From: "Adam Mercado" Received: from otter.birch.relay.mailchannels.net ([23.83.209.139] verified) by media-motion.tv (CommuniGate Pro SMTP 6.1.0) with ESMTPS id 7248568 for AE-List@media-motion.tv; Fri, 22 Feb 2019 18:26:51 +0100 X-Sender-Id: dreamhost|x-authsender|adam@influxx.com Received: from relay.mailchannels.net (localhost [127.0.0.1]) by relay.mailchannels.net (Postfix) with ESMTP id 57F625E35F6 for ; Fri, 22 Feb 2019 17:37:26 +0000 (UTC) Received: from pdx1-sub0-mail-a54.g.dreamhost.com (unknown [100.96.20.153]) (Authenticated sender: dreamhost) by relay.mailchannels.net (Postfix) with ESMTPA id 0CE875E0E86 for ; Fri, 22 Feb 2019 17:37:26 +0000 (UTC) X-Sender-Id: dreamhost|x-authsender|adam@influxx.com Received: from pdx1-sub0-mail-a54.g.dreamhost.com (pop.dreamhost.com [64.90.62.162]) (using TLSv1.2 with cipher DHE-RSA-AES256-GCM-SHA384) by 0.0.0.0:2500 (trex/5.16.3); Fri, 22 Feb 2019 17:37:26 +0000 X-MC-Relay: Neutral X-MailChannels-SenderId: dreamhost|x-authsender|adam@influxx.com X-MailChannels-Auth-Id: dreamhost X-Grain-Wipe: 671a33ac7c4a0f63_1550857046223_3550764198 X-MC-Loop-Signature: 1550857046223:736477507 X-MC-Ingress-Time: 1550857046223 Received: from pdx1-sub0-mail-a54.g.dreamhost.com (localhost [127.0.0.1]) by pdx1-sub0-mail-a54.g.dreamhost.com (Postfix) with ESMTP id A38B480226 for ; Fri, 22 Feb 2019 09:37:25 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha1; c=relaxed; d=influxx.com; h=from :content-type:content-transfer-encoding:mime-version:date :subject:message-id:references:in-reply-to:to; s=influxx.com; bh=TzLS6Ez5E7+hiV0/YCb/JygXgWo=; b=QndiN6Wmnhjphe+PCgATgZfMJLoi fFBprZb+QHADyNpE9+vajw2f95QU/6O4RONvpp82pvFwW1ZCUDAlraOK7lO5FfEe HPmrRntYoZQ/4L/y6si6b0T2gccd8yl7aC2vyGsd1PsJ4WoapVaSLozItTBYcj5Y FzxHnmbNs5ZxX2w= Received: from [192.168.1.64] (107-194-133-191.lightspeed.irvnca.sbcglobal.net [107.194.133.191]) (using TLSv1.2 with cipher ECDHE-RSA-AES256-GCM-SHA384 (256/256 bits)) (No client certificate requested) (Authenticated sender: adam@influxx.com) by pdx1-sub0-mail-a54.g.dreamhost.com (Postfix) with ESMTPSA id 6DEDF8023A for ; Fri, 22 Feb 2019 09:37:23 -0800 (PST) X-DH-BACKEND: pdx1-sub0-mail-a54 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Mime-Version: 1.0 (1.0) Date: Fri, 22 Feb 2019 09:37:22 -0800 Subject: Re: [AE] Dynamic Link Best Practice Message-Id: <20E0E385-5A8A-4E2E-B83D-42E18D3C208F@influxx.com> References: In-Reply-To: To: After Effects Mail List X-Mailer: iPad Mail (15G77) X-VR-OUT-STATUS: OK X-VR-OUT-SCORE: -100 X-VR-OUT-SPAMCAUSE: gggruggvucftvghtrhhoucdtuddrgedutddruddtgddutdehucetufdoteggodetrfdotffvucfrrhhofhhilhgvmecuggftfghnshhusghstghrihgsvgdpffftgfetoffjqffuvfenuceurghilhhouhhtmecufedttdenucesvcftvggtihhpihgvnhhtshculddquddttddmnecujfgurhephfgtgfggfffukfhfjgfvofesthhqmhdthhdtjeenucfhrhhomheptegurghmucfovghrtggrughouceorggurghmsehinhhflhhugiigrdgtohhmqeenucfkphepuddtjedrudelgedrudeffedrudeludenucfrrghrrghmpehmohguvgepshhmthhppdhhvghloheplgduledvrdduieekrddurdeigegnpdhinhgvthepuddtjedrudelgedrudeffedrudeluddprhgvthhurhhnqdhprghthheptegurghmucfovghrtggrughouceorggurghmsehinhhflhhugiigrdgtohhmqedpmhgrihhlfhhrohhmpegruggrmhesihhnfhhluhiggidrtghomhdpnhhrtghpthhtoheptefgqdfnihhsthesmhgvughirgdqmhhothhiohhnrdhtvhenucevlhhushhtvghrufhiiigvpedt Ah thanks Jim. So very similar to what Teddy was talking about. Interesting y= ou talk about name bars, as that was the thing I was hitting a wall with in m= y current project. A very basic name bar that renders in seconds in AE takes= an eon to preview via DL in PP.=20 I will put my CC18 UI biases aside and test the DL implementation over the w= eekend Thanks AM > On Feb 22, 2019, at 9:32 AM, Jim Curtis wrote: >=20 > No, Adam. Sorry if I was confusing. Here=E2=80=99s my standard use of DL= . >=20 > 1. Select clips in Pr for Ae treatment and choose =E2=80=9CMake After Effe= cts Composition.=E2=80=9D > 2. Do my voodoo in Ae, and render using RenderGarden. > 3. Import rendered files into Pr and replace the DL-ed clip in the origina= ting Pr Sequence. > 4. To make changes, just do them in Ae, and over-write the existing output= file, and it updates in Pr. (Just don=E2=80=99t switch to Pr while it=E2=80= =99s rendering, AND make sure the Pr CTI isn=E2=80=99t on the clip being re-= rendered.) >=20 > That=E2=80=99s for Ae Comps that take a while to render. A good example i= s when I use an Ai file from MapResources that has 20 or 30 layers of vector= s that take a pretty long time to render. >=20 > I keep some of my DL-ed clips as DL-ed clips in Pr if they=E2=80=99re the k= ind that render quickly, such as for name keys. >=20 >=20 > Jim >=20 >=20 >=20 >=20 >=20 >> On Feb 22, 2019, at 10:57 AM, Adam Mercado wrot= e: >>=20 >> Jim, are you saying RenderGarden speeds up DL use? I=E2=80=99m not sure I= follow your thought on that. Also, is CC18 pretty stable/useable/efficient r= egarding DL use in your experience. If it=E2=80=99s been broken in CC19 then= I=E2=80=99ll steer clear but maybe I=E2=80=99ll give CC18 another look if y= ou reckon it=E2=80=99s worth it >>=20 >>=20 >>=20 >> Adam Mercado >> Owner & Creative Idiot >> Influxx Media Production=20 >> 714.928.9896 >>=20 >> Moving Images. For Business >>=20 >>> On Feb 22, 2019, at 7:58 AM, Jim Curtis wrote:= >>>=20 >>> I also use DL the way you describe here for my render-intensive Ae Comps= , and for those I use RenderGarden, which renders about 4-6x faster than Ae a= lone, in my experience. >>>=20 >>> But, for the most part for name supers and simple (fast rendering) GFX i= n Pr, I=E2=80=99ve come to depend on DL, which has gotten less stable with C= C19, in my experience. So much so that I=E2=80=99m sticking with CC18 for l= arge projects, and clients who give me lots of projects, and CC19 for one-of= fs from =E2=80=9Cseldom=E2=80=9D clients. A Pr Project downgrader I found o= n the web has become invaluable, after I run into road blocks in Pr CC 19. >>>=20 >>> If I=E2=80=99m going to need a lot of Mocha, I=E2=80=99ll do those in Ae= CC19, and render out to import into Pr CC18. >>>=20 >>> Teddy, you=E2=80=99re the first =E2=80=9Cadvanced user=E2=80=9D I=E2=80=99= ve noticed who uses Essential Graphics. I inherited a project from a beginn= er, all of whose graphics were VideoHive templates. The Text Tool in Pr wil= l continue to suck as long as they keep that ridiculous method of kerning th= at takes forever. I don=E2=80=99t know why Adobe can=E2=80=99t make their T= ype tools consistent between all their apps. >>>=20 >>>=20 >>>=20 >>>=20 >>>> On Feb 22, 2019, at 9:19 AM, Teddy Gage wrote= : >>>>=20 >>>> Adam, clearly I will not get you to change your ways, but as you said, p= aying $50 / month for 5 year old software is nuts. Nothing says you have to a= bandon 2014, but I literally could not imagine working in it completely, wit= h all the advancements and improvements and bug fixes since then. I can't ev= en list them there are so many. I know it's trendy to hate on AE development= since 2014 but many many features that have come down the pipe have increas= ed my productivity 10x. GPU accelerated effects and master properties alone a= re indispensable to my workflow now. Versioning lower thirds now takes minut= es vs. hours. DL is much more stable than it used to be, and much faster. Bu= t I guess if you're also on 5+ year old hardware, maybe you may not notice m= uch difference. >>>>=20 >>>> Anyway -=20 >>>>=20 >>>> I still don't use DL quite as intended - I use it to create the initial= comp to the appropriate length in AE, and bring in assets. Then I disable t= he DL in premiere, render out from AE and bring the clip back into Premiere.= Rendering through Premiere with the AE engine is incredibly slow, even with= the "hack" of closing AE. If the clip is pre-rendered you're gonna save a t= on of time. And native rendering in AE is much faster than through any exter= nal app (AME or pp).=20 >>>>=20 >>>=20 >>>=20 >>> +---End of message---+ >>> To unsubscribe send any message to >>>=20 >>=20 >>=20 >> +---End of message---+ >> To unsubscribe send any message to >=20 >=20 > +---End of message---+ > To unsubscribe send any message to >=20