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| My IMAX film is ProPhotoRGB (as that was the official "D-Cinema" colorspace when I started the film in the days of yore). I'm still finishing up the fulldome of it, so I still spend time there. I run Quadro cards so my Mecury preview is 10-bit and I can use Adobe color management. I sent preview Monitors to "full" and DCI-P3. I have NEC 32" and Benq 32" 4K, all running in 10-bit mode. I also have BM Intensity cards pushing out 10-bit HDMI to a Sony 10-bit TV and a Sony 4K Projector which I set both to Rec709 and Rec2020 to see how things land. At some point will get HDR going via Resolve but not set that up yet. Stephen -----Original Message----- From: After Effects Mail List <AE-List@media-motion.tv> Sent: Monday, March 18, 2019 9:22 PM To: After Effects Mail List <AE-List@media-motion.tv> Subject: [AE] Working space other than sRGB/rec709 Just curious, Does anyone here routinely use a project working space that isn’t sRGB/rec709? And if so, how/why/ what monitoring setup do you have? -Chris +---End of message---+ To unsubscribe send any message to <ae-list-off@media-motion.tv> |
