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| Yes indeed. AE's color management and how it works with monitor drivers in not 100% reliable either. -----Original Message----- From: After Effects Mail List <AE-List@media-motion.tv> Sent: Monday, March 18, 2019 9:43 PM To: After Effects Mail List <AE-List@media-motion.tv> Subject: Re: [AE] Working space other than sRGB/rec709 Thanks… so basically you need to know what you’re doing! It’s not just another menu option... > On 19 Mar 2019, at 12:31 pm, Stephen van Vuuren <AE-List@media-motion.tv> wrote: > > My IMAX film is ProPhotoRGB (as that was the official "D-Cinema" colorspace when I started the film in the days of yore). I'm still finishing up the fulldome of it, so I still spend time there. I run Quadro cards so my Mecury preview is 10-bit and I can use Adobe color management. I sent preview Monitors to "full" and DCI-P3. I have NEC 32" and Benq 32" 4K, all running in 10-bit mode. I also have BM Intensity cards pushing out 10-bit HDMI to a Sony 10-bit TV and a Sony 4K Projector which I set both to Rec709 and Rec2020 to see how things land. > > At some point will get HDR going via Resolve but not set that up yet. > > Stephen > > -----Original Message----- > From: After Effects Mail List <AE-List@media-motion.tv> > Sent: Monday, March 18, 2019 9:22 PM > To: After Effects Mail List <AE-List@media-motion.tv> > Subject: [AE] Working space other than sRGB/rec709 > > Just curious, > Does anyone here routinely use a project working space that isn’t sRGB/rec709? And if so, how/why/ what monitoring setup do you have? > > -Chris > > > +---End of message---+ > To unsubscribe send any message to <ae-list-off@media-motion.tv> > > +---End of message---+ > To unsubscribe send any message to <ae-list-off@media-motion.tv> +---End of message---+ To unsubscribe send any message to <ae-list-off@media-motion.tv> |
