From: "Mel Matsuoka" Received: from mail-qk1-f173.google.com ([209.85.222.173] verified) by media-motion.tv (CommuniGate Pro SMTP 6.1.0) with ESMTPS id 7251722 for ae-list@media-motion.tv; Thu, 28 Feb 2019 00:25:52 +0100 Received: by mail-qk1-f173.google.com with SMTP id h28so11012396qkk.7 for ; Wed, 27 Feb 2019 15:36:45 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20161025; h=mime-version:from:date:message-id:subject:to; bh=Z8upZus7FZsQdSstWUZlde5qKQgK+lCJDV9Qv0QYZPg=; b=T08RMn0gujl2hSMKAX6Y3ldckDapo8GiHuhzwgWDQrrni8Ug6IhBgMXTIjETaNwOOb WbNBmrtEBz+ntcsFmTBD2EzZ0nLfWlB0MeKXuWUDpGQb7OxJ3ynVLW0wq1xrYJrMBtaE D9L8ZnuiA/qK3X+LTNw7vv+t5TKPat5//fnzKQQr4YdBQugmfmkBcdMLbw6f9uUaLXwQ iRLtvIAyB5U++rPKn3queKGcNqCF1h6Ou5kEVqI4POjoZkye4gVbv2Do8O+qjmxlRNsW SNWrXaUMurZzvTKO8G/k4HwueyhkdZLxI4zm+Hmbmu6FsF+mkJvVA1s2pHQVaDmJrb9N 4gmA== X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=1e100.net; s=20161025; h=x-gm-message-state:mime-version:from:date:message-id:subject:to; bh=Z8upZus7FZsQdSstWUZlde5qKQgK+lCJDV9Qv0QYZPg=; b=V10oN4QeSXY4pKBF5KWD49DNeRXjVXDJdKyw+BH4AxR5kZCwmNFpkiKjN9I4yqilYx kKchBeD0cll6nRTvgoA80IxSJHpgXdMJvuXDC+/wlyXlgC/dnmiaaXvD82aoq00cQN2E xWXGUyfBZlIj5G7YP4YNn+fZ3ZfNXWVwzdli4DEizZgbSlCP7Pwyc/C4FFxfYjUaNNRM 9w4Kl/kGUd6u8fxKhLOEc8amH1KA9rGPjf2eYnBQ4YWkKM0GZUddHvg41EYb7OpbCsgC DjMpMMjnnvGE7oVjJyzfQbjL1FkA4KQQRGiYyZwi3Qgp8H6g5d9h1kc/5hWkyriUPAeo z37A== X-Gm-Message-State: AHQUAuYah3YsXMS+sHMB546auDxYI3mWiU+ITrVWRONjB/LyyhsfI4yk So1NutDFJuCrgEQBBZYbWpG2zrcfY+R+JPEd1OS/Fg== X-Google-Smtp-Source: APXvYqzSj4qQed0rMRgqJiECu8zCzcTor+dUDdAXKESMMcvd2GJkYJ8OokK55Bxv69+Gzvx/0f4KLe0P537NSihEoo0= X-Received: by 2002:a37:6744:: with SMTP id b65mr4248186qkc.162.1551310603349; Wed, 27 Feb 2019 15:36:43 -0800 (PST) MIME-Version: 1.0 Date: Wed, 27 Feb 2019 13:36:32 -1000 Message-ID: Subject: Adding handles to image sequences w/o losing existing timing? To: After Effects Mail List Content-Type: multipart/alternative; boundary="00000000000072f7560582e8a58c" --00000000000072f7560582e8a58c Content-Type: text/plain; charset="UTF-8" I'm in the middle of a nightmare project that I'm supposed to be doing VFX comps for BEFORE the edit is actually locked. I transcoded the current R3D selects to DPX sequences (using DaVinci Resolve w/24 frames of handles), so I dont have to work with the original R3D files in AE. My usual workflow is to create "source clip comps", by using the "New Comp from Selection" feature on the selected, imported DPX sequences. I then use this precomp as the actual "footage" that I work with, rather than dragging the actual clip itself directly into my comps. It appears that AE does not use embedded media timecode to reference discrete frames, so if I add more handles to the originally imported DPX sequence, the timing of the footage gets borked because it seems AE is just referencing frames by raw framecount, starting from the physical start of the media. In my ideal world, I would like to be able to add handles to an image sequence, and then have AE automatically detect this and allow me to pull out more frames on each side of the clip, without disturbing the original timing of the clip, wherever its being used in my comps. Any tips to workaround this issue? --00000000000072f7560582e8a58c Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable
I'm in the middle of a nightmare project that I'm = supposed to be doing VFX comps for BEFORE the edit is actually locked.
=
I transcoded the current R3D selects to DPX sequences (using= DaVinci Resolve w/24 frames of handles), so I dont have to work with the o= riginal R3D files in AE. My usual workflow is to create "source clip c= omps", by using the "New Comp from Selection" feature on the= selected, imported DPX sequences. I then use this precomp as the actual &q= uot;footage" that I work with, rather than dragging the actual clip it= self directly into my comps.

It appears that AE do= es not use embedded media timecode to reference discrete frames, so if I ad= d more handles to the originally imported DPX sequence, the timing of the f= ootage gets borked because it seems AE is just referencing frames by raw fr= amecount, starting from the physical start of the media.=C2=A0
In my ideal world, I would like to be able to add handles to a= n image sequence, and then have AE automatically detect this and allow me t= o pull out more frames on each side of the clip, without disturbing the ori= ginal timing of the clip, wherever its being used in my comps.
Any tips to workaround this issue?
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