommendations redux
> From: "Jim Curtis" <AE-List@media-motion.tv>
> Date: Tue, January 22, 2019 5:08 pm
> To: "After Effects Mail List" <AE-List@media-motion.tv>
>
>
> Are the Benq, Flanders, and DreamColor still the best value in monitor= s for color critical work currently?
>
>
>
>
> .
> +---End of message---+
> To unsubscribe send any message to <ae-list-off@media-motion.tv>

+---End of message---+
To unsubscribe send any message to <ae-list-off@media-motion.tv>=

 

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