From: "Py Fave" Received: from mail-it1-f173.google.com ([209.85.166.173] verified) by media-motion.tv (CommuniGate Pro SMTP 6.1.0) with ESMTPS id 7252818 for AE-List@media-motion.tv; Sat, 02 Mar 2019 09:07:26 +0100 Received: by mail-it1-f173.google.com with SMTP id l15so493337iti.4 for ; Sat, 02 Mar 2019 00:18:24 -0800 (PST) DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=gmail.com; s=20161025; h=mime-version:references:in-reply-to:from:date:message-id:subject:to; bh=9T1CWtKnuO85NWclFAllyc0ANsKSK5X5I1mthN7JHBk=; b=EINORHutZ7g+wQHaRWrJSt+/ZeDOxS1/4XgYxWIGfbj6i7n4Kd7p/cJWFdMT+gLCSZ YuYtQ6mV7iw8FQfLWqbdoEFqSsJPz8RdftQsZtBJTe8uNQpVT3E81iFTdfe4HcDL7R5H XoL3b/A+pr3f13FjnALdyY4KcFIz0lLHf8BSZCjf+/PRNGcDSuPtHeYMGCgO+emRdpwH Nu+mODzk/Jzc7s8JxYWHuNZgR7Fw9G4B3C7J6A2crPc709HcQhw+gBU5FhYg5636cy57 6pOPA/I2U8kaiSOj7w3RfDN3JCOBAPID3+YLqX3RCe+emvDsNyNbRwWW7vdKuwus4dwq 6MKg== X-Google-DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=1e100.net; s=20161025; h=x-gm-message-state:mime-version:references:in-reply-to:from:date :message-id:subject:to; bh=9T1CWtKnuO85NWclFAllyc0ANsKSK5X5I1mthN7JHBk=; b=i+D+FMokQzd0wRrxTkPAwDH2c79V5DOur3IOJXu3HFSinwrTqT03qmDzKnRIB329oh HQNQrESybEL2I5rG2hn9bkoxo+mFWl08IiS9UB+WQhoKsZuNf7Q7y41ugxABoT7/TqfK n5ud58NJ8rwhW26r1J1fW9AIk+vyx/WZuBhI6hdYUimkmAQmQtOr67sgg9cZGuzK78Yc iOce8u0Y31K9xdRFc69WjducuX9oeRKbmkzeALC1sNKjhPORkWYMarAQ2kK5jhfEEYXZ sgflp+U+9HVwHtXjlxQYebrLpn159997sSDnKXMyNmouSVZk1lgo0U2r/7OQTsqMxUzM gy+w== X-Gm-Message-State: APjAAAXOR7AA685W+90Ye+uzCSDWOl7yWP4oXGBvhFR83W/nxdfrxvGd xdy3D0ksgSqvdWNQjp7+EIlpjdkb+7VbSbNYjeW/aA== X-Google-Smtp-Source: APXvYqzCHGlSHN2wVhBDhQgwHeSEbaDKuScEp/UXsKX4MT+c1WKWXSPURSb62oHoPCbg0KcwvOqrGdZ7GiKzAvOpvh8= X-Received: by 2002:a24:7d8a:: with SMTP id b132mr6079642itc.66.1551514702518; Sat, 02 Mar 2019 00:18:22 -0800 (PST) MIME-Version: 1.0 References: In-Reply-To: Date: Sat, 2 Mar 2019 09:18:09 +0100 Message-ID: Subject: Re: [AE] Adding handles to image sequences w/o losing existing timing? To: After Effects Mail List Content-Type: multipart/alternative; boundary="000000000000b51f390583182a1b" --000000000000b51f390583182a1b Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable why not use time remapping? with something in an expresssion like" value+shift value" and a global controller? something like time-1 Le jeu. 28 f=C3=A9vr. 2019 =C3=A0 02:44, J Bills = a =C3=A9crit : > In apps that don't properly support metadata/timecode, one idea is to > write the timecode as the frame number. You get obscene numbers, like yo= ur > comp will start on frame 1841992. But then when you write out more paddi= ng > on either side, you just render those frames, add them in, and change the > starting frame of your comp. Seems like all would remain intact. > > I'm pretty sure Resolve supports that - although admittedly it's been a > while since I've had to do it. > > Unless my logic is off... > ------------------------------ > *From:* After Effects Mail List on behalf of > Mel Matsuoka > *Sent:* Wednesday, February 27, 2019 3:36 PM > *To:* After Effects Mail List > *Subject:* [AE] Adding handles to image sequences w/o losing existing > timing? > > I'm in the middle of a nightmare project that I'm supposed to be doing VF= X > comps for BEFORE the edit is actually locked. > > I transcoded the current R3D selects to DPX sequences (using DaVinci > Resolve w/24 frames of handles), so I dont have to work with the original > R3D files in AE. My usual workflow is to create "source clip comps", by > using the "New Comp from Selection" feature on the selected, imported DPX > sequences. I then use this precomp as the actual "footage" that I work > with, rather than dragging the actual clip itself directly into my comps. > > It appears that AE does not use embedded media timecode to reference > discrete frames, so if I add more handles to the originally imported DPX > sequence, the timing of the footage gets borked because it seems AE is ju= st > referencing frames by raw framecount, starting from the physical start of > the media. > > In my ideal world, I would like to be able to add handles to an image > sequence, and then have AE automatically detect this and allow me to pull > out more frames on each side of the clip, without disturbing the original > timing of the clip, wherever its being used in my comps. > > Any tips to workaround this issue? > --000000000000b51f390583182a1b Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable
why not use time remapping?

= with something in an expresssion like" value+shift value" and a g= lobal controller? something like time-1


<= /div>


Le=C2=A0jeu. 28 f=C3=A9vr. 2019 =C3=A0=C2=A002:44, J B= ills <AE-List@media-motion.tv= > a =C3=A9crit=C2=A0:
In apps that don't properly support metadata/timecode, one idea is to w= rite the timecode as the frame number.=C2=A0 You get obscene numbers, like = your comp will start on frame 1841992.=C2=A0 But then when you write out mo= re padding on either side, you just render those frames, add them in, and change the starting frame of your comp.=C2=A0 See= ms like all would remain intact.

I'm pretty sure Resolve supports that - although admittedly it's be= en a while since I've had to do it.

Unless my logic is off...
From:= After Effects Mail List <AE-List@media-motion.tv> on behalf of Mel Matsuok= a <AE-List@= media-motion.tv>
Sent: Wednesday, February 27, 2019 3:36 PM
To: After Effects Mail List
Subject: [AE] Adding handles to image sequences w/o losing existing = timing?
=C2=A0
I'm in the middle of a nightmare project that I'm = supposed to be doing VFX comps for BEFORE the edit is actually locked.

I transcoded the current R3D selects to DPX sequences (using DaVinci R= esolve w/24 frames of handles), so I dont have to work with the original R3= D files in AE. My usual workflow is to create "source clip comps"= , by using the "New Comp from Selection" feature on the selected, imported DPX sequences. I then use this precomp as the ac= tual "footage" that I work with, rather than dragging the actual = clip itself directly into my comps.

It appears that AE does not use embedded media timecode to reference d= iscrete frames, so if I add more handles to the originally imported DPX seq= uence, the timing of the footage gets borked because it seems AE is just re= ferencing frames by raw framecount, starting from the physical start of the media.=C2=A0

In my ideal world, I would like to be able to add handles to an image = sequence, and then have AE automatically detect this and allow me to pull o= ut more frames on each side of the clip, without disturbing the original ti= ming of the clip, wherever its being used in my comps.

Any tips to workaround this issue?
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